The Importance of Reputation in Othello In William Shakespeare’s Othello‚ there are many motives that drive the direction of the play’s characters. None more prominent than reputation. Reputation is simply part of one’s life‚ none can dispute that fact. To some it is a blessing‚ to others it is a curse. Throughout the duration of the play‚ the characters Iago‚ Othello‚ and Cassio display the importance of reputation. Iago’s honest reputation‚ Othello’s war fought reputation and Cassio’s desperation
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PART 1 INTRODUCTION CHAPTER 1 INTRODUCTION TO PROJECT 1.1 PROJECT PROFILE 1. Topic of Project OTHELLO (or REVERSI) WINDOWS PHONE GAME. 2. Project Features 4X4 board game. Live counter of number of discs after every move. Sound alert on invalid moves. 3. Runtime Environment Information “Othello (or Reversi)” which is a Windows Phone Game runs on Windows Phone OS 7.0/7.1 and there is a prerequisite of Windows Phone SDK 7 to develop
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Othello: A Feminist Reading Using ideas from feminine stereotypes‚ explore ways in which Othello might be regarded as a product of its time. The representation of women in literature was felt to be one of the most important forms of socialisation. It provided role models which shown to both genders what is “acceptable” of females. Feminist Criticism examines the ways in which literature has been shaped according to the issues of gender. The feminist challenges the idea of women being submissive
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Othello‚ in Act I‚ Scene iii‚ declares that he is “rude in speech”; however‚ he then goes on to describe at length how he seduced Desdemona by his wondrous capacity as a storyteller. “My story being done‚” he confesses to his friends‚ “she [Desdemona] gave me for my pains a world of sighs […] and bade me‚ if I had a friend that loved her‚ I should but teach him how to tell my story” (I‚ iii‚ 158-165). Throughout the play‚ in fact‚ Othello’s poetic expression is unabated; it merely changes tone
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’In Shakespeare’s Othello‚ Othello is as much of a victim of his own weakness as of Iago’s plotting Do you agree?’ Through the critical analysis of Shakespeare’s play Othello‚ we are able to see this statement as agreeable and true. Othello‚ like all humans succumbs to being vulnerable and is easily taken advantage of. The study of his pride‚ superstitions‚ confidence‚ as well as the contextual society he dwells in accounts to his weaknesses. We are able to argue that Iago’s plotting only fuels
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‘Jealously remains the ultimate corrupting force within action.’ To what extent do you agree with this? Within the play Othello‚ jealously remains the ultimate corrupting force‚ as it is through jealously that dramatic conflict occurs and the tragic events unfold. The consequences of jealously have a catalytic impact on the characters of the play and their mutual relationships. This is clearly demonstrated through the machiavellian villain of the play‚ Iago‚ whose actions and dialogue are driven
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In Shakespeare’s Othello relationships are manipulated and the concept of love is fragmented. Throughout the course of the book‚ the relationship of Emilia and Iago take an interesting route in which defines the role of women and more importantly Emilia’s imperfections. During the Shakespearean era women were expected to be obedient and self-sacrificing. This is portrayed in the character of Emilia; although she is emotionally abused by her husband she continues to love him unconditionally. Emotions
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interact with the world. Analysis of the text ‘Othello’ and its connectivity of characters discern themes such as betrayal‚ reputation and a patriarchal society‚ accompanied by unique contextual values. It is these abstract ideas which seek to explain the human condition and thus remain intriguing to a modern viewer. Betrayal dictates the course of the play and is most prominent in that of Iago and Othello. The twist begins through dramatic irony as Othello says “Iago is a man of honesty and trust”.
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From the contextual point of view‚ Nietzsche lived his later life in solitude and left professorship‚ and he traveled in search of good health. He suffered from poor health. Nietzsche has critiqued the happiness in modernism that it prohibits critical thinking. "I seek to understand out of what idiosyncrasy that Socratic equation reason=virtue=happiness derives: that bizarrest of equations and one which has in particular all the instincts of the older Hellenes against it" (Nietzsche 1968b: 31). Nietzsche
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Othello is a highly conflicted character which exacerbates his complexity as the protagonist. Where he struggles with which identity he should embrace in this Venetian Christian society. The two different conflicting sides of Othello: The Christianized Moor: [Symbol]Based on Anthony’s perspective‚ we learn that Othello is hypocritical in nature. In the context of ‘magic’‚ When Othello was accused as having used ‘black magic’ to seduce Desdemona‚ he attempts to be sophisticated by depicting
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