"Comparing christian art with islamic art" Essays and Research Papers

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    Islamic Art: Music & Sufism

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    meditation. The practices that occur at the majalis vary with each Sufi order‚ but the quintessential meaning is the same‚ and that is that Sufi music has universally influenced the world and has bridged the gap between both the Western world and the Islamic world. The renowned scholar‚ Seyyed Hossein Nasr quotes a man he deeply admires‚ Yehudi Menuhin‚ who said‚ “Sufi music is like ladder that connects the soul to Allah.” This ultimately shows the importance that music has on Sufism. In addition‚ Nasr

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    Comparing Works of Art

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    Comparing Works of Art 1 COMPARING WORKS OF ART Comparing Works of Art American Intercontinental University Comparing Works of Art 2 Table of Contents Page 3. Abstract Page 4. Art Terms of the Renaissance Page 5. Michelangelo Buonarroti and Leonardo da Vinci Page 6. References Comparing Works of Art 3 Abstract The Renaissance (1450

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    1. In the examination of early Christian works‚ one can make inferences concerning their beliefs in addition to the distinct implications that are found. Such inferences can be made by exploring major concepts relating to early Christian art‚ markedly the lack of images portraying crucifixion‚ resurrection‚ and the nativity of Christ. One can infer that due to the lack of these three concepts as well as the religion still being considered a cult‚ they were required to hold congregations in private

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    society are things like religion‚ government‚ and art. When people study history‚ art does not seem to play such an important role. However‚ art helps us understand how a society feels‚ thinks‚ and looks at the surroundings which in they live. Ecclesiastical art‚ commonly known as Christian art‚ dates back to the first and second centuries. The first influences of Christian art were believed to be Roman in nature. Many historians feel that the Christian art influence came from the east‚ particularly the

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    A Christian Perspective on Nudity in Art By: Matthew Clark - Article Source from: The Association of Classical & Christian Schools John is a Christian who enjoys the arts and finds them edifying. He is particularly fond of the art of painting. Desiring to expand his art history knowledge‚ he visits the best‚ closest art museum he can find. Going from gallery to gallery‚ John begins to become discouraged and more than a little embarrassed because of all the nudity shown in the paintings. He finds

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    Fundamental of Islamic Ornament in Geometrical Art Abstract Islamic ornament is underlying the pictorial or an icon. It ’s inspirational is from nature like stars‚ moon‚ trees and etc. Islam stricly does not allow arts in form of living things such as human and animal. In order to inhibit worshipping idol other than worshipping Allah subahanahuwataala. Basically the art of Islam can define as merge of science and mathematics learnings. In this content we will be more focing on geometry

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    Pilgrimage began in the Romanesque world during the Medieval times around the 2nd and 12th century. Romanesque art is referred during 1000 AD in Europe and it is an example of the Gothic style depending on the region and century. The Romanesque period witnessed an outpouring in the allure of religious pilgrimage. During the Middle Ages‚ many people men and women traveled on long and short journeys or pilgrimages. The pilgrimage was a journey to a sacred or holy place. Many people in Europe began

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    Christian Art created during the Middle Ages is full of symbolism. From animals and plants to colors and numbers‚ most every aspect of Medieval Christian art and architecture is symbolic of something. The following are examples of symbolic colors and their meanings: * Black: symbolic of death or loss * Blue: the color of the sky‚ is symbolic of heaven‚ may also be used to symbolize truth * Brown: symbolic of spiritual death and degradation * Green: the color of plant life‚ used to represent

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    known as the era before the renaissance‚ the most usual form of art was a style was one which closely resembled Byzantine Christian artwork. Through research‚ I found a definition for this style of artwork. A website called Britannica described Byzantine Christian art in way that was easy for me to understand‚ it was defined as “Based on the dynamic of lines and flat areas of color rather than form‚” (Britannica‚ Byzantine Christian par.5). This style of work is the very basis of comparison of Cimabue’s

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    In the late Islamic period (16th -18th)‚ perhaps even more so than in preceding periods‚ art was an instrument of dynastic expression in this great age of empires. Spurred by royal patronage‚ the arts flourished under the Ottomans and Safavids. Ottoman art was a vibrant synthesis of Turkish and Persian-Islamic‚ Byzantine‚ and Mediterranean culture and styles through conquest‚ through direct invitation of artisans‚ or through the migration of peoples. The Ottoman Turks were renowned for their

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