In the short story “Cathedral‚” by Raymond Carver‚ the narrator draws a cathedral with his blind guest and transforms from a narrow-minded‚ materialistic‚ and superficial individual to an individual who acknowledges the spiritual aspects of life and the lives of those around him. Before the egoist narrator meets the blind man‚ Bub is so closed-minded‚ jealous‚ and materialistic that he does not want to help someone in need and he does not empathize with the hardships others endure. However‚ after
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Fat by Raymond Carver This story illustrates my own confusion about theme and plot. The physical actions of taking his order and bringing him his food elicit information in the story which I may be confusing with plot. For example: She brings him his soup and he has completely finished his large salad and two slices of bread. So we learn he eats a lot of food and quickly (which is why he is fat). As she moves between table and kitchen our storyteller defends the fat man to her colleagues. This shows
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“Why‚ Honey?” is a short story written by the American short-story writer and poet‚ Raymond Carver‚ published in his collection Will You Please Be Quiet‚ Please in 1970 (en.wikipedia.org). The text tells the story of a mother’s concern of her son’s behaviour and tendency to lie starting from a young age to present time‚ in a form of a letter‚ an epistolary narrative (sittingbee.com). The woman in the text is the protagonist and narrator of the story and her son is a minor character. However‚ even
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Bah 1 Beverly Fraser Effective Reading and Writing 603-101-MC Friday October 30th‚ 2015 Cathedral In the short story “Cathedral” by Raymond Carver‚ the author represents that physical appearance and personality are two different things through the characters actions. The unnamed narrator and his wife don’t know each other intimately although they live together. Consequently‚ after working for a blind man named Robert‚ the
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I fear this essay may come off a bit choppy due to the fact that while reading “The Cathedral” by Raymond Carver I had a lot of different questions and thoughts running through my head. The first thing I noticed was that the narrator never really uses names and that confused me. Making the story difficult to navigate and raising the question‚ why leave character names a mystery until later? What purpose does it serve? We never learn the names of the narrator‚ the wife or the officer‚ most of the
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Reflection on Cathedral In a short story named Cathedral by Raymond Carver‚ he discusses about an unnamed man who is doubtful to his wife’s blind friend named Robert‚ he used to be the boss of her. One day he came to stay at their house because he was invited by the wife‚ and the wife invited him because he lost his wife and she wanted him to spend some time with them. The husband was feeling so uncomfortable because of the visit of Robert. The husband met the blind man‚ and he was acting in an
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The narrator of the story "Cathedral" by Raymond Carver has never met someone who was blind until Robert came to visit. Robert has been a friend of the narrator ’s wife for the past ten years and is spending the night because he has not seen her for such a long time‚ but this bothers the narrator. He does not regard a blind man as a normal person with whom he can relate with‚ and is extremely uncomfortable with the idea of having to socialize with one for an entire evening. The narrator is stereotypical
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1 English 110 30 July 2014 Loneliness is an attitude An attitude of loneliness is what the characters in Carver‚ Shepard and Duras’s stories have chosen as a way of life. Marguerite Duras chooses loneliness in her characters solely due to love‚ while Carver and Shepard’s characters choose an attitude of loneliness transpired from alcoholism and disappointment in love. Loneliness‚ an outcome of alcoholism can lead to lack of motivation to improve oneself. The lack of motivation in Carver’s
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Kahn 1 Nick Kahn Professor Martin English 102 7 June 2014 A Call for an Unexpected Change An initiation story‚ or better yet a “coming-of-age story‚” is a narrative in which the main character witnesses a rite of passage that prepares him or her for adulthood. In “A&P” by John Updike and “Cathedral” by Raymond Carver‚ the protagonist faces an initiation moment that awakens him to a new reality. Sammy‚ the narrator in “A&P”‚ is distracted by three barefooted girls in bikinis who walk into
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descriptive words with negative connotation; “This blind man was late forties‚ a heavy-set‚ balding man with stooped shoulders‚ as if he carried a great weight there. He wore brown slacks‚ brown shoes‚ a light-brown shirt‚ a tie‚ a sports coat. Spiffy” (Carver‚ 5). The narrator’s description‚ not only subconsciously affects his feelings towards Robert‚ but also affects the opinions of the readers. Instead of allowing the readers to develop an opinion of their own‚ the narrator’s bias has created one. The
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