the building. Each of the Portals has three enormous doors that are surrounded by sculptures depicting scenes from the life of Jesus and Mary as well as a Colossal Rose Window‚ which is above the doors. The Western Portal also called the Royal Portal is the oldest part of the church and mostly built in the Romanesque Style that was a precursor of Gothic. After a fire in The southern transept portals’ sculptures are of the New Testament and depict scenes from the Last Judgment while the Rose Window
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the most influential and original artists of modern times who has had a major impact on artists of his generation‚ and continues to do so today. Smithson’s provocative works‚ made in the mid-sixties to early seventies‚ redefined the language of sculpture. He was one of the founders of the art form known as earthworks or land art‚ and is most well known for the Spiral Jetty‚ 1970‚ located in the Great Salt Lake‚ Utah. This monumental earthwork was inspired in part when Smithson saw the Great Serpent
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Patricia Piccinini are artists whose works are symbols of their values and perceptions on differing subject matter. These artists’ works are intended to position the audience and compel them to question their own viewpoints. Ricky Swallow is a contemporary Australian sculptor whose works address the issues of our modern generation and technology which engulfs it‚ not only youth but adults. Swallow’s works are ironically humorous however are also tempered by issues of human transformation. His works
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The contemporary artist that I chose to discuss in this paper is Louise Bourgeois and her piece of art Eyes". This abstract sculpture is made of marble and dated 1982. Eyes‚ 1982 Louise Bourgeois (American‚ born France‚ 1911) Metropolitan Museum‚ New York Louise Bourgeois was born in Paris in 1911and studied art at various schools there. In 1938‚ she immigrated to the United States and continued her studies at the Art Students League in New York. She began her career as a painter and
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Contemporary Art Claes Oldenburg‚ “I Am for an Art‚” 1961 Analysis In Kristine Stiles book‚ Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writing‚ 2nd edition we read about many different writings and ideas of different artists. We are able to look at what ideas these artists had while doing there artworks. We see these different perspectives and are able to get better ideas o what goes through the minds of artists and how they persevere society and the culture around
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When first arriving on campus nearly 11 months ago‚ my interest was piqued by one attraction imparticular. This attraction was the Cantor Arts Center. What truly drew me in about this building was‚ at its core‚ what it represents. More important to me then was what was displayed inside the complex rather than the complex itself. I was dazzled by its various exhibits and was interested in the art that filled the rooms inside. Fast forward to Spring Quarter of my freshman year and I am put to the task
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story of The Annunciation in sculpture and why contemporaries were so impressed with his achievement. Donatello is considered to be one of the most influential artists of the 15th century. A member of the innovative group of painters‚ architects and sculptors that revolutionised art in Florence at the beginning of the 15th century‚ he succeeded in becoming perhaps the most successful in his field due to his understanding of the aspects of classical sculpture and the creative and emotive
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image for the God of the After-life. Not to mention their colossal monuments which promote power and glory‚ and are used to intimidate. However contemporary artists use the body as a symbol which conveys a whole range of different kinds of layered meaning‚ although the simple symbol of power has not been lost over the centuries. Ancient Greek sculptures of the body are a medium between man and the gods‚ they are an ideal of physical perfection. The female figure of c.650-625 B.C. (fig. 123) and
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that my voice is heard regarding the the new sculpture being placed in our city. With the implementation of the new sculpture‚ we‚ as a city are digging ourselves into an economic hole. One example of this is the Picasso sculpture in Chicago. With all that money spent very few civilians were in favor of the painting. Given the size of the population of our city in comparison to that of Chicago‚ even the slightest number of people in favor this sculpture in our city will not compensate for the money
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aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa- aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa- aaaaaaaaaaaaaaaaBeginning with Michael Fried’s arguments in his 1967 essay ‘Art and Objecthood’‚ consider how the status of the art object (painting‚ sculpture‚ installation‚ etc.) has changed over the last thirty-five years within Art History and fine practice. Fried’s essay is a kind of riposte to Judd and Morris‚ who he decried as literalists‚ coining the term to describe attitudes in opposition to
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