OF THE CHORUS IN T.S.ELIOT’S "MURDER IN THE CATHEDRAL" ANKITA MANUJA Research Scholar‚ Department of English and Cultural Studies‚ Panjab University‚ Chandigarh‚ India ABSTRACT In this paper‚ I analyze the role of chorus in TS Eliot’s verse drama Murder in the Cathedral(1935). The chorus‚ which acts as a mouthpiece of Eliot‚ creates a distancing effect ‚ gives the spectators a lens through which they can find a reflection of themselves as a stranger ‚ a watcher and as a critic. The chorus which had
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THE CHORUS In choosing the classical form of tragedy for his Samson Agonistes‚ Milton decided to work on a distinctively unpopular medium. For‚ classically modelled tragedy had never been popular in England. Even Ben Jonson‚ excused himself for not obeying the Aristotelian rules and not having a proper chorus in his Sejanus. But with his contempt for mere popularity‚ Milton did not feel obliged to modify the form of classical tragedy to suit the purpose of what Jonson called “popular delight”. J
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The voice of the Chorus in Otello Even though he wanted to have an opera with no chorus‚ later on‚ Verdi himself considered this idea ‘crazy’. We would have not missed much of the plot without a chorus‚ but we would have definitely missed much of the artistic colour. There are four main Chorus parts in Otello‚ but there are also a few incidental entries. When writing the opera‚ Verdi had in mind the singers from La Scala‚ in Milan. The Chorus numbered 104 voices – 64 men and 40 women‚ to which
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The chorus‚ in tragic plays of ancient Greece‚ is assumed to have developed out of Greek hymns and drama. It presented experience and also abstract information to help the audience pursue the performance‚ commented on main themes‚ and demonstrate how a model audience might respond to the tragedy as it was presented. Greek choirs also stood for the common public of any specific story. Most of the time they communicated in song form‚ but every now and then the messages were spoken. The chorus also
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individuals. The chorus consists of a group of Theban elders‚ and they serve as the voice of the people. These men are considered the wisest in all of Thebes. “Their attitude to what is going on is always shaped by their responsibilities and special interest of their position” (Kirkwood 3). The chorus is not attached to any one character specifically; it reacts to its own thoughts and emotions (3). The chorus is often used to create breaks in the scenes of plays‚ but in Antigone‚ the chorus serves a greater
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Role of the Chorus The Chorus is a group of actors that speak‚ sing‚ and dance together. The Chorus is part of a ritual theme in Greek tragedy plays. In each play the Chorus many functions‚ and sometimes can have similar roles as other choruses in other plays. Specifically in the Bacchae‚ a play by Euripides and in Oedipus the King by Sophocles‚ the Chorus were an important part of the play and had different functions. In the Bacchae‚ the Chorus’ was more reserved an not so involved but their main
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impact that a certain structure of a tale can have. In Euripides’ Medea‚ the inclusion of the chorus in the structure of the play serves as an essential instrument designed for a vast array of uses. The chorus foreshadows imminent events‚ reveals cultural and contextual information‚ enlightens characters on foregoing events and provides commentary on Medea’s actions. The interaction amongst the chorus and the play’s primary characters reveals pivotal contextual information pertaining to the play’s
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Our first essay of Freshman Composition was to write a narrative about something that impacted our lives. I didn’t really know what to expect from this assignment. I knew I could write about my car wreck and give precise details about every little moment. When I started writing‚ I created a mind map to organize all the details. However‚ I was worried about my writing skills. I didn’t know what my instructor was expecting from me in this paper. I have never been a strong writer and that really concerned
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Introduction: In Greek plays‚ the chorus invariably adds complexity and depth to the play and the message it is trying to portray. However to say that the chorus hinders or impedes our understanding of the play is a grievous inaccuracy. Just because an element adds to the complexity of the play‚ it does not necessarily mean that it would detract the audience’s understanding of the play. In this instance the opposite in true of the chorus. The role of chorus as shown in Sophocles’ Oedipus King the
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In “Medea” by Euripides‚ the chorus plays many roles in the formation of the play. In this case it starts by showing a group of women as the chorus‚ which was unusual at that time it was written. In the play‚ “Medea”‚ the tragic hero faces many challenges and inner struggles‚ that expose her to certain situations‚ that were either caused by her actions or fate. Throughout the play the chorus serves as a “confidante” for Medea; the strength of their relationship is express through the support‚ sympathy
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