Thermal expansion is the tendency of matter to change in volume in response to a change intemperature.[1] All materials have this tendency. When a substance is heated‚ its particles begin moving more and thus usually maintain a greater average separation. Materials which contract with increasing temperature are rare; this effect is limited in size‚ and only occurs within limited temperature ranges. The degree of expansion divided by the change in temperature is called the material’s coefficient
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COPIED DIRECTLY FROM http://history.house.gov/Exhibitions-and-Publications/WIC/Historical-Essays/No-Lady/Womens-Rights/ The beginning of the fight for women’s suffrage in the United States‚ which predates Jeannette Rankin’s entry into Congress by nearly 70 years‚ grew out of a larger women’s rights movement. That reform effort evolved during the 19th century‚ initially emphasizing a broad spectrum of goals before focusing solely on securing the franchise for women. Women’s suffrage leaders‚ moreover
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Psychiatry‚ 102‚ 18–33. Johnson‚ R.‚ Browne‚ K. D.‚ & Hamilton-Giachritsis‚ C. E.(2006). Young children in institutional care at risk of harm. Trauma‚ Violence and Abuse‚ 7(1)‚ 1–26. Kagan‚ J. (1979). The form of early development: Continuity and discontinuity in emergent competencies. Archives of General Psychiatry‚ 36‚ 1047-1054. Mijolla A. (Ed.) (2005). International Dictionary of Psychoanalysis. Vol. 1. Detriot‚ USA: Thomson Gale. Ramey‚ S.L.‚ & Ramey‚ C.T. (2000). Early childhood
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Response to Prompt #3 In Walter Benjamin’s book Illuminations‚ two particular chapters are relevant to the corpus of works that make up film study. “Art in the Age of Mechanical Reproductions” and “The Storyteller” outline a progressive history from oral traditions to the modern traditions such as film that resulted and the bumps that have been encountered along the way. Central to these two chapters is the idea of aura. Aura‚ though difficult to define‚ is a concept that is easy to perceive
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It’s rare that a single work of art can change the course of art history in such a concrete and dramatic way. Marcel Duchamp’s painting "Nude Descending a Staircase (No.2)" is one rare piece that has perplexed and awed many critics. It was widely regarded as a Modernist classic and has become one of the most famous of its time. In this essay‚ this piece of work will be analyzed‚ not only for its famous creator‚ but also for its form as well as its foundations of cubism and futuristic aspects. When
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will develop a sense of trust if their parents provide reliability‚ care and affection. However‚ a lack of these important factors will lead a child to develop mistrust towards their parents and the world (Harder‚ 2009‚ ¶ 8). The theme continuity-discontinuity can be seen in this stage. According to Bukatko and Daehler (2001)‚ attachment patterns which have been established between the child and his/her parents in the first 12 months‚ can endure for relatively long periods of time (p. 403).
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customers. This article suggests marketing strategies to overcome these barriers. Innovation resistance can appear in customers because it disrupts their established routines and they can be happy with the current status quo. The higher the discontinuity of an innovation‚ the higher the resistance is likely to be. Also‚ consumers have their own belief structure. An innovation can conflict with this which can results in resistance. There are various characteristics of innovation resistance. First
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Film Art The Significance of Form in Film -in films‚ a pattern exists; an internal system governs the relations among parts and engages your interest. This system of relationships among parts we shall call form -we can analyze how a film’s parts relate to one another to create the spectator’s overall experience -our experience of artworks is patterned and structured. The human mind craves form. For this reason‚ form is of central importance in any artwork‚ regardless of its medium. This
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Cultural Identity and Diaspora STUART HALL A new cinema of the Caribbean is emerging‚ joining the company of the other ’Third Cinemas’. It is related to‚ but different from the vibrant film and other forms of visual representation of the Afro-Caribbean (and Asian) ’blacks’ of the diasporas of the West the new post-colonial subjects. All these cultural practices and forms of representation have the black subject at their centre‚ putting the issue of cultural identity in question. Who is this emergent
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References: 1. Adner‚ Ron (2002). When Are Technologies Disruptive? A Demand- Based View of the Emergence of Competition. Strategic Management Journal 23(8):667–88. 2. Anderson‚ P. and M. L. Tushman (1990). "Technological Discontinuities and Dominant Designs - a Cyclical Model of Technological-Change." Administrative Science Quarterly 35(4): 604-633. 4. Chesbrough‚ Henry (1999a). Arrested Development: The Experience of European Hard-Disk-Drive Firms in Comparison with U.S. and
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