The story tells how Judith saved her people by seducing and killing Holofernes‚ the Assyrian general. Judith explains what occurs when she utters “Approaching to his bed‚ she took hold of the hair of his head‚ and said‚ Strengthen me‚ O Lord God of Israel‚ this day! And she smothe twice upon his neck with all her might‚ and she took away his head from him” (Judith‚ 13:7-8). Gentileschi is able capture the domination of Judith through conveying her anguishes and wants for
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Cranach the Elder’s Judith with the Head of Holofernes‚ was created in the midst of both the High and Late Renaissance. The oil painting on linden created in 1530‚ is in traditional portrait style‚ and showcased Judith immediately after the beheading. The image of Judith holding the decapitated head of Holofernes uses the contrasting nature of the scene in its advantage. The painting contains both the gruesome head and the elegant beauty of the murderous widow. Appropriately‚ Judith is dressed in an
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19‚ 2014 Chapter 2 Assessment In Judith Beheading Holofernes‚ created in 1599‚ Michelangelo Mensi da Caravaggio uses high contrast and vivid lines to capture the dramatic essence of the beheading of Holofernes. In this rectangular oil painting done on canvas measuring 57 inches by 77 inches‚ the realistic view of the physical and emotional human state is depicted in a vulgar manner. Caravaggio’s painting illustrates a book in the catholic Bible dedicated to Judith in which she depicts an example
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I have chosen the artwork Judith Decapitating Holofernes by Artemisia Gentileschi in 1620. The reason I chose this painting is because of the graphic nature and the history behind the painting. The painting is 6’ 6 ⅜” x 5’ 3 ¾” oil on canvas located at the Uffizi Gallery in Florence‚ Italy. The painting shows two women (Judith and her maidservant) holding down and cutting off the head of Holofernes. This is clear because of the sword that Judith is holding near his neck and the blood that is painted
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Judith and Maidservant with the Head of Holofernes and Joseph the Carpenter Artemisia Gentileschi’s Judith and Maidservant with the Head of Holofernes (98) and Georges de La Tour’s Joseph the Carpenter (151) are great examples of Chiaroscuro. Chiaroscuro meaning the representation of balance between light and shades within artwork. This type of artwork is typical of the renaissance era. There are several aspects of chiaroscuro; modeling which is light falling across a curved or round surface. Highlights
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Term Paper: Saint Paul the Apostle Saint Paul the Apostle was one of the most influential early Christian missionaries of his time. He is responsible for writing many books that contributed to a large portion of the New Testament. Saint Paul was one of the most brilliant people to bring Christianity to wide spread lands. He traveled tens of thousands of miles spreading the word of Jesus Christ. These lands traveled upon included Cyprus‚ Asia Minor‚ Greece‚ Crete and Rome. Saint Paul helped define
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I believe Caravaggio’s take on “The Conversion of Saint Paul” was controversial because some believe the conversion was presented in a disrespectful manner. The 16th century was a time of Spiritual Reformation and I think it would have been less controversial if Saint Paul was presented in a more positive light (not knocked down to the ground). A lot of focus seems to lie on the horse as that takes up quite a bit of the painting. However‚ Saint Paul is also highlighted as he lifts his hands in
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October 26‚ 2009 Formal Analysis: Judith Cutting Off the Head of Holofernes As I was walking across the 17th century art section at Walters Art Museum‚ hanging behind the big rectangular pillar in the middle of the hallway‚ an oil painting on panel by Trophime Bigot draws my attention. The high contrasting tones of colors and values and the artist capability to make the grotesque painting appealing interest me. Judith Cutting Off the Head of Holofernes (Figure 1)‚ ca. 1640‚1 is consisting
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In the above picture‚ we drew Saint Gelasinus at the moment of his conversion. Immediately after this miracle he proclaimed that he had become a Christian and was then dragged out of the theatre and stoned by his enraged audience. It is clear to us that Saint Gelasinus’ conversion was nothing short of a miracle‚ as he was a comedian‚ and on the day of his martyrdom he was actually performing a mockery of a Christian baptism. As he emerged from the fake baptismal fount he was a changed man‚
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“Conversion of St. Paul”(or “The Road to Damascus”) is painting by Caravaggio that shows bibilical scene.. As meny artists in Baroque he painted for his church curators‚ this particular painting was ordred for the church of Santa Maria del Popolo in Rome. It illustrates the story behind conversion of great siner and prosecutor of Christians Saul that later becomes St. Paul’s. His story is very uplifting‚ he finds God or rather God find him and makes him his great saint‚ scholar‚ and Apostle. His
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