The story‚ "Where Are You Going‚ Where Have You Been" by Joyce Carol Oates is truly littered with conventions of Psychoanalysis. Freud developed a list of defense mechanisms used by the human subconscious in order to deal with issues too intense for the conscious mind. These strategies of the psyche are translated into symbols scattered throughout this work. These symbols are expressed through the characters of Connie‚ and Arnold Friend. The first convention is denial. Denial is when the subconscious
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frustration of having old-fashioned parents or the annoyance of being too young to experience nearly everything‚ the minds of those under eighteen become a never-ending fantasy of being an adult. The seemingly carefree lifestyle of older kids seems to be impossible to wait on. 15-year-old Connie is no exception to this way of thinking. In a hurry to grow up‚ Connie‚ in Joyce Carol Oates’ “Where Are You Going‚ Where Have You Been”‚ naively executes the perfect role as an eager‚ under aged adolescent
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The Allegorical Elements in “Young Goodman Brown” Nathaniel Hawthorne is deemed to be the greatest of America’s anti-transcendental writers. His writing is especialy noted for its redolent symbolism and psychological probing into the darker sides of human heart‚ especially guilt and sin.Young Goodman Brown is one of Hawthorne’s most significant short stories in which his preoccupation with the effects of guilt and sin are combined with a continued emphasis on symbolism and allegory. The story is
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In the reading “Young Goodman Brown” by Nathaniel Hawthorne‚ Goodman tries to figure out whats right from wrong as he goes through new experiences with his church. Trying to determine if Faith is right for him. Hawthorne does well at utilizing the characters to help Goodman determine his true destiny throughout the story. This reading jumped out at me because of how Hawthorne uses dark romanticism in his writing. “Well; she’s a blessed angel on earth; and after this one night‚ I’ll cling to her
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stories immerge as paragons of a setting’s importance‚ these being Young Goodman Brown by Nathanial Hawthorne and‚ more contemporarily‚ Girl by Jamaica Kincaid. Both exemplify the importance of setting as it reflects and applies to the core meaning of each piece. On a very basic level‚ the setting of Young Goodman Brown gives historical insight into the characters and their lifestyles. From the story’s onset‚ it is established that Brown lives in a 17th century Puritan society‚ specifically Salem‚ Massachusetts
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Catalina Pension Mrs. Wall English 1102 21 April 2011 Joyce Carol Oates uses characterization and the coming of age effectively in “Where Are You Going‚ Where Have You Been”‚ “Four Summers”‚ and “The Girl with the Blackened Eye”. She uses it to connect the three stories to each other. Connie and the girl in “The Girl with the Blackened Eye” are connected because they were both violated by a man. Connie and Sissie were both connected because they were both influenced by their families’ ways
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Danette Willis June 15‚ 2013 English 11238A A Masterpiece in Disguise The first line of Oates literary work “Where Are You Going‚ Where Have You Been” indicates that the conclusion to Connie’s existence may have come to a terrible end. In the short story‚ “Where Are You Going‚ Where Have You Been” written by Joyce Carol Oates‚ the story takes you on a journey through the eyes of a helpless girl‚ who‚ as shown by the three opening words‚ came to a very unfortunate collapse. This particular
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The Consequences of Puritan Depravity and Distrust as Historical Context for Hawthorne’s "Young Goodman Brown" by Michael E. McCabe Puritan doctrine taught that all men are totally depraved and require constant self-examination to see that they are sinners and unworthy of God’s Grace. Because man had broken the Covenant of Works when Adam had eaten from the Tree of Knowledge‚ God offered a new covenant to Abraham’s people which held that election to Heaven was merely a possibility. In the
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Joyce Carol Oates’ short story “Where Are You Going‚ Where Have You Been?” is the haunting saga of a fifteen year old girl’s moral struggles that has resonated with readers since the story’s initial publication. Arnold Friend is a mystery of a character; his origins and nature have been debated time and time again. The real answer is that there is no real answer‚ and Arnold Friend is a character with a nature entirely up to the individual interpretation of any one reader. It can certainly be agreed
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that causes the reader to question events in the story‚ “Where Are You Going‚ Where Have You Been?” She develops this story featuring a girl named Connie‚ who has an encounter with a boy at a restaurant that she doesn’t know. “He wagged a finger and laughed and said‚ “Gonna get you‚ baby‚” and Connie turned away…” (Oates 210). Startled Connie only saw this boy once that night‚ but the story goes on‚ and a few days later he comes to her house where she learns that the boy’s name is “Arnold Friend.” She
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