Pike by Ted Hughes Tone Similar to what I’ve just said above. I think it is two tone: (1) quiet awe and appreciation for the perfection of nature; and (2) reserved and respectful due to the inherent danger of this ruthless killing machine. This should sound a little bit like Hunting Snake and would probably provide a suitable comparison. Theme Here is a complex appreciation of the beauty and splendour of nature‚ mixed in with a critical comment on mankind and human nature. Mankind is put in context
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William Wordsworth’s poetry embodies the spiritual focus of romantics and their refusal to conform to the literary traditions of the age of reason. The modern “rational” world which Wordsworth came from was becoming increasingly polluted and destructive. It prohibited the imaginative escape of authors and so people like Wordsworth found solace and escape in what was left of nature and their own imaginative poems. Poems like “Strange Fits of Passion have I Known” and “the Solitary reaper” illustrate
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Poetry Analysis on ‘Wind’ by Ted Hughes The poem ‘Wind’ by Ted Hughes is about the power and the ferocity of wind‚ the speaker puts forwards how demonic ‘Wind’ can be‚ it can make everything around him quiver‚ shiver and fear. The title ‘Wind’ is used as a proper noun‚ the speaker differentiates the winds in nature to ‘Wind’ he is talking about; the one he is talking about is a demonic creature. In the first stanza‚ the speaker changes his settings‚ he starts by saying there is a tempest in the
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enthusiasm of nature. The role of nature is prominent in Romantic poetry; it is also the primary concern for a worshipper of nature-William Wordsworth. This concern is to appreciate the sublime beauty of nature as living personality‚ to search for the union between the mind and nature‚ and to acquire aspiring insights by embracing nature. In almost of his poems‚ Wordsworth described the pure beauty of nature through his gentle words and also conceived that nature as living personality. He believed that
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The thought fox By Ted Hughes The thought fox is a poem about writing a poem. The poet is sitting in a room late at night‚ it’s dark outside and though he can’t see anything he senses a presence: Something else is alive Beside the clocks loneliness And this blank page where my fingers move This presence is in the poet’s imagination‚ as you find out in the very first line: I imagine this midnight moments forest: It immediately shows a contrast between the first two lines. The first
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William Wordsworth: Michael IF from the public way you turn your steps Up the tumultuous brook of Greenhead Ghyll‚ You will suppose that with an upright path Your feet must struggle; in such bold ascent The pastoral mountains front you‚ face to face. But‚ courage! for around that boisterous brook The mountains have all opened out themselves‚ And made a hidden valley of their own. No habitation can be seen; but they Who journey thither find themselves alone With a few sheep‚ with
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that the word ’I’ and no other pronouns apart from ’they’ to describe the daffodils is used in the poem suggests that the first person is on their own- there is no-one else with them. Just this simple pronoun announces the theme of loneliness in William Wordsworth’s poem. The very first sentence also introduces the theme of loneliness: ’I wandered lonely as a cloud.’ Here this simile reminds us of how empty a sky is‚ and therefore how empty the person is. There is a part of them that is not fulfilled-
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Comparison of Daffodils and The Prelude by Wordsworth To Ode to the West Wind by Shelly. ’Romanticism as a literary movement lasted from about 1789 to 1832 and marked a time when rigid ideas about the structure and purpose of society and the universe were breaking down. During this period‚ emphasis shifted to the importance of the individual’s experience in the world and his interpretation of that experience‚ rather than interpretations handed down by the church or tradition.
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Hughes demonstrates his perspective towards his destructive relationship with Plath through The Minotaur. Violence is evident in the very opening when Plath ‘smashed’ Hughes’ ‘mother’s heirloom sideboard – Mapped with the scars of [his] whole life’. Here Hughes is expressing the damage deep inside him than the physical destruction by Plath; that he too has childhood ‘scars’. Hughes suggests that Plath’s over-reaction and violence reflects her unstable mind by the word ‘demented’ revealing his helplessness
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Romantic poet‚ William Wordsworth‚ and Folk singer-songwriter‚ Joni Mitchell‚ both comment about their respective "worlds" and the way these worlds have been perceived or treated. Although both artists are from a different time in history‚ their work somehow cast off the anchors of their own eras with material that continually remains relevant through generations of listeners and readers. Mitchell’s "Big Yellow Taxi" and William Wordsworth’s "The World is too Much With Us" are perfect examples.
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