Later that night Mitch‚ Stanley’s friend‚ wants to drop out of the poker game because his mother is sick. Stella and Blanche return from the show‚ and Blanche is introduced to the other players. When Stanley tells the ladies to disappear until the game is finished‚ Stella reminds him that it is 2:30 A.M. and time to quit. Stanley swats her rear and the sisters go into the other room‚ where Blanche meets Harold Mitchell coming from the bathroom. When he leaves‚ Blanche thinks that he looks more sensitive
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In Streetcar Named Desire‚ Blanch uses illusion to shelter from reality. Blanche lives in a world of illusion. Fantasy is her primary means of self-defense‚ both against outside threats and against her own inner demons. But her deceptions carry no trace of ill will‚ but
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April 21‚ 2004 African American Culture The Piano Lesson In the Piano Lesson‚ August Wilson traces the family heirloom back three generations‚ to an incident in the family’s slave legacy that has left them to face the present on the terms of a history that‚ later is not just communal (done by all members of the family) and familial. The action of the play is driven by conflict over how best to engage history‚ which would celebrate the event of the past‚ or as a foundation for the
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To be insane is a state of mind that prevents normal perception‚ behavior‚ or social interaction. Stella Kowalski in A Streetcar Named Desire is perceived as a fragile young pregnant woman who is married to a drunkard named Stanley. Their relationship seems to be primarily based on their sexual desires for one another but maybe it goes beyond for Stella. In the play‚ Blanche‚ Stella’s sister‚ arrives at Stanley and Stella’s apartment out of the blue and asks to stay with them if they don’t mind.
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‘I don’t want realism. I want magic!’ How does A Streetcar Named Desire explore reality and illusion? – Ella Lee Hoareau In A Streetcar Named Desire (Streetcar)‚ reality and illusion are simultaneously interweaved and at odds with one another. On one hand‚ the play addresses a very real clash of cultures. Stanley‚ who enters dressed ‘roughly in blue denim work clothes’ exudes a raw power that can be argued to be symbolic of a ‘New America’‚ or more specifically‚ the rise of the proletariat. Conversely
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ALIENTATEDLABOUR As the production of a company increases‚ the workers sense of worth decreases. A political economy is supported by laws‚ land‚ wages and profits of labour without demonstrating their existence or connections. A laborer works for a wage that allows companies to produce a product that is then sold for a profit. Hence the laborer is a part of the process and becomes a commodity himself. The labour is objectified‚ and the worker is a slave to his labour. This brings about alienation
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In a Streetcar Named Desire - there is a conflict between Illusion and reality‚ Blanche Dubois arrives in New Orleans with the impression of a patronising‚ wealthy school teacher who has no time for those who she believes to be below her class as we see in her rudeness to Eunice at the very beginning. As the play progresses we see that Blanche is merely projecting a persona which hides both her past and the inevitably grim future that awaits her. On the other side we have Blanche’s brother-in-law
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The last scene in A Streetcar Named Desire where Blanche is getting ready for her departure is such a heartbreaking scene. Blanche continues her routine for a bath and depending on her sister to help her brings the previous events back to normal showing that everyone is acting through habit‚ though it is more of a false reality because it is easier to continue doing the same thing than to confront the issue. After Stella’s child has been born‚ Blanche is waiting for her dream man to pick her up and
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The figure of women in Tennessee Williams’ work Analysis of the Glass Managerie‚ A Streetcar Named Desire and Baby Doll. “If the writing is honest it cannot be separated from the man who wrote it” stated Tennessee Williams in the preface of The Dark at the Top of the Stairs by William Motter Inge (1957). Tennessee Williams has never denied that literature was for him a kind of psychoanalysis. In particular‚ it seems that the evocation of women through his work reveals a lot about his personality
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The final outcome claimed the victory of pragmatics‚ in other words‚ the failure of fantasy whose representative was Blanche. She was an idealist and romanticist proven by her saying‚ “I don’t want realism‚ I want magic” (Act I‚ Scene 9). Due to her first homosexual lover and the decline of her family in early years‚ she dissatisfied with the reality just as she disliked the naked light bulb which was “a rude remark or a vulgar action.”(Act I‚ scene 3) Thus‚ In order to keep the last dignity of a
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