Ana Mihajloska History of Architecture And Modern Interior Design Fall 2010 Gio Ponti and Italian modernism "Love architecture‚ be it ancient or modern. Love it for its fantastic‚ adventurous and solemn creations; for its inventions; for the abstract‚ allusive and figurative forms that enchant our spirit and enrapture our thoughts. Love architecture‚ the stage and support of our lives." These are the words of one of the most
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Arch 8011 Research Methods 2013 Jonathan Jordan‚ 1361176 ARCHITECTURE: WORDS OR SHAPES Introduction Architecture can be viewed with two different types of properties. Properties that can be seen like shapes‚ their composition‚ the spaces they create and‚ the colours and textures that make up their appearance. These properties are considered to be visual while other properties are considered to be abstract
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Unit One: The Italian Renaissance Review Sheet 1. People to know: -Savonarola-gained power in Florence in 1494. Exercised strict rule until overthrown in 1498 -Julius II-The Warrior Pope. Led armies against the French and Venetians -Tudors (why powerful?)- Edward IV Richard IIHenry VII. Used Star Chamber against nobles and Henry VII rebuilt monarchy -Ferdinand of Aragon and Isabella of Castile (Inquisition why?)-Marriage created union of Spain. Completed Reconquista and Inquisition
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transformed into the Gothic style during the Middle Ages. This happened for many reasons. The Romanesque period was a time of trial and error while the Gothic period was a time of advancements in inventions. Religion was an important factor in the shift between Romanesque and Gothic. The locations of the two types of cathedrals also contributed toward the change between Romanesque and Gothic‚ as well as the power of the relics and the community to raise funds for the Gothic cathedrals. There are
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& Associates of Manila is the main architect. Zuellig building is considered a prime office space because of its state-of-the-art infrastructure‚ efficient building system and top-notch amenities. Zuellig Building is considered a modernist architecture because of its all-glass facade paved with ceramic frit pattern of curtain walls. The distinctive all-glass facade which was inspired by bamboo and flowing water lends reference to vernacular and organic motifs and serves to supplement the shading
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The Italian Renaissance was a momentous time period for all things to do with the arts and culture. Art was branching into other avenues far from just being expressionism. It became a “statement” whether it be political‚ social‚ or economical‚ there was a message to be conveyed to a particular party. In a sense “Italian Renaissance” is to broad of a term in a historically and culturally. Each region and city-state within Italy experienced the Renaissance is different ways. Moreover‚ the
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subversion was not very successful. At first‚ destroying lanterns were random individual manifestations against the government’s surveillance‚ but later‚ they evolved into an organised force that overturned the system. The 1830 Paris revolt and the 1848 French Revolution were marked by lantern smashing. Both of these revolutions resulted in bringing down monarchies and‚ thus‚ old systems. Once the rebels took over‚ the symbolic meaning and use of street lights changed. Sreet lights started to signify
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The Italian Mafia was very popular in the early 18th century. The mafia grew even larger and stronger by the 19th century. By then the Mafia had become a vast criminally oriented society. The Mafia followed its own rules and their own authority and ignored any other forms of order. Joining the Mafia then was like joining a religion. You were committed for life. You can’t retire from it and this still holds true for people in the Mafia now. They were taught when joining the basic rules of sword‚ knife
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The third research question focuses on the classic Gothic texts that are incorporated in this corpus. This research question refers to Clive Bloom’s list of significant horror and ghost tales provided in his book Gothic Horror (xiii-xvii). Since fear is part of the emotions of horror as well‚ an intense representation of its linguistic expressions is expected to be found in those works. A certain number of these horror tales were incorporated in the corpus too which were analysed in order to detect
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the geographical location‚ another attribute is connected. That is the names‚ which often sound exotic and correspond to the setting in France‚ Italy or Germany. Additionally‚ Punter emphasizes that “men were never called Richard because names of Italian or German extraction were the rule.” Furthermore‚ violence upon female is a recurring theme. In the end‚ however‚ the villain does not succeed and he is condemned to suffer for his transgressions. Often he is placed in a monastery or dies. It is
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