The International Asian Research Journal 02(01): pp.28-35‚ 2014 ISSN: 2310-337X ©TIARJ Publications‚ 2014 www.tiarj.com Minority Rights as Human Rights: Hegemonic Media Representation of Minority Groups in Pakistan 1 1 PhD Fellow School of Communication‚ Universiti Sains Malaysia‚ Penang Malaysia. 2 3 Shumaila Ahmed‚ 2 Ali Hassan & 3 Rana Shahzad Lecturer‚ Department of Media Studies Islamia University of Bhawalpur‚ Pakistan. Assistant Professor‚ Department of Media Studies
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RETHINKING HEGEMONIC STABILITY THEORY: SOME REFLECTIONS FROM THE REGIONAL INTEGRATION EXPERIENCE IN THE DEVELOPING WORLD Petropoulos Sotirios1 First Draft 1 Phd Candidate at Harokopion University‚ department of Geography‚ Researcher at the Institute of International Economic Relations The paper examines the ability of the hegemonic stability theory to interpret the creation and development of regional integration schemes in the developing world. More specifically‚ this paper aims at
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Calvin Labendia Professor Owens SOC-230-001 17 October 2014 Analyzing Boyhood‚ Organized Sports‚ and the Construction of Masculinities The article written by Michael Messner explores what are some true contributing factors that prepare a young boy in male-hood leading up to masculinity. He analyzes how creating the male masculine identity for a young boy can be a result of participating in organized sports. He conducted his research starting out with interviewing 30 male athletes who mostly played
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father Unoka had loved. One of those things was gentleness and another was idleness.” (13) Chapter 2 Thematic Idea: Masculinity versus Femininity Situation: The
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Research Article: Toxic Masculinity as a Barrier to Mental Health Treatment in Prisons This study emphasizes the fact that lives of prisoners are an understudied phenomenon in society. Researchers found that access into prisons for conducting personal interviews were difficult due to the increase of prison population over the past three decades. Researchers also realized that prisoners who were incarcerated or released preferred not to discuss their experiences behind bars for their personal safety
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The evidence of masculinity in scene three is shown through dialogue‚ stage direction and description of the surroundings. The introduction to the dramatic purpose of the poker party demonstrates Stanley’s domination over his friends through the way in which he makes all the decisions about the game. He also shows domination over his wife by hitting her during an argument. <br> <br>Scene three opens with a description of surroundings during a poker night. The description of the poker night immediately
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‘THE FORGOTTEN SOULS’: QUESTIONING THE MASCULINITY OF ZIMBABWEAN HISTORY. Paper presented at OTAZI conference on documentation and memorisation of dark histories‚ Bulawayo‚ 7-8 December 2012. Prisca Nyaude Research and Public Archives section‚ National Archives of Zimbabwe. E-mail: priscamarova@gmail.com. And Brenda Mamvura Records
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very popular short stories‚ such as this one‚ and books get remade as movies. Traditionally when Hollywood does this‚ a few liberties are taken and some elements of the original work are changed or eliminated. "The Most Dangerous Game" by Richard Connell is no exception. In the result of the transition of "The Most Dangerous Game" from literature to film‚ many aspects were altered. Though some are superficial‚ such as the appearance of "General Zaroff" and the movie’s Count Zaroff‚ or the physical
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The Duality of Masculinity Between Augustus Freeman IV and Icon In the article “Comic Book Masculinity‚” Jeffrey Brown highlights the prominent differences regarding the masculinity of black vs. white superheroes‚ and he reflects on why Milestone comics are different from other black superhero comics. Comic book superheroes and the black male body are each viewed as models of hypermasculinity‚ so when combining the two‚ to make black male superheroes‚ there is a significant risk of being far too
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this issue. Poe situates the story within the household‚ thus aligning the narrator with the feminized domestic sphere. The male narrator’s feminine traits are apparent‚ and he struggles to recast this inappropriate femininity into a sensitive masculinity. He attempts to actively maintain a benign persona that masks his femininity; however‚ he performs a kind of hypermasculinity that manifests itself in increasingly horrific acts of violence. The narrator’s feminine traits‚ stemming from his
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