ATS 1305: Contemporary Film Studies Assessment Task 1: Film Form Assignment Name: Chong Sarah Man – Yee‚ 22882618 Film Form on Hero (Zhang Yimou‚ 2002) “Film form‚ in its broadest sense‚ we mean the overall system of relation that we can perceive among the elements in the whole film” (Bordwell and Thompson 49). In this formal analysis‚ I will be considering film form in relation to the film Hero directed by Zhang Yimou. Large aspects of film form such as mise-en-scene‚ shot‚ editing
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Introduction to Film Art Fall 2013 Malcolm Turvey Office: Heimbold 304F Extension: 2644 E-mail: mturvey@slc.edu Syllabus Required Textbook: David Bordwell and Kristin Thompson‚ Film Art: An Introduction (New York: McGraw Hill‚ 2012; 10th edition) Class Schedule: NB: Readings marked (X) must be downloaded from MySLC Week 1 Conferences 9/10: NO CONFERENCES Screening 9/10: Collateral (Michael Mann‚ 2004‚ 120 min.) 9/11: Read: Introduction: Film as Art Film Art‚ Chapter 1
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Code and convention of horror film: A horror film follows certain code and convection to achieve its purpose of scaring and alarming the audience. The following are some of them: Setting/location: The location used for this genre of a film is isolated and lonely area that has been abandoned or an area where the victim will feel vulnerable. For example small communities‚ dark streets‚ narrow alleyways‚ roads‚ woods‚ haunted places‚ farms‚ country sides and cities etc… sometimes places with ‘dark’
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objective was to tell a story cinematically. For the film‚ I chose the role of the director because I knew a numerous amount of different camera shots in which I could choose to use. The editor was given her role because she knew how to incorporate my ideas into the film. The cinematographer‚ on the other hand‚ was given his role because he had prior knowledge about cameras and could capture my vision for this film. In order to create the desired film‚ a genre was established; therefore‚ I made the executive
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consuming III. Conclusion Abstract This paper aims to know more about the animated film makings. It tackles about how the animated film making develop‚ the early history‚ production and problems. This paper seeks to study more closely animated filmmaking in 1990’s to the present such as History‚ Production and Problems. The production of animated films is typically referred as a cartoon. Animated film making is more on the 2D and 3D animation that can be used in Adobe Flash Professional and
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cinematography is what makes a film exceptionally well. These techniques are essential in portraying the story that the director‚ and cinematographer are trying to convey. The choices they make will shape the outcome of the film. This is true to films such as American Me‚ A Bronx Tale‚ and American History X. All three of these films have different plots‚ but are connected through production design decisions that have impacted the story. It is through this art that the plots of these films were executed effectively
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Good evening Mr. Georges and fellow classmates‚ I have researched about 2 poems and made a comparison between the two. I’m here today to talk to you about them and see what you think at the end of the speech. The two poems I researched were (on the sea‚ author John Keats) and (sea fever‚ author John Masefield). as you can see from the title of the poems that they are bot about the sea but don’t be confused‚ they’re both completely different stories. Both of these poems talk about the sea‚ they
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Vivre Sa Vie In the nouvelle vague film style in Cleo de 5 a 7 and Vivre Sa Vie‚ isolation is a common theme expressed by two different walks of life through the unfortunate circumstances of two individual women. Both females have a physical terminal end in sight‚ but the struggle with internal isolation is what connects them together. Vivre Sa Vie objectifies and sexualizes Nana‚ the main character‚ from the minimizing documentary-like style of the film to her sudden cause of death. Her prostitution
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Film Criticism Lee R. Bobker affirms that there are six rudiments that film criticism should involve to be effectual: 1. Theme of film 2. Quality of technical execution 3. Quality and nature of ideas in the film 4. Validity of ideas in the film 5. Individual contributions 6. Relationship of the film to other works by the same filmmaker Each of these essentials must be satisfied or the film criticism will lack its effectiveness. A true critic realizes the importance that they hold
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Film Noir Presentation 1 Film Noir meaning black film or film of the night‚ was prevalent in post world war 2 in America and found a popular audience in France and got his name from the French critics. The term is most often applied to crime dramas. A genre that won’t mess you about and misleads you into thinking there will be a happy ending. The locations reek of the night‚ shadows‚ taxi drivers and bartenders who have seen it all‚ and also everybody in film noir seems to be smoking all
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