“to exact punishment or expiation for a wrong on behalf of‚ especially in a resentful or vindictive spirit.” The novel‚ Frankenstein‚ and the play‚ Hamlet‚ are two works of literature that revolve around the notion of revenge. The main conflicts of the stories are Prince Hamlet attempting to avenge the murder of his father and Frankenstein’s monster hunting down Victor Frankenstein for abandoning him in an empty and lonely existence. The novels use other themes to tie together the underlying theme
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“THE DEAD AMONGST THE LIVING” IN HAMLET AND FRANKENSTEIN William Shakespeare’s play Hamlet and Mary Shelley’s novel Frankenstein are challenging literary works that both have the same theme about the dead amongst the living. Both protagonists Hamlet and Victor Frankenstein endure hard times after their beloved father/mother dies. Victor’s mother and Hamlet’s father play a significant role in their upbringing. Therefore‚ their deaths bring to them inexpressible nostalgia for the past. Memories
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Frankenstein: The Theme of Abortion Most of us have read the novel Frankenstein. There are many themes that come along with one of the first gothic‚ romantic science fiction novels of the 17th century. Mary Shelly used her background life to create this horror book. She influenced future horror films for decades to come‚ Halloween costume ideas and quote upon quotes. Although this book carried the obvious Halloween-feel themes Shelly had a greater meaning for the book. Shelly believed in the need
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Olivia Sandifer McKay English III H-7 28 March‚ 2014 Victor Frankenstein as the Modern Prometheus I. Introduction Victor is referred to as the “Modern Prometheus” because‚ like the titan‚ Victor disobeys natural law by creating life‚ brings knowledge through creation‚ and faces severe punishment for his actions. II. Disobedience A. Prometheus does as he is forbidden 1. Prometheus directly disobeys Zeus‚ the supreme power in Greek mythology‚ to help man. 2. Prometheus brings man the fire which
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Grendel and Frankenstein are two monsters whose society ignores their existence and find them to be burdensome to their society based on the mere fact that they are not like the rest of their surrounding man-kind. Grendel and Frankenstein both strive to accept their place in the views of their surrounding peoples. Although their sporadic happiness comes from them engaging in fights and killing members of their societies‚ they learn to accept their place within the societies by coping with their
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Frankenstein was very fond of natural philosophy because philosophy means the love of wisdom. He found a volume of works by Cornelius Agrippa‚ an ancient philosopher‚ by chance. In fact‚ Frankenstein is committed to Agrippa’s theory. Due to Agrippa‚ he found something that was entirely new to him. He not only felt delighted in finding such a stunning volume of works‚ but also became enthusiastic over it. Even though his father did not think Agrippa’s theory was useful for Frankenstein‚ he still
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among many but it can be fixed. In the novel‚ Frankenstein‚ Victor Frankenstein has a great family who loves him dearly and when his mother dies he leaves his family to go to college. At the university he learns and studies extensively with ambitions for creating new life‚ one character flaw of his. He also ends up egotistically shutting himself off from the outside world including his family‚ who loved and cared for him all of his childhood. In Frankenstein‚ author Mary Shelley utilizes Victor Frankenstein’s
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Psychologists have long debated the nature versus nurture issue in the shaping of our identities. Are we shaped by our biology or by our environment? This psychological debate is explored in Mary Shelly’s gothic novel‚ Frankenstein. The novel poses a simple question: Was Frankenstein’s monster inherently an evil creature‚ or was he made into a killer because of his environment? Shelly’s characterization of Frankenstein’s monster shows that the creature began as a clean slate‚ but was shaped into
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are neglected by their creators and rejected at every turn by all they come across. Without guidance and without discipline‚ these beings are made to grow in a world they do not know‚ to fend for themselves. The beings‚ Grendel and the Monster of Frankenstein‚ charge their way through a world that despises them‚ searching for companionship‚ for acceptance‚ and for their self-worth. Try as they might‚ they cannot succeed and their sorrow turns to
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“The suffering in Frankenstein is undeserved” How far and in what ways do you agree with this view of Shelley’s presentation of suffering? Mary Shelley’s Frankenstein presents suffering through a variety of different mediums‚ however whether or not that suffering is deserved varies depending on the construction of the character. The novel was written in 1818 in the latter stages of the Gothic literary genre; Shelley incorporates the gothic theme when enabling two types of character – those who
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