Conceptions of masculinity vary depending on the socio-cultural contexts in which they emerge‚ influenced by social class‚ ethnicity‚ sexuality‚ and poverty (Connell‚ 2005: 833). While womanhood is attributed based on biological reasons‚ manhood is attributed according to social reasons: it is a “self that is imputed to an individual based on information given and given off in interaction” (Schrock & Schwalbe‚ 2009: 280). Accordingly‚ a person’s manhood must be consistently won through the approval
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A man’s masculinity is constantly judged and scrutinized in society nowadays. As the notion of masculinity can vary from era to era‚ there is no specific definition that fits into all cultures and attitudes. One way of understanding masculinity can be looking into women’s preferences to men’s faces. Women may find masculine faces more attractive‚ especially at the peak of their menstrual cycles (Penton-Voak‚ 1999). Association between masculine facial features and measures of immuno-competence also
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identity. As Johnny’s eyes are open to his manhood he departs on a lifelong journey into his masculinity. What the young boy doesn’t know is that along the way he will be faced with many false ideologies of manhood. The biggest culprit lies in the portrayal of men in the media. The media is saturated with male role models. However the underlining message preached from the media is that of a hyper masculinity and not a proper view of what a man is to become. The media promotes an unhealthy representation
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Men maintaining their masculinity have been frequently treated as the “norm” and mens’ aggressive portrayals in the media have often been seen as non-problematic or even exemplary. The social construction of masculinity can be considered as an instrumental concept used to assist in the evaluation of criminal activity. This paper addresses the connection between the social construction of masculinity and crime; how it is incorporated into the media and how the society responds to the media. As Tea
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xiv ABSTRAK Diah Kusumawati‚ S2204005. 2006. Konstruksi Maskulinitas Pada Media (Studi Analisis Wacana Pada Majalah Laki-laki “For Him Magazine”). Tesis : Program Pascasarjana Universitas Sebelas Maret Surakarta. Penelitian ini bertujuan untuk memahami dan mendeskripsikan: (1) Konstruksi maskulinitas pada majalah laki-laki gaya hidup FHM. Tujuan tersebut dilengkapi dengan penjelasan realitas sosial yang melatarbelakangi hadirnya majalah laki-laki FHM (global dan lokal/Indonesia); (2) Konstruksi
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culture‚ definitions of masculinity and femininity have varied dramatically‚ leading researchers to argue that gender‚ and specifically gender roles‚ are socially constructed (see Cheng‚ 1999). Cheng (1999:296) further states that “one should not assume that ‘masculine’ behaviour is performed only by men‚ and by all men‚ while ‘feminine’ behaviour is performed by women and by all women”. Such historical and cultural variations oppose the essentialist view that masculinity‚ femininity and gender roles
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masculine stereotype is portrayed for thousands of years – greek mythology – ancient stories – see man as breadwinner. MASCULINITY – CULTURAL IDENTITY * Characteristics of masculinity and femininity are naturalised in almost every society‚ but differ based on diverse environments‚ values and changing time periods. In literature‚ these assumptions come to underpin the construction of key characters. * In Tim Winton’s Cloudstreet‚ for example‚ the setting of post- war Australia presents several
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Black Masculinity: Behaviors‚ Boundaries and Biology What is an ethnic group? An ethnic group is a human population whose members identify with each other‚ usually on the basis of a presumed common genealogy or ancestry . These ethnic groups are usually united by shared cultural values‚ common fields of communication‚ or religious practices. So perhaps the theory of Black masculinity can be considered an ethnic group. There is the obvious factors of being ‘Black’ and ‘male’ that connects these members
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England in the 1580s had a “profound effect on the ways the gendered body was staged” (Billing‚ 16). Early modern constructions of the gendered body were “viewed as along a continuum” moving in one direction or the other (Fisher‚ 6). This early modern thought implies that gender as a performance rather than its ontological core on the stage. Shakespeare’s comedies may suggest that masculinity on the stage is like “a suit of clothes” that could be put on or taken off at will (Smith‚ 3). While the controversy
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contemporary society‚ hegemonic masculinity is defined by physical strength and boldness‚ heterosexuality‚ economic independence‚ authority over women and other men‚ and an interest in sexual relationships. While most men do not embody all of these qualities‚ society supports hegemonic masculinity within all its institutions‚ including the educational institute‚ the religious institute and other institutes which form the ideological state apparatus. Standards of masculinity vary from time to time‚ from
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