Louis Nowra’s screenplay ‘Cosi’ explores the attitudes to and perception of the mentally ill in 1971. During this period Australia is at war and undergoing social reform. The perception of mental patients in the 70s can be seen as unethical and inhumane‚ with society grouping them with animals and locking them away in asylums with barbaric conditions. The 70s saw mental illness being neglected and kept in the dark and with movies that depict ‘mad’ people as animals; a negative connotation is placed
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Love Without Love 1. According to the first four lines‚ the speaker loved this particular person because they never saw this person coming into their life‚ therefore it was a surprise and they saw a drastic change something called love. 2. The metaphor in lines 5-6 is "I’ve fly you flying through my soul in quick‚ loft flight" and this means that this special person came into their life very quickly like a plane‚ it was in and it was out. The extended metaphor is that this person was looking
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In Louise Nowra’s COSI‚ a semi-autobiographical drama‚ Nowra reveals that there is as much madness in the outside world as exists in an asylum. COSI reveals to the reader that madness does not discriminate; lunacy is no psychological construct and that madness is the perception of normality versus abnormality whereby no boundaries exist. Through the use of COSI Nowra is able to compare the delirium of the outside word to that of the mental institutes during the 1970’s‚ drawing upon the themes of
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Cosi by Louis Nowra and Cosi Fan Tutte by Wolfgang Amadeus Mozart are set in completely different times but both themes of the play parallel each other. Cosi was set in 1970’s society whilst Cosi Fan Tutte was set in 1790. Cosi Fan Tutte is play about love and fidelity which parallels with what happens in Cosi. On the surface they are parallel because Lucy is unfaithful to Lewis when they are in a relationship together just as the women were in Cosi Fan Tutte. But it is much more than that. To really
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forces the audience to realise that often the real world is not such a good place. The interactions between Lewis and the patients in Louis Nowra’s play Cosi‚ challenge the audience to view the real world as a difficult place. Within the context of Australian society experiencing drastic social and political changes in the 1970’s‚ Nowra contrasts the views and believes of the patients living in the asylum against the opinions of the real world. Whilst in the asylum‚ the protagonist Lewis undergoes
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Cosi Task Preparation This is the question: Question 2 on Cosi Lewis Nowra‚ Cosi Act One‚ Scene One A burnt out theatre. It is day outside but the pitch black inside the theatre. A heavy door opens‚ a chink of daylight enters‚ as do three people: LEWIS‚ his girlfriend LUCY‚ and his friend NICK. ………………………………….. NICK: Smells like it hasn’t been used in years LUCY: Burnt wood and mould. Are you sure you know what you’re doing? LEWIS: I need the money‚ Lucy. [Nick accidentally touches
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Cosi is a semi-autobiographical play. The Lewis that audiences encounter at the end of Louis Nowra’s play Cosi is very different from the Lewis in Act One. Within the context of Australian society undergoing radical social and political changes in the 1970′s‚ Nowra also charts the radical changes in his protagonist‚ Lewis. Faced with the daunting job of directing mental patients in an opera‚ Lewis undergoes transformative personal repercussions. His world views are challenged and enriched by the
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Loius Nowra’s play‚ Cosi‚ set in Australia in the 1970’s ironically suggests that although the play is set in a mental institution‚ most of the madness occurs in the outside world. This is explored through the actions of the government in the Vietnamese war that lead to strong anti-war attitudes and a seemingly foolish society that value ‘free love’ instead of fidelity. Nowra also blurs the line between sanity and insanity‚ implying that ‘crazy’ people aren’t necessarily as mad as the community labels
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Cosi‚ composed by Louis Nowra‚ is a minimalist play contextualised by the Vietnam War which emphasises the characters and their growth. Cosi explores the distinctive ideas of illusion verses reality and the concept of “madness” in a comedic and innovative way‚ through a variety of dramatic techniques. The device of a play-within-a-play of Cosi Fan Tutte‚ develops an effective dichotomy‚ while highlighting the dramatic verisimilitude of the values presented in the outside and inside worlds. Lewis
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Madness‚ love & transformation Everyone goes mad in their own particular way. Nowra thinks madness is too generalised‚ and it is based on each individuals past and experiences etc. At the end of the play‚ Lewis is no longer afraid of madness. Lewis is thoroughly transformed by the patients. Nowra uses a mixture of laughter and madness‚ which is a volatile mixture. We usually see madness as dark and scary‚ so we can keep it in a corner and ignore it. When he adds humour to it‚ then we begin to
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