increasingly homogenised. Others‚ in contrast‚ argue that global media is thoroughly hybridised. Discuss the evidence for each of these positions with reference to hip-hop. I: Introduction Increasingly over the past twenty years‚ hip-hop has transformed from “marginalised to mainstream” (Motley & Henderson‚ 2008‚ p.243) as more and more of the world’s youth follow the genre. With these growing numbers all over the world there is simultaneously growing concern that hip-hop is increasingly homogenised
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different genres of music that have been identified. Through a little research‚ you can often times see that most of the current genres of music were rooted in older genres such as jazz. This essay in particular will discuss hip hop which has roots stemming from jazz‚ blues‚ and also gospel music. In Understanding Black American Aspects in Hip Hop Cinema by Tani Sanchez‚ we see an excerpt where music scholar Craig Werner establishes a three step process in which hip hop music is associated with the
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Race in Hip Hop It is a common belief that hip hop has served as the medium for healing racial tension in the 21st century. Although the hip hop industry has seen a subtle wave of successful white American rappers over the past couple of decades‚ this is not enough to suggest a racial merge in the predominately black American world of hip hop. White Americans are not typically welcomed into the hip hop community. The few white American rappers that have made it big in the hip hop industry
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Hip-Hop vs. America By: Phairron Price Angel Jenkins There is a huge controversy going on right now between the Hip-Hop Culture and America. When we say America we really we The U.S. Even though hip-hop is worldwide. Hip Hop means the whole culture of the movement. When you talk about rap. Rap is of the hip-hop culture. The emceeing. The d-jaying is part of the hip-hop culture. The dressing the languages are all part of the hip-hop culture. The break-dancing‚ the b-boys‚ and
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MC Lyte‚ and Queen Latifa have all been linked to ghostwriting rumors. Hip-hop pop star Nicki Minaj has battled ghostwriting rumors over the recent years‚ but the general consensus seems to be regardless of having help we all know she can write. Would Nicki be less of an artist if she was proven to have written “Monster”‚ but received help for a single like “Starships”? Nicki is one of the acts currently bigger than hip-hop‚ and it is looking like Atlantic is planning to make Cardi B the next pop
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Hip-Hop Goes Global It has been a quarter of a century since hip-hop first made its mark on the American music scene. Hip-hop has become a popular trend that is echoing around the world. By definition‚ hip-hop refers to a culture that embraces a particular music‚ language‚ attitude‚ and dress fashioned after disadvantaged urban youth. Born out of the ghettos of the South Bronx‚ New York‚ and created by black and Latino youth in the late 1970’s and early 1980’s‚ this music genre closely identified
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connecting. The power of music can connect people. Individuals express themselves in different ways. Music is used to express life experiences and other things. Many use the art of hip-hop to express themselves. Hip-hop is a form of art which can be expressed through a history rap songs‚ breakdancing‚ and graffiti art. Hip-hop culture has evolved and is a large part of today’s generation. It has breached out and has an influence all over the globe. The culture of hip-hop has impact and influence
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Industry Hip-Hop Culture This essay aims to examine the importance of the Hip-Hop culture in 21st century society. It will begin with consideration of the history of Hip-Hop‚ discussing its stylistic adaptations‚ cultural preferences and concerns‚ referring to the studies of black culture by Ellis Cashmore and Mark Neal. Within this I will explore the ethnicity and authenticity of the culture‚ with reference to last years Popular Music and its Cultural Context unit. The essay will then move
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Introduction: Hip Hop in History: Past‚ Present‚ and Future Author(s): Derrick P. Alridge and James B. Stewart Source: The Journal of African American History‚ Vol. 90‚ No. 3‚ The History of Hip Hop (Summer‚ 2005)‚ pp. 190-195 Published by: Association for the Study of African-American Life and History‚ Inc. Stable URL: http://www.jstor.org/stable/20063997 Accessed: 27/10/2009 14:22 Your use of the JSTOR archive indicates your acceptance of JSTOR’s Terms and Conditions of Use‚ available at
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Quitting Hip-Hop Quitting Hip-Hop is about a woman named Michaela Angela Davis who can no longer reconcile her love of a great rap beat with the derogatory images of women pervasive in much of today’s music and videos. This article address’ the intended audience of parents and teens‚ it will inform the negative influence hip hop music videos has on society‚ and how she gets through the struggles of how she was a part of that influence. I believe the audience intended to read this article
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