Abstract In an attempt to find out the purposes of the gothic elements in The Picture of Dorian Gray‚ this essay takes a close look at the three most prevailing gothic elements in the novel: the portrait‚ decadence‚ and the gothic villain by first exploring their presence and development throughout‚ and then examining their contributions to the characters‚ the plot development and the themes. First of all‚ the unique properties and symbolic meanings of the portrait in this novel are discussed. The
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Oscar Wilde: The Picture of Dorian Gray Oscar Wilde was one of the poets who‘s lyrics refused the problems of morality and philosophy which troubled the population during the Victorian era in the nineteenth century‚ and he found images for his own moods‚ loves and experience. His work as a dramatist and his legendary name‚ have given his verses a significant reputation. (Evans‚ I.‚ 1976‚ p.114) Wilde’s pleasure in provocation and his examination of different moral perspectives are
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ure Khadijah Wiley Boswell British Literature 12-5-10 The Picture of Dorian Gray Social classes are very evident in The Picture of Dorian Gray; they are represented through some of the main characters. The goal of this analysis is to identify the factors‚ which influence people’s ideals about social classes. The theme of social classes in The Picture of Dorian Gray is effectively revealed through the main characters Dorian‚ Lord Henry‚ and Basil. In opposition‚ social classes are seen as
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Oscar Wilde proves within his novel‚ The Picture of Dorian Gray‚ that as one becomes more and more transfixed upon narcissistic commodities‚ such as beauty‚ they experience a moral digression. Dorian Gray‚ at the beginning of the novel‚ is healthy and morally good. He retains his youth and innocence. Lord Henry‚ however‚ alters Dorian’s view of beauty and how life should be spent. Lord Henry terrifies Dorian of the aging process by telling him that‚ “ You only have a few good years in which to
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ways to interpret the word monster and what it means for man to be monstrous. The Picture of Dorian Gray by Oscar Wilde and Frankenstein by Mary Shelley exemplify this idea through the protagonists in their books. Although each book has its own interpretation on what it means to be a monster‚ they both demonstrate how immoral behavior and societal views contribute to man being monstrous. The Picture of Dorian Gray by Oscar Wilde demonstrates how immoral behavior and obsession with physical appearance
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Sibyl falls head over heels in love with Dorian Gray‚ willing to commit her life to him after only two weeks. Lady Henry hardly knows her husband‚ to whom she has been married for some time. Because neither woman is in a stable and comfortable situation‚ both eventually take drastic measures to move on. Therefore‚ in The Picture of Dorian Gray‚ both Sibyl Vane and Lady Henry are weak‚ flighty‚ and naive. The weakness of women is found in various forms throughout the text. Henry refers to women
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of their close ones. As depicted in The Picture of Dorian Gray‚ Oscar Wilde demonstrates the many undesired effects when exposed to influential individuals. With the introduction of external negative influences‚ Dorian Gray becomes a tainted man within the norms of not only a Victorian‚ but also a modern society‚ producing a corrupted life of duplicity‚ betrayal and artificiality. Originally symbolizing a character of purity and untouched innocence‚ Dorian is soon to be molded by Lord Henry‚ Basil
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The Picture of Dorian Gray By Oscar Wilde The Picture of Dorian Gray is a novel written by Irish writer‚ Oscar Wilde. The main character‚ rich and beautiful Dorian Gray‚ owns his portrait‚ which instead of him becomes older and where are traces of sin and mistakes. While Gray becomes uncontrollable and ruthless‚ his appearance stays youthful and flawless. At the end‚ in his despair‚ Gray destroys the picture and himself. The novel gives us a very good lesson – we can do whatever we want
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Everyone Wants an Extravagant Lifestyle: Is Your Soul worth Losing to the Seven Deadly Sins Oscar Wilde’s novel The Picture of Dorian Gray is about a young‚ charming man that is in conflict with the cultural anxieties of living an extravagant‚ seductive‚ moralistic‚ and self-confident life style. The Picture of Dorian Gray is a fictional novel that reveals many aspects of cultural anxieties instilled in all the characters. The cultural anxieties complicate the virtues of every character in the novel
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Parts of the Psyche in The Picture of Dorian Gray One of Sigmund Freud’s most prominent theories is how the psyche is split into three parts: the id‚ ego and superego‚ each of which contribute to a different set of behavior. The id is the primitive part‚ which focuses on our impulsive desires and how we can satisfy them‚ with no regard into the feelings of others‚ oneself or society’s expectations. The ego is the logical and reasoning part‚ which focuses on satisfying the same desires the id feels
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