prove that parodies are a transformative use of the originals‚ Tennessee Williams’s The Glass Menagerie and A Streetcar Named Desire. The difference in the character’s personalities demonstrates how parodies can be seen as independent works.
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The Line Between Reality and Fantasy In the play A Streetcar Named Desire (ASND) by Tennessee Williams‚ one of the big themes from the play is the theme of illusion. Stella‚ Stanley‚ and Blanche allow illusion to shape and control their lives because they all see it as the best way towards happiness. Blanche’s life is an illusion because she wants to believe that she is still young‚ beautiful‚ and innocent while trying to hide from her past. While the role that illusion plays in Stella’s life
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Feminist critique on a street car named desire Although the play itself would have made huge strides in the feminist movement at the time the message behind the play brings out a crucial and relevant message to the audience today‚ and asks bigger questions to young people in a generation that questionably has made very few steps forward in the past few decades. It questions how gendered stereotyping controls our society and how little both sexes care to amend it in an apathetic civilisation. Blanche
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^^^^^^^^^^A STREETCAR NAMED DESIRE: BLANCHE DUBOIS Blanche is an English teacher‚ but she’s one of a kind. You’d never forget her if you took her course. Shortly before the play begins‚ Blanche has lost her job. She wasn’t fired for poor teaching skills‚ however. The superintendent’s letter said Blanche was "morally unfit for her position." That’s probably a fair evaluation of a teacher who seduced one of the seventeen-year-old boys in her class. Also‚ Blanche’s sexual exploits so outraged the
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In the movie‚ A Street Car Named Desire‚ Blanche uses the quote‚ “I don’t want realism. I want magic! Yes‚ Yes‚ magic! I try to give that to people." to explain her desire for her fantasy life to become reality. Blanches fantasy life would restore her youth‚ forgive her past and she would be more welcomed by people like Stanley and Mitch. I do agree with her statement‚ and believe that living in a “fantasy world” for a short period of time can be beneficial‚ but I do not agree with the circumstances
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irrational‚ impulsive‚ uncontrollable lust‚ but is a deliberate‚ hostile‚ violent act of degradation and possession on the part of a would-be conqueror‚ designed to intimidate and inspire fear (Susan Brownmiller). In Tennessee Williams “A Street Car Named Desire”‚ one of the main characters‚ Blanche‚ in this play goes through the experience of being raped and the effects that come from it. By Williams allowing Blanche to get rape in the play‚ it resulted in having a massive effect on the play and
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the relationship of Blanche DuBois and Stanley Kowalski. There is obvious dissent in the contentious actions between the two in “A Streetcar Named Desire” and it later grows as their personal views clash. The acrimony between the two was not always there but it later grew because of Stella Kowalski and the contrasting characters of both Stanley Kowalski and DuBois. The relationship between DuBois and Stanley Kowalski was already missing even despite the time that Stella Kowalski‚ DuBois’s
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Blanche’s Misfortunate Desire The main character in a drama entitled "Street Car Named Desire"‚ written by Tennessee Williams‚ is an emotional woman by the name of Blanche‚ who has many afflictions. The setting of this play is in the state of Louisiana. Blanche has the potential to be a very vigorous woman‚ if she chooses to tap into that unidentified strength. All her life‚ she’s managed to face scrutiny from every possible direction. She has been ostracized from her community‚ lied to throughout
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the notions of morality‚ free will and fate. In several literary pieces there is an issue between the human preconception to fully assent fate and the natural desire to control destiny. In Oedipus Rex by Sophocle and Hamlet by William Shakespeare‚ it is shown that the matters of fate and free will always create a struggle for the individual’s control over his life. The main characters of both plays‚ Oedipus and Hamlet‚ are put into similar situations they can’t escape but it is ultimately their actions
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Aeschylus’ Agamemnon and Sophocles’ Oedipus the King are considered as the best written tragedies that we have from the two great playwrights. These two plays have their plot constructed under Aristotle’s guidelines of a successful tragedy‚ and therefore are taught in many literature and classics classes as great examples of Greek drama. The plays contain some major similarities as well as differences in their method of plot progression‚ which comes from the slight difference of their understanding
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