Othello: A Feminist Reading Using ideas from feminine stereotypes‚ explore ways in which Othello might be regarded as a product of its time. The representation of women in literature was felt to be one of the most important forms of socialisation. It provided role models which shown to both genders what is “acceptable” of females. Feminist Criticism examines the ways in which literature has been shaped according to the issues of gender. The feminist challenges the idea of women being submissive
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In Shakespeare’s Othello relationships are manipulated and the concept of love is fragmented. Throughout the course of the book‚ the relationship of Emilia and Iago take an interesting route in which defines the role of women and more importantly Emilia’s imperfections. During the Shakespearean era women were expected to be obedient and self-sacrificing. This is portrayed in the character of Emilia; although she is emotionally abused by her husband she continues to love him unconditionally. Emotions
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love for Othello is unnatural‚ since‚ according to him‚ Desdemona would never fall for a black man who she "fear’d to look on." Of course‚ Brabantio couldn’t be more wrong about his daughter – Desdemona is in love Othello. It seems that Iago has played Brabantio perfectly. Iago knew that Brabantio was racist and‚ as previous passages demonstrate‚ he used Brabantio’s attitude toward the idea of a mixed marriage in order to rile the man against Othello. Brabantio repeatedly insists that Othello must have
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force within action.’ To what extent do you agree with this? Within the play Othello‚ jealously remains the ultimate corrupting force‚ as it is through jealously that dramatic conflict occurs and the tragic events unfold. The consequences of jealously have a catalytic impact on the characters of the play and their mutual relationships. This is clearly demonstrated through the machiavellian villain of the play‚ Iago‚ whose actions and dialogue are driven by his jealously. It is Iago’s manipulative
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Othello‚ in Act I‚ Scene iii‚ declares that he is “rude in speech”; however‚ he then goes on to describe at length how he seduced Desdemona by his wondrous capacity as a storyteller. “My story being done‚” he confesses to his friends‚ “she [Desdemona] gave me for my pains a world of sighs […] and bade me‚ if I had a friend that loved her‚ I should but teach him how to tell my story” (I‚ iii‚ 158-165). Throughout the play‚ in fact‚ Othello’s poetic expression is unabated; it merely changes tone
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situation. This borrowing is most commonly seen with other authors using hints of Shakespeare in their own work. It is easy to see hints of Othello in The White Devil‚ although Webster’s work is not nearly as successful as Shakespeare ever was. As theses plays are both revenge tragedies‚ their plots revolve around seeking vengeance. The display of revenge in Othello
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“trusted” advisor Iago is the main antagonist character of Shakespeare’s “Othello‚ the Moor of Venice” also Othello’s ally‚ Iago is married to Emilia‚ who is an assistant to Othello’s wife‚ Desdemona. The story tell us that Iago hates Othello for some reason the readers don’t know‚ so he plans to get closer to Othello‚ therefore gain his trust and destroy him by saying that his wife is having an affair with his lieutenant Michael Cassio‚ which it is a lie. As soon as Othello marries Desdemona we
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many similarities and differences between the text and the film. In both the play and film they both seem to have the same plot. The characters also stayed the same in both. The explanation of the characters are some of the differences between the two. One of the big things was that In the film the director took off many things from the text. In both the film and play the expression of Iago’s hate and revenge toward othello stays the same. He truly hates othello in both. In one of the things that
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The most powerful character in the play‚ Othello‚ is Iago. Carefully planning his words and actions‚ Iago is able to manipulate others in a way that will further him and his goals. It is clear that Iago has no shame in deceiving all those who trust him because he does so deliberately. Iago is brilliant at judging others and their characteristics and uses this to his advantage. He says about Desdemona‚ “…I will turn her virtue into pitch…” Iago uses Desdemona’s passion for helping others against
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My first impression of Iago is that he’s a manipulative and hypocritical man who tries to make up for the lack of success and happiness in his life by destroying that of others. In Iago’s first appearance in the play‚ he’s seen manipulating the wealthy but foolish Roderigo into giving him money. He claims to be taking this money to buy extravagant gifts to woo Desdemona on Roderigo’s behalf‚ but he keeps the money for himself. “Iago‚ who hast had [Roderigo’s] purse/ As if the strings were [his]”
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