Caravaggio Michelangelo Caravaggio‚ greatest Italian Baroque artist‚ was born in 1573. He had a complex character and a trouble personality‚ which he often got drunk and got involve into a fight. In 1605‚ he committed a murder and was sentence to death but he had been working in major Churches of Rome. Therefore‚ he had an important friend‚ Cardinal Del Monte‚ who became his sponsor and helped him to escape from Rome to Naples‚ where he was still painting a lot of incredible works. In 1610‚ Caravaggio
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other historical events‚ and two particular painters of the Baroque technique are Michelangelo da Caravaggio and Artemisia Gentileschi‚ both masters at the use of chiaroscuro (from the Italian words "chiaro‚" meaning bright‚ and "scuro‚" meaning dark)‚ which is a painting technique that uses dark and light in dramatic ways in paintings and often adds to the realism. Michelangelo da Caravaggio (1571-1610)‚ was a northern Italian painter that painted such amazingly realistic scenes‚ his work
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Spanish influences in mind‚ but also touches upon classical Renaissance inspirations‚ as he wants to have a modern day feel with a hint of classical influences. Caravaggio inspired Rembrandt during his art career‚ and in the painting ‘Night Watch’ he uses light and shadow to describe faces‚ which was one of the innovations of Caravaggio. By using this it makes the work very mysterious and it draws the viewer in
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Compare/Contrast the Artists – Painters Michelangelo Merisi known as Caravaggio and Johannes Vermeer were breakout artists of the 17th century. Caravaggio was around in the early 17th century Italy and was thought of as the most famous painter in Rome. Vermeer was from the Netherlands and little known about his early years. His artwork became famous in the 19th century long after his death. Both are well known for their masterpieces all around the world and are highly respected for their contributions
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How did Bernini transform the new St. Peter’s from a High Renaissance building to a Baroque style building? Bernini built Baldacchino as the focal point for the huge interior of St. Peter’s right under the dome. He used bronze for the most part of the architecture which made it looked splendid and striking. Instead of mounting decorations between the columns like Renaissance architects and sculptors did‚ Bernini cast them on the columns. To make the entire architecture lively‚ he built some lovely
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words that could describe Caravaggio. Most people who lived around same the time as Caravaggio would describe him as eccentric‚ murderous‚ quarrelsome‚ daring‚ defiant‚ and forgettable. As present-day people‚ we only have the artworks of Caravaggio to portray him as beautiful‚ insightful‚ religious‚ descriptive‚ innovate‚ traditional‚ and probably an “Italian Badass”. However‚ we must look at his paintings‚ his masterpieces‚ in order to truly understand who Caravaggio really was. Notorious for
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This masterpiece of Caravaggio’s late style was acquired after the second world war by Vincenzo Imparato Caracciolo of Naples. Previously unknown to Caravaggio scholarship‚ it was cleaned and restored by Pico Cellini (1959–1964) [see Ref. Marini 1987‚ p. 508]. First published by Pierre Rosenberg and then more fully by Marini‚ the picture quickly gained wide acceptance. Aside from Marini‚ who has repeatedly argued that it is a work of Caravaggio’s first Neapolitan period (1606–7)‚ scholars have recognized
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Apollo and Daphne by Bernini In order to fully appreciate the sculpture of Apollo and Daphne by Bernini‚ we need to understand the myth that it represents from Ovid ’s Metamorphoses. The story of Daphne is an example of an etiological myth one that is strongly explanatory of why certain things in their culture were a certain way. The gods were known for punishing mortals for offending them‚ but occasionally they punished each other. The gods were a vengeful‚ and they did not take kindly to
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is a harp whose tip is shaped like that of an eagle‚ a symbolic reference to the Borghese family. Bernini conceived and carved his statue of David in seven months‚ a remarkable achievement in itself. Looking deeper into the artwork: One fact of Bernini’s great genius should be pointed out. Almost all statues which preceded his stood self contained‚ insulated‚ apart from the spectator. . Bernini causes the viewer to become a part of his David statue. He who looks at this giant slayer senses Goliath
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comes to art‚ everyone knows of the two most infamous sculptors that have ever lain feet on this Earth. I am referring to the great Michelangelo and the brilliant Bernini. These two artists are known for being some of the best artists during their era. Michelangelo is one of the most well-known Renaissance artists to ever live‚ whereas Bernini is famously known as being a Baroque artist. Each era had a new style of art and these artists are the ones that really defined these new styles. These differences
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