Kinetic Art Kinetic art: the art of motion. Kinetic art contains a/or several moving parts and depends on motion for its effect. The motion of the art work can be provided in virtually any way. It can be powered by natures elements; wind‚ wave power from water‚ or heat from a fire; It can also be powered mechanically through electricity‚ steam‚ clockwork using earths natural phenomena’s ‚ gravity‚ motors‚ or even through the observer such as cranking a handle‚ or giving a push. (Kinetic) What
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Michelangelo’s David The first piece of artwork that I have chosen to work with is the David by Michelangelo. Yes‚ this is one of the‚ if not the most famous sculpture in the world but that is not my reasoning for choosing it. Before seeing the actual David inside of the Galleria dell’Accademia‚ I visited the copy of it outside of the Palazzo Vecchio. After getting my first taste of the fake version‚ I thought it was a cool sculpture but didn’t see what all of the hype about Michelangelo’s could possibly
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definition of art. Although commonly used to describe something of beauty‚ or a skill which produces an aesthetic result‚ there is no clear line in principle between (say) a unique piece of handmade sculpture‚ and a mass-produced but visually attractive item. We might say that art requires thought - some kind of creative impulse - but this raises more questions: for example‚ how much thought is required? If someone flings paint at a canvas‚ hoping by this action to create a work of art‚ does the result
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plant. The Egyptians made major contributions to the world of art‚ and the world in general. The Egyptians created vivid works of art that modeled their beliefs and their way of life and they built the pyramids as burial structures for the gateways of the afterlife for their kings and royalty members. Below we can observe an image of a stepped pyramid and sham buildings of the funerary complex of Djoser‚ Saqqara. (Image: Art: A Brief History‚ Stockstad‚ Cothren page 61). The Egyptians
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Jemaine Era M. Feraren 2013-00395 Art Studies 1 THW-2 Professor Marilyn R. Canta‚ PhD 4 November 2014 Public Art: Advertisement and Graffiti Public space is a place for myriad “voices”. It is a person’s choice if he or she will give attention to a public art. It is based on her taste of perception. What is more eye-catching‚ receives more feedbacks and what is more controversial receives more criticisms. Two of the widest known public art is advertising and graffiti. It is known that the latter is
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Paleolithic Art Paleolithic art‚ dating back to the late Paleolithic period 40‚000-10‚000 B.C. (the Stone Age)‚ is one of the most beautiful‚ natural periods of cave art and clay sculptures. Created by Nomadic hunters and gatherers with ivory‚ wood‚ and bone‚ these figures were thought to be symbolic and have some magical or ritual relevance. Figures and drawings have been found in all parts of the world dating back to the Cro-Magnon man as late as 60‚000 years ago. There are two different
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Comparison of three Sculptures Differences between Michelangelo’s David and Bernini’s David are abundant and clear. Bernini’s version of David is a more classical interpretation. It focuses on David’s muscularity and his bone structure. In this version David is clothed‚ but just barely‚ ensuring that the viewer can see the definition of David’s muscles‚ and yet not revealing too much. Bernini’s version also shows David in action‚ as opposed to Michelangelo’s still pose of David. Bernini chose
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"To Work or Not to Work" To work or not to work--That is the question: Whether ‘tis nobler in the mind to tolerate The insults and complaints of the impatient customer‚ Or to renounce against the sea of demands that arise‚ And by quitting‚ have peace? To leave; to quit-- To work no more-- and by quitting say we end The head-aches‚ and the wrath of unforgiving customers That this job entails--‘tis an accomplishment Devoutly to be wish’d to end. To leave‚ to quit— To quit; perchance to
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Contents Introduction 2 History of Junk Art Sculpture 4 Chapter 1: Junk sculptors 8 Chapter 2: Interview 1 16 Chapter 3: Interview 2 23 Summary 27 Introduction From 5000 B.C to well into the 20th century A.D‚ most sculpture has reflected the wealth‚ religion or political stature of the country. Early Egyptian sculpture reflected the political regime of the land‚ and powerful ‘Pharaohs’ demanded monumental sized tombs and artefacts to show their wealth and status
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A. The two art periods that I choose to write an essay about is Classical Art and Neoclassical Art period. Classical art dates back to as early as 500 B.C. during the rise of the Greek Empire to the Roman. Classical Art celebrated the human figure (humanism) through sculpture in highly naturalistic detail. Some of the human forms are seen every day in architecture‚ sculpture‚ coins‚ and dollar bills. Ancient Greek Art social conditions that contributed to the advent of the style were focus on balance
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