Contemporary Issues Psychology provides an insight on contemporary issues in a number of ways as it strives to comprehend how we think‚ act and feel. It uses scientific methods to research social influence‚ perception and social interaction (Tyson‚ Jones and Elcock‚ 2011). Body image has been viewed as a psychological construct by Wykes and Gunter (2005). When an individual is continually labelled and considered in a certain way‚ he or she then develops a self-image. The self-image indicates
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DRAMA For many decades‚ drama has been in our world. It gives us feelings‚ emotions‚ morality and sometimes quotes. What is drama exactly? Is it a play? An action? Or just an entertainment? Hamilton Carole in his article “the study of drama” defined Drama to be a representational art‚ a visible and audible narrative presenting virtual‚ fictional characters within a virtual‚ fictional universe. Also he stated “Dramatic realizations may pretend to approximate reality or else stubbornly defy‚ distort
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Victimization and Its Cures: Representations of South Eastern Europe in British Fiction and Drama of the 1990s. In: Betraying the Event: Constructions of Victimhood in Contemporary Cultures‚ Fatima Festic (ed.)‚ Newcastle: Cambridge Scholars Publishing‚ 2009‚ pp. 35 -65. VICTIMIZATION AND ITS “CURES”: REPRESENTATIONS OF SOUTH EASTERN EUROPE IN BRITISH FICTION AND DRAMA OF THE 1990s LUDMILLA KOSTOVA In his extended reflection on twentieth-century history Hope and Memory (2000; English
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artworks and the paradox of fiction. Throughout his study‚ he discovered three elements of paradoxical fiction; individual’s “experience genuine emotions directed at fictional character and situations” ‚fictional emotions condition‚ “in order to experience emotions towards X‚ one must believe X exists”‚ belief requirement‚ and “we do not believe that fictional characters and situations exist‚ disbelief condition (McNiff‚ Source K). Without those three elements‚ the paradox of fiction and the other components
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Ian Carlo Jaucian “On Focusing‚ Spacetime and Parallax” Acrylic on canvas 60.9 cm x 365 cm 2008 This is probably my favorite artwork among the paintings that I saw in the exhibit. It is literally‚ one of the widest and largest paintings there is to be found in the exhibition. Figuratively‚ it might as well be either. It literally shows how the world was in the past and what it would probably look like in the future. Figuratively‚ it shows how narrow our perspectives are when looking at the
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Our year 11 contemporary dance assessment for semester 1 consisted of dance exercises taught by Rachel. Due to a dance injury I sustained 14 weeks ago I was unable to participate in the assessment but‚ instead was asked to asses my peers and write corrections and strengths they demonstrated throughout the class. In this class I really feel‚ as a group‚ they lacked an effective dance vocabulary. In answer to the question What do you feel you need to work on in this exercise?’ there was only really
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Student I.D. 25822123 3. Foucault in Contemporary Theories Our bodies are connected to essentially all aspects of our lives. We utilize them to survive and function on a biological and social level. It is no wonder there is abundance of theories concerning embodiment. One key philosopher that has influenced theories concerning embodiment is Michel Foucault. By putting the body into focus‚ he has decompartmentalized power dynamics concerning the body‚ state‚ and society. He suggests power does not
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The contemporary importance of "race" has established in more seasoned types of chain of command and order‚ however its contemporary frame as an intrinsic physiological or hereditary methods for separating people and populaces is to a great extent the result of eighteenth-century social connections related with the European edification and expansionism (see likewise europe). Most researchers concur that prior types of social separation and progressive system were not quite the same as present day
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While popular and widely watched the movie Pocahontas is an innaccurate portrail of a signifigant historical event. The Disney Corporation is not known for it’s accurate portrails of historical events and when producing the animated film Pocahontas‚ Disney did not fail in it’s nonchalant attitude concerning historic fact. Cartoonists at disney must have been watching adult films when they first penciled out the figures of Pocahontas and John Smith. The young Indian princess was only twelve
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shortcomings and his dreams and day dreams. However‚ it has been regarded as a political allegory or a contemporary play about a contemporary situation. Though Karnad himself had not intended‚ it was struck by the parallelism between reign of Tughlaq and contemporary Indian history. Karnad himself said: “What struck me absolutely about Tughlaq’s history was that it was contemporary . The fact that here was the most idealistic‚the most intelligent king ever to come on the throne
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