OPHELIA- FRAILTY THY NAME IS WOMAN Hamlet says‚ “Frailty thy name is woman”. Consider this statement in the light of the presentation of Ophelia; • Identify key scenes and soliloquies for analysis • Discuss various productions/interpretations • State your preference of interpretation The word frail means when a person or object has the quality of being weak‚ fragile‚ weak in health or being morally unstable‚ also someone who is easily manipulated and influenced by people that surround
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Hamlet Essay “No body‚ but he who has felt it‚ can conceive what a plaguing thing it is to have a man’s mind torn asunder by two projects of equal strength‚ both obstinately pulling in a contrary direction at the same time” -Laurence Sterne A majority of the characters in hamlet all face the problem of having conflicting feelings about their actions and desires. One of these characters is the new king of Denmark‚ Claudius. Claudius must choose between what is right and what is wrong‚ but his
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Although Hamlet gave the impression of a crazed man‚ driven mad by love and death‚ his actions reflect a man of consciousness‚ ultimately supporting the idea that his intentions were known and he is guilty in all aspects. His rollercoaster of intense emotions are meant to appeal to the audience’s sympathetic nature‚ but his conscious doesn’t prevent him from committing future crimes and becoming destructive. Hamlet seems to question himself mentally about the credibility of the ghost
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mother and father in heaven your sole will rest for all eternity‚ while hear on earth‚ storm clouds have gathered. Your presence is sorely missed. Hamlet‚ Prince of Denmark‚ was a man whose life touched many others. Perhaps the poet and Earl of Oxford‚ Edward De Vere‚ put it best when he said love‚ loyalty and kindness were the very essence of Hamlet. Love‚ loyalty and kindness. His friends and family‚ his beloved country‚ his people - all who knew the man and experienced his aura had but the deepest
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Shakespeare’s Hamlet‚ investigates these questions and describes the human instinct to resolve uncertainties of the past. Shakespeare reveals the absolute need for humans to reconcile the past when presented with a new situation by displaying the harm one is willing to inflict on others‚ as well as the sacrifices one is willing to take‚ to achieve reconciliation. He also argues this by demonstrating this attribute to be innate to all humans‚ regardless of morality or self-interest. In the play‚ Hamlet is
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Quotes: Quote #1: P. 31 (Hamlet I: ii‚ 129- 132) Quote #1 is spoken by Hamlet. Hamlet was just criticized in public by the king for still being sad about the king’s death two months later. Hamlet tells the audience how he truly feels about his father’s death and his mother’s marriage. He wants to die. He would commit suicide if God wouldn’t have a rule against it. If you commit suicide you go straight to hell. Quote number one is important for Aristotle’s third rule for tragedy. The third rule
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In the revenge play of Hamlet‚ the idea of poetic justice can be seen throughout the play various times. Shakespeare allows the reader to understand the mistakes of each character by killing them off in a justly manner. While seeking revenge‚ the main characters of the play earn their poetic ending‚ permitting Shakespeare to restore the karmic balance of the play. Claudius‚ Leartes‚ Polonius‚ are all killed poetically as a direct result of their actions‚ while Ophelia is used to reiterate the poetic
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Hamlet Thesis Statement In the play Hamlet‚ William Shakespeare writes of a tragedy in which Hamlet and Laertes both face the same problem-a murdered father. The paths of revenge that each of them take‚ parallel their characters and personalities throughout the play. While Hamlet broods over the murder of his father for the majority of the play‚ Laertes takes immediate action‚ and upon hearing about the death of his father‚ he rushes in and is ready to kill Claudius-whom he suspects has killed
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Demented‚ Draconian Tyrant: Hamlet‚ the Antihero Annroopa Jacob Roll no: 131201 I Semester MA English St. Joseph’s College‚ Devagiri‚ Calicut-8 ABSTRACT The Tragedy of Hamlet‚ Prince of Denmark by Shakespeare has always been subjected to various interpretations by critics of all ages. Often Hamlet is hailed as the ‘tragic hero’ of the play. In this paper‚ I argue that Hamlet is not the hero‚ but the ‘antihero’ of the play. The concept of ‘tragic hero’ by Aristotle and the modern definitions of
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