The Roman and Byzantine empires are widely regarded as two of the most powerful empires in human history. With large religious empires comes large extravagant architecture. The Pantheon‚ a temple created for the worship of the many Roman Gods was built by the emperor Hadrian in Rome from 118 to 125 CE. The Hagia Sophia was built by the emperor Justinian as a Christian church in Constantinople during the Byzantine Empire from 532 to 537 CE. The Hagia Sophia was designed by Anthemius of Tralles‚ a
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Inside the Pantheon is a dome that has a perfect spherical shape. In the centre of this dome is an opening with a symmetrical circular shape known as the ‘oculus’‚ which is sometimes also referred to as “Great Eye”. Reasons why these features of architecture were chosen: The meaning of the word ‘Pantheon’ is ‘contains all gods’ with ‘pan’ meaning all and ‘theon’ meaning gods. The interior of the Pantheon contains altars to individual gods hence the name. The dome in the interior of the Pantheon is round
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The Pantheon and the Parthenon‚ with like names and some similarities‚ have distinct differences. Both buildings are ancient temples that were built for important deities. They were built centuries apart in diverse cultures. The dissimilarities in the cultures influence the structure and function of the temples. The variations between them is what makes them such exceptional parts of history. The Pantheon is a circular structure with a portico maintained by granite Corinthian columns. It was built
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The Pantheon The Pantheon is one of the oldest Roman buildings that has been in continuous use for almost 20 centuries. It was built during a tumultuous time in Ancient Rome. The Empire was expanding rapidly and was constantly at war with its neighbors. Internally‚ civil war was rampant as legions of soldiers had grown more loyal to their generals than the Roman Senate in farther parts of the empire. Rulers tried different way to calm the feelings of the war-tired Romans and bring unity to the
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Jenifer Neils’s article “Reconfiguring the Gods on the Parthenon Frieze” analyzes the interpretations of the Parthenon frieze in terms of its iconography‚ meaning‚ the use of space‚ time‚ and future influence. Neils’s analyzes very important components of the frieze‚ but those that stood most out to me is the use of space and the influence of the monument. Neils’s highlights of the main components of the meaning behind the frieze‚ arguing that some of the gods were chosen on the basis of proximity
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and interiors that we use today. They worked hard and strived for perfection. I have decided to look at the Pantheon‚ Parthenon and Temple of Horus as buildings of my inspiration. These buildings are examples of magnificent architecture and over the years people have altered and changed the styles‚ but the basics still remain the same up to today. THE PANTHEON‚
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1. Parthenon Sculpture The Parthenon‚ or the Temple of Athena Perthenos‚ sits at the top of the Acropolis in Greece‚ dating 447-438 BCE‚ and can be viewed as an ideal Greek temple in the Doric design. Designed by Iktinos and Kallikrates‚ the proportions of the temple are considered perfect‚ and the Parthenon was decorated more extravagantly than any other Greek temple (Gardner‚ 70)‚ adorned with sculpture and friezes along both pediments‚ and all 92 Doric metopes‚ presenting many classic elements
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nation’s power—and who should own it is central to the debate of returning artifacts to their countries of origin. The argument predominantly revolves around the marbles removed from the Parthenon by the British Lord Elgin. While the Greek government does not recognize the British Museum as the owner of the Parthenon Marbles‚ it can be said that they did acquire them by the proper means of the time. Other countries have asked for previously removed artifacts‚ such as the Rosetta Stone and the Hamilton
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Art History The Pantheon The Roman Pantheon ("temple of all the gods")‚ was built around 25-27 B.C.E as a temple dedicated to the seven deities of the seven planets. This structure was ten destroyed‚ rebuilt‚ and was then converted to a Christian church at the 7th century and remains a functional church today. Perhaps the best preserved of all Roman architecture‚ the Parthenon is not only a tribute to the gods‚ but to human ingenuity and architecture itself. Approximately 484 years after
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THE PARTHENON AND THE ELGIN MARBLES BY EPAMINONDAS VRANOPOULOS Athens 1985 PREFACE The response to the Greek government’s demand for the return to Greece of the sculptures of the Parthenon‚ now in the British Museum‚ has been so encouraging that it has given rise to hopes that the Elgin Marbles‚ as they have come to be known‚ may indeed one day be restored to their rightful home. The favourable response has come from UNESCO and from public opinion world-wide‚ including Britain.
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