To what extent can Othello be considered a ‘tragic hero’? The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle‚ a tragic protagonist is a nobleman or person from high status‚ who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high
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on Othello: Act 1 1. There are three main reasons for why Iago hates Othello. The first being that Iago deeply believes that there used to be an affair between his wife Emilia and Othello. While there is no actual evidence to support the affair‚ the fact that Iago believes it happened supports the fact that he is very paranoid and might be searching for reasons to hate Othello. The second is that Othello denied Iago a promotion he believes he very much deserved. The fact that Othello gives
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THEME ANALYSIS The Theme of Love Othello loves Desdemona as an extension of himself. His marriage is sustained by an idealized vision of Desdemona serving as the object of his exalted romantic passion. When he destroys Desdemona‚ Othello destroys himself. The act is a prelude to his actual suicide. Iago’s mode of temptation‚ then‚ is to persuade Othello to regard himself with the eyes of Venice. He is made to accept the view that he is‚ himself‚ alien and that any woman who loves him does so perversely
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Comparisons of the Manipulation of Othello by Iago and Anakin Skywalker by Chancellor Palpatine The primary characters in Shakespeare’s Othello and George Lucas’ Star Wars Episodes 1-3‚ show striking similarities. Mainly‚ Othello’s Iago and Star Wars’ Chancellor Palpatine use clever manipulation tactics and deceit to cause a protagonist to undergo major changes in their mindset and behavior. Both Iago and Palpatine are masters at theory of mind‚ the idea that there are levels of thought between
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However‚ while Othello was initially able to comprehend the love of others in Venice‚ his capacity to do so – in particular‚ in relation to Desdemona – rapidly declined as he begins to increasingly identify with “otherness.” This is apparent almost immediately after Iago planted the seeds of doubt in Othello. After Iago intimated that Desdemona’s potential infidelity may have been an inevitable result of his race – “though I may fear / Her will‚ recoiling to her better judgement‚ may fall to match
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it is apparent in Othello. Two characters like Iago and Othello fight a silent battle except Othello has no clue about Iago’s powerful despise and envy to him. It is clearly evident that Othello symbolizes a hero while Iago adores the role as a villain. Their inconsistent characteristics are what separate the two from each other. Throughout the beginning Acts I and II of Othello‚ Othello and Iago differ greatly in their integrity and devotion towards others. Othello portrays himself as
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In William Shakespeare’s Othello‚ one can truly see the power of words and their delivery‚ and the tremendous effect that they can have on other people. Iago’s rhetorical style captivates many characters and leads them to arrive at conclusions that he wants them to reach‚ and it is the ultimate driving force behind Othello’s transformation from a calm and imperturbable general to a monstrous and furious puppet. Through his manipulation of other characters‚ Iago is nevertheless able to remain
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tribe before and during the arrival of white missionaries. The main character‚ Okonkwo‚ is a highly respected man within his society who slowly falls in esteem as the story goes on. He involves himself in more and more conflicts with the people around him‚ including an ongoing battle of impossibly high standards for his son Nwoye‚ who decides to leave his family in the end for the Anglican Church. The warrior archetype Okonkwo is too rooted in his ways to survive marginalization‚ but his son Nwoye understands
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“O” is a 2001 movie re-telling one of Shakespeare’s major tragedies about the “dusky Moor”…“Othello.” It has been dubbed‚ “90210 with a body count.” The movie is not acted out with Shakespearian voices but it doesn’t soften any of the raw emotions.“O” uses modern hip language perfectly made for a high school audience‚ especially jocks. Because you can actually understand the words being spoken without the need to reach for a thesaurus as one typically needs to find the meaning(s) of words that appear
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Racism in Othello Racism seems to be a big concern in Shakespeare’s tragic play‚ Othello. Because the hero of the play is an outsider‚ a Moor‚ we have an idea how blacks were regarded in England‚ in Elizabethan times. There are many references that bring about the issue of racism from the very beginning to the end. In the tragedy‚ where Othello is coming from is not mentioned‚ yet through the descriptions the reader is informed that he belongs to one of the Eastern nationalities such as African
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