The relationship between Stella and Stanley was indifferent. As evening began to approach‚ Stanley and his friends were having a poker night at the Kowalski resident. Stanley and his friends were beginning to get a little more foolish and outrageous because alcohol was involved. Stella said to Stanley “Couldn’t you call it quits after one more hand.” Then Stanley stands up and smacks his wife in her thigh. As hours and hours pass by‚ Stella says to Stanley and his friends “Drunk‚ Drunk‚ animal
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Symbols and Motifs in Street Car B Y M O L LY A N D R O R Y Symbol of Light Literally means – Blanche’s obsessed with her appearance‚ worried about aging as she’s older than she tells Mitch. Metaphorically means – the dark light hides her ‘dark’ past and personality. She has many ‘dark’ secrets in her life. The lantern is a symbol of her covering up her ‘dark’ parts of her personality and past‚ then as Mitch rips it down in scene nine it symbolises him ripping down her lies and seeing the
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Tennessee Williams’ A Streetcar Named Desire partially explores the deep conflict within the relationship of Stanley Kowalski and Blanche DuBois. And in doing so‚ Williams has crafted a play that reflects upon the context of the time‚ using these two characters to express the clashing values of the traditional old world and the rough‚ aggressive new world. Set in New Orleans immediately following World War II‚ Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing
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various forms‚ such as verbal assaults‚ physical harm‚ and cognitive deception. Any form of deliberate cruelty is an unforgivable crime because it can inflict misery and harm into another individual’s life. In Tennessee Williams’ story‚ A Streetcar Named Desire‚ the concept of deliberate cruelty pertains to a majority of the characters’ relationships. Blanche Dubois cognitively decepts her love interest Mitch through the yarns of lies she deliberately weaves. This unforgivable crime ultimately comes
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forget‚ but hangs on the past: however far or fast he runs that chain run with him” in light of Nietzsche’s opinion‚ compare and contrast the presentation of the past as a limiting factor to the identities of the female protagonists in A Streetcar Named Desire and Top Girls. The Southern Belle protagonist‚ Blanche Dubois‚ by the playwright Tennessee Williams is deeply haunted by her past‚ which is limiting her identity in the present and in order to cope; the protagonist creates fantasy. Blanche’s
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In Tennessee William’s A Streetcar Named Desire A woman named Blanche Dubois‚ sister to Stella Dubois comes to visit her and her husband Stanley Kowalski. To Blanche’s surprise her sister’s husband Stanley is not like the men she knew growing up. Blanche is a fading southern beauty who has experienced many things since the loss of her home‚ Belle Reve. Throughout the story the reader sees Blanche having episodes that have the reader thinking Blanche is crazy. By the end of the story the reader sees
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in the Oedipus trilogy. “Myth and Investigation in Oedipus Rex” by Peter T. Koper‚ “Oedipus and Abraham” by Moshe Shamir‚ and “Oedipus crux; reasonable doubt in Oedipus the King” by Kurt Fosso are three particular articles that have an appealing academic approach to the Oedipus trilogy. In Koper’s article‚ he mainly expresses how there is uncertainty in the crime committed by Oedipus; murdering his father‚ King Laius. In Shamir’s article‚ he makes an interesting comparison between Oedipus and Father
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When Blanche Ingram was young she was a very happy child‚ she had two loving parents and a beautiful baby sister as well as a small ragamuffin of a dog named yappers. When Blanche was seven her father and yappers were involved in a carriage raid and were mercilessly slaughtered by some bandits. Blanche was devastated. After the funeral many secrets of Mr. Ingrams finances were unveiled. Mr. Ingram was an avid gambler and loved the rush of watching a horse race down a track or watching two
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of ambitious young girls but so unfortunate of them‚ sitting in four walled quarters‚ unmarried sewing clothes for their marriages waiting for that particular sunrise and married serving their husbands till their eyes get close keeping all their desires‚ passion within besides dreams and hope‚ you too find fear in their visions‚ fear of raising the voice‚ fear of society which’s kept limitations on them‚ she’s viewed as a "femme" more than as a human‚ told to cover the face or wear veil when step
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Look at scene IV of ’Streetcar ’ What does the scene tell us about the relationship between Stella and Stanley‚ and how does Williams portray this? In order to analyse this scene‚ there needs to be a clear understanding of what has happened prier to it. Scene three is set at Stanley ’s poker game‚ when Mitch leaves the game‚ to chat to Blanche‚ Stanley becomes more and more annoyed‚ and smashes a radio. Stella yells at him‚ and he starts to beat her. The men pull him off. Blanche takes Stella
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