Lesbianism‚ Feminism and Identity in Art CS3 - 2009/10 Kayley Healy Contents Page Introduction Chapter 1 – Robert Mapplethorpe (Self Portraits) Chapter 2 – Marcel Duchamp Chapter 3 – The Guerrilla Girls Chapter 4 – Lesbianism What is Lesbianism? History of Lesbianism Lesbian Identity Chapter 5 – Lesbianism and Gender in Art. Dyke Action Machine Toxic Titties Jocelyn Schneider Foye (Gender Identification Cards) Stacey Halper (Drag Kings) Conclusion Illustrations
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Summer B 2012 Course Title: Art Appreciation This course is taken in whole via the Internet without attending a classroom or testing center on campus. Professor Name: Anita Kirchen Ph.D. Email: kirchena@palmbeachstate.edu - use ARH 1000 in subject line – use the course email on Blackboard once the course has started. Catalog Description: Explores important works of the visual arts from the past and present and is designed to provide insights into works of art and meet the needs of the
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Parsifal and Free Will and Miracle La Salle Art Museum has been opened for about thirty-six years now and owns a constant exhibition of artworks from the Renaissance to the present (lasalle.edu/museum). The gallery possesses many artworks made by people from different centuries and countries. Parsifal by Pinckney Marcius Simon from the late 19th century and Free Will and Miracle by Bo Bartlett from the late 20th century are two artworks exhibited at La Salle Art Museum. These two artworks are different
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"Art does not exist unless it is shared‚ it requires both artist and audience." Discuss the extent to which you agree or disagree with the claim made above. Use relevant reasons and examples to support your point of view. The statement "Art does not exist unless it is shared‚ it requires both artist and audience" suggests that art must to be shared for if it is not shared it has no worth. In other words‚ the public is the driving force for what is deemed art‚ and if at one point the artwork is not
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And what of our human art? Must we not say that‚ in building‚ it produces an actual house‚ and in painting‚ it produces a house of a different sort‚ as it were a man-made dream for waking eyes?- Plato “A photograph is never interesting for its own sake‚ as art must be…‚” was the claim of conservative writer and philosopher Roger Scruton in his controversial 1989 paper ‘But is it art?’ Many responded strongly to Scruton’s claim that a photograph‚ unlike a painting‚ can never be representational
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Art in My Life I can’t really say I know very much from the world of Art. I do know I look at things in a different view from a lot of people and see beauty in objects and backgrounds that others simply ignore or don’t notice. My personal love is photography‚ of all kinds. Many don’t see photography as an art form because photographers don’t sculpt‚ paint‚ draw or weld it. I believe it is because they show us many things at different angles and views that as a society we have been trained to
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In Art 114 we were given a research assignment in which we analyzed art by taking both a formal and contextual approach. This project was intended to use the concepts learned in class and applying it contemporary art‚ our own artwork‚ or architecture. Each student could choose from four different topics such as: a video lecture‚ making art‚ research paper‚ or a group gallery show project. I will explain my personal experience of the research project as well as a critique of two best research projects
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Breanna Van Den Heuvel‚ 2-28-17‚ Art therapy In the‚ “Outcome-Based Evaluation of a Social Skills Program Using Art Therapy and Group Therapy for Children on the Autism Spectrum‚” by Kathleen Marie Epp focuses on the effects of Group and art therapy on a group of children that fall within the autism spectrum. She is studying the effectiveness of art on how it will indirectly help the children with their lack of social compatibility. The children that she study have issues with interaction and daily
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Art Review The work of art that capture my attention is a lithography created by the Venezuelan painter Marisol Escobar. She born in Paris‚ France on May 22‚ 1930 and died at the age of 85 in New York in April 30‚ of this current year. It is important to highlight at this point that this piece of art does not possess a tittle‚ but was created in the year of 1992. The painting is located in El Paso Museum of Art located‚ in the downtown arts district El Paso‚ Texas. The painting focuses in my opinion
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1. Linda Nochlin is a feminist art historian. She received her undergraduate degree from Vassar College in Philosophy and also has a M.A. in English from Columbia University. She has a PHD from New York University’s Institute of Fine Arts on The Development and Nature of Realism in the Work of Courbet. She taught one of the first undergraduate art history courses about women “The Image of Women in the Nineteenth and Twentieth Centuries” at Vassar then went on to teach at Yale. 2. “Why Have There
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