RENAISSANCE AND BAROQUE COMPARISON 2 RENAISSANCE AND BAROQUE COMPARISON 5 Running head: RENAISSANCE AND BAROQUE COMPARISON 1 Renaissance and Baroque Comparison There are two eras in the history of Western Art that had many achievements from art to music and literature. The period following the middle ages called the Renaissance was a cultural movement that began from the late 13th century to the 17th century. The arts‚ music and literature that came out of this period helped in developing the
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Comparisons of the Renaissance and Baroque Periods Western Governors University Comparisons of the Renaissance and Baroque Periods It was the 14th century and Europe was shrouded in creative and intellectual “darkness” as a result of corrupt and oppressive religion. People lived with the burden of twisted theological rules that permeated both business and personal lives. In a small town in Italy‚ a group of educators and philosophers started re-examining the Classical
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Renaissance: the development of linear perspective and other techniques of rendering a more natural reality in painting‚ and gradual but widespread educational reform . In politics the Renaissance contributed the development of the conventions of diplomacy‚ and in science an increased reliance on observation. Renaissance scholars employed the humanist method in study‚ and searched for realism and human emotion in art Florentine painters led byMasaccio strove to portray the human form realistically
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middle ages and entered a time period now known as the Renaissance. The Renaissance (meaning ’re-birth’) began in Italy and was a revival of classical learning and powerful innovations‚ some of which have affected our lives today. Towards the end of the 16th century‚ however; came another wave of transformation called the Baroque era. Baroque‚ in Latin meaning ’irregular’‚ was more impressionistic‚ mostly in the field of art. The Renaissance and
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Hum2232: Renaissance/Baroque Jill Werlink Florence Neubauer 3/11/13 Women on the Move-Discussion Wkst 2 Professional Women in the Renaissance 1. A) The first professional published
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Renaissance architecture is split into three periods: Early Renaissance (ca. 1400-1500)‚ High Renaissance (ca. 1500-1525)‚ and Late Renaissance (ca.1525-1600). Renaissance architects moved away from the intricacy and verticality of the Gothic architecture style in favor of the simplicity and balanced proportions of classicism. The classical orders were revived‚ including rounded arches and domes; this was done through observation of Roman ruins and study of the treatise Ten Books on Architecture
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Presentation architecture in Renaissance and Baroque All aspects of Renaissance culture‚ from art and architecture to philosophy‚ were influenced and inspired by Ancient Greek and Roman civilizations. Generally‚ architecture in the Renaissance can be described as symmetrical‚ harmonious and sober. Many buildings that were built in the Renaissance are perfect symmetrical‚ if you would draw a line through the middle of the building‚ it would have two exact same halves. Because it is so symmetrical
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The term "Baroque" was initially used as a disparaging term to call attention to its use of irregular forms‚ myriad of fine detailing‚ and exuberance of spirituality which was considered to be extremely different from the finesse of Renaissance classicism. Heinrich Wölfflin‚ Vasari‚ and many others praised the period of rebirth while somewhat denouncing the work of Baroque artists. The Renaissance tended to be more rational stylistically while the Baroque has often been described as irrational with
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Renaissance: Compare the two David’s: one by Donatello and the other by Michelangelo. Consider formal and contextual elements (FORMAL: viewpoint‚ materials‚ volume‚ texture; CONTEXTUAL: artist‚ patron‚ viewers‚ original location‚ political/religious/social messages- narrative moment‚ facial features/expressions). Donatello was an artist in the early Renaissance. His interpretation of David is the earliest known life-size bronze nude European art (Stokstad and Cothren 321). The sculpture stands
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When I first began comparing the two different statues of David‚ Bernini’s Baroque "David‚ and "Michelangelo’s Renaissance "David" the first thing that came to my attention was the facial features. As you study the face of Michelangelo’s "David" there is a sense of calmness to it. There is little or no emotion depicted in his face whatsoever. Here is a man‚ ready to face a giant with nothing more than a sling‚ a stone‚ and his faith in God‚ yet there is no emotion on his face. No signs of fear‚ anger
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