Titian’s Pastoral Concert This great painting‚ hung in Paris’s Louvre‚ is mysterious and perplexing‚ but has been one of the more influential paintings in the museum. It has been attributed to Titian‚ considered one the the greatest Venetian painters‚ as well as to one of his teachers in Venice‚ Giorgione. It is an oil painting and was completed in the year 1510. The main figures are two men who are seated on the grass against a vast countryside setting. In the setting‚ the man on the left
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As I went and watched the Fall Choral Concert directed by Dr. Jeffrey Benson‚ I have enjoyed the most wonderful concert with all the amazing performances ever. I picked out these 3 pieces that I have liked the most and wanted to describe it for my performance review this semester. The first piece I have picked out was “Oh‚ Had I Jubal’s Lyre” performed by Women’s Glee Club. I have heard a loud and sharp sounding piece. It started off with the soprano singing with a high pitch voice; then the alto
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Chiderah Onyeukwu Professor Rhea Jacobus MUSIC 210 25 April 2013 Clemson Symphony Orchestra Concert Paper The first piece I chose to write about is Symphony No. 38 (“Prague”) by Wolfgang Amadeus Mozart. The Clemson Orchestra did a wonderful job of doing this piece; I really enjoyed it. Because it was the first piece played‚ my ears were perked and I was listening very intently. The first movement has a mysterious and dark feeling to begin with but picks up and becomes more energetic as the piece
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Concert Review: Bob Marley By Brock Oler Why do musicians make music? There’s obviously no simple answer. Music can be used for such an assortment of actions‚ that picking one stimulus could never fully be accurate. A soothing melody hummed to an upset child could likely be used for comfort or relaxation; music in this form targets the subconscious. Often‚ however‚ the tune of a song is much less important than the words that create it; certain musicians use their lyrics to tell a story or
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an enormous white screen‚ and there was music playing while we waiting for Kid Cudi to make his entrance. Once the lights turned down‚ the crowd grew quiet in anticipation. Cudi began to talk to us from backstage‚ telling us his rules about the concert: no fighting‚ no throwing things on stage‚ etc. Although this ruined the mood a bit‚ everyone was still waiting for something amazing to happen. Cudi occasionally had to remind the audience of the rules‚ his fans nevertheless adored him when he eventually
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I had the full experience right inside my dorm room. The webcast was a really interesting experience that I enjoyed. I think I may have even appreciated it more than the real thing. Although you cannot replace getting dressed up and going to a concert‚ I liked this webcast because the different camera angles provided footage of everyone playing their instrument and if I had been in a seat I would have been stuck looking at the same few people the whole performance.. For example‚ the conductor
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In the excerpts “The Violin” and “Jing Mei Woo:Two Kinds”‚ the authors demonstrate their maternal relationships between mother and child. In Amy Chua’s novel Battle Hymn of A Tiger Mom‚ she shows how she and her daughter have a very tense yet close relationship‚ while in Amy Tan’s novel The Joy Luck Club‚ she and her mother have a very strict and unloving relationship. Both mothers want more out of their daughters‚ but Tan’s mother is much stricter and more intense about her commitment to the piano
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The concert that I reviewed is the Guitar Studio Recital featuring The Oakland University Saxo-Ensemble. I love listening to guitars so I figured that this was the perfect concert for me. It was very creative because the Saxophone players were dressed up as zombies and the composer was dressed up as death and he used his scythe to compose the ensemble. Halloween‚ being one of my favorite holidays‚ this was a nice surprise. I am glad that I attended this concert because it the pieces were not too
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Michael 10-14-08 Piano Concert-10/7/08 The only performer‚ performing this evening was an aspiring pianist named Judy Huang. The performer had a charismatic personality‚ with a little bit of an accent. She gladly welcomed us and opened her recital by introducing herself. The event occurred in the Art Building‚ C-104 at approximately 5:00 P.M. on Tuesday of October 07‚ 2008. She humbly dedicated and donated her time to share her piano skills. She proudly opened her recital by presenting how honored
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Nederlander Concerts very existence is due to operating by the principles of Capitalism carefully practiced by the Nederlander Family for the last 100 years. They have survived the great depression of 1929 and the recession of 2008; obviously they are doing something right. Under Capitalism‚ David Nederlander was free to invest his money into a new business by leasing the Detroit Opera House back in 1912. David was not encumbered by Government or outside control in how he managed his business
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