Kyla Whitman MUS 10 070 Dr. Immel Concert Report On November 11‚ 2014‚ the Kutztown University Department of Music had their third Student Recital of the semester in Schaeffer Auditorium at 7:30 pm. The Department of Music performed thirteen pieces of music including Etude Op. 25‚ No. 1‚ Somebody‚ Somewhere from The Most Happy Fella‚ Concerto for Piccolo and Orchestra‚ Op. 50‚ and many more. To start out the night‚ Steven M. Paszkowski performed Frédéric Chopin’s Étude Op. 25‚ No. 1. Chopin was
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The joy of leaving Salzburg forVienna seems to have been musically inspiring‚ and the next few years wereprolific‚ not least in the composition of piano concertos: Mozart wrote 12between 1784 and 1786. The influence of J C Bach on Mozartwas significant. The two had met in London in 1764‚ when Mozart was still aboy. In 1772‚ Mozart created his first three piano concertos by rearrangingthree of J C Bach’s sonatas. Beyond the concerto structure‚ the detail ofMozart’s music suggests Bach’s influence
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Concert Report Guidelines Listening to live performances is an essential part of learning to appreciate and understand music. Treat this report as though you were a music critic writing for your local newspaper. In other words‚ what did you like/not like and why? Here are some general guidelines to help you listen‚ think‚ and write about a concert. Basic Information to Include When and where did the concert take place? How many pieces were performed? What were they called and how many movements were
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Music 118B Concert Report #1 Jazz Combos Concert Evaluation Before taking Jazz class I barely knew anything about this type music. Six different bands performed fifteen pieces. Most of the pieces are written by popular Jazz composers‚ such as “Cantaloupe Island” by Herbie Hancock or “Donna Lee” by Charlie Parker. Also‚ there was one band that performed pieces written by its members‚ which really impressed me. For example‚ “Preparation” was composed by Alex Reiff‚ who plays bass in the band
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1st Concert Report Prof. Schonbrun F1 MU110 The chamber music concert was held in Manhattan School of Music at 5:00 pm Friday‚ April 15. The concert was conducted by many instruments with various types of music. The atmosphere was fairly intense as the concert hall was approximately the size of an average home living room with about 35 people in the audience. The camber concert was divided into two major parts with an intermission of 15 minutes in between the parts. As for this concert report
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Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period‚ but one of the greatest of all time. Surprisingly‚ he is not identified with radical formal or harmonic innovations‚ or with the profound kind of symbolism heard in some of Bach’s works. Mozart’s best music has a natural flow and irresistible charm‚ and can express humor‚ joy or sorrow with both conviction and mastery. His operas‚ especially his later efforts‚ are brilliant examples
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Concert Report On Friday‚ December 24‚ 2004 at 20:00 the Presidential Symphony Orchestra performed very impressive "New Year Concert" with fourteen pieces from a range of composers as Johann Strauss‚ Giacomo Puccini‚ Leonard Bernstein‚ Johann Sebastian Bach‚ Pytor Ilyich Tchaikovsky‚ P. Necherporenko‚ Niccolo Paganini and George Gershwin. The program included different kinds of tastes from classic music. Shardad Rohani conducted‚ Murat Tamer as concertmaster‚ Khori Dastoor‚ Janna Kozvik and Andrei
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Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart was born January 27‚ 1756 as the seventh child of a musical family. Mozart’s mother and father’s names were Anna Maria and Leopold. Leopold was a musician with ambition while Anna Maria has a good sense of humor to balance him out. They had seven children‚ but only 2 lived beyond infancy (Wolfgang and his older sister Maria Anna). He was born in Salzburg‚ or modern day Austria. Mozart’s father was a successful violinist and renowned composer of the
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Jeremysha Williams November 30‚ 2010 MUS 121.15 Concert Report #2 On October 19‚ 2010 at 7:30pm‚ I attended the Faculty Recital held in the Tullibody Recital Hall on the campus of Alabama State University. The program listed performers including: Ms. Brenda Luchsinger: french horn‚ Dr. Joel Jones: piano‚ and guest artist‚ Dr. Nicholas Kenney: french horn. The seats in the recital hall were full and the stage looked nice with a microphone‚ piano‚ and music stand set up ahead of time. The
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Concert Report The Wayne Shorter Quarter concert was unlike any concert I have ever been to. The variety of instruments and style of the performers contributed to a unique experience. Not only was the music I heard versatile on several levels‚ but the behavior of the performers‚ appearance of the audience‚ and atmosphere of the venue contributed to my take away from the show. These factors allowed me to obtain a better understanding of jazz as not only an art form‚ but as a culture. The audience
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