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    Pablo Picasso Art abstract is an abnormal way of expressing ones feelings and emotion. Pablo Picasso used abstract art throughout his paintings. Abstract art is used through paintings as distorted or exaggerated ways in orders to capture an idea. In order to reveal certain qualities of paintings‚ artist emphasizes natural objects appearances exaggerating parts of a painting. The artist is trying to put a message through his paintings through disorganize figures that only makes sense to him. The

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    Art Paper 3

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    chosen the following women artists: Audrey Flack‚ Helen Frankenthaler‚ Nancy Graves‚ and Alice Neel to share briefly their story as women artist. Audrey Flack was born in 1931 and is one of the founders of photorealism painting. During the Abstract Expressionist fifties‚ Audrey Flack suffered all the slings and arrows of being a female artist during times when female artists were viewed as little more than hobbyists. Flack believed that the continuous discovery of art was realty and artist

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    can see it. He had the different vision which he transferred on the canvas through his artistic hands. He created the art which changed the idea and way of looking at art of the world. He brought the new ideas and turned people’s attention towards abstract art that were known by most of the representational art which means the art which were realistic and recognizable. Jackson Pollock was born on January 28th‚ 1912 in Cody‚ Wyoming. He started his career as an art student in Los Angeles at manual

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    Perception in Art

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    Representation and abstraction was discussed in the video. In the discussion‚ representational art was compared to a lie or a falsehood. In the video‚ the commentators compared a representation painted by John Everett Millais called “Ophelia” (1851) and an abstract piece called “Vir Herocious Sublimus” (1950) by Barnett Newman. In the video‚ one of the commentators tells the audience that the “Ophelia” piece was created by an artist painting in the Pre–Raphaelite style. According to Jennifer Meagher (2004)

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    Bibliography: Abstract expressionism (Late 1940’s – early 1960’s). (n.d.) Retrieved January 20‚ 2010‚ from http://www.huntfor.com/arthistory/C20th/absexpress.htm Art history: Abstract expressionism: (1940-1955). (2009‚ September). Retrieved January 20‚ 2010 from http://wwar.com/masters/movements/abstract_expressionism.html Chilvers‚ I. (1999). Socialist

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    Art History Questions

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    early 20th century. It emphasized and glorified themes associated with contemporary concepts of the future‚ including speed‚ technology‚ youth and violence‚ and objects such as the car‚ the airplane and the industrial city Dada The groundwork to abstract art and sound poetry‚ a starting point for performance art‚ a prelude to postmodernism‚ an influence on pop art‚ a celebration of anti art to be later embraced for anarchy-political uses in the 1960s and the movement that lay the foundation for Surrealism

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    Art Modernism

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    ART SUMMARY TERM 2 FRAMES 

Cultural
 This view is concerned with understanding how an artwork is influenced by the values of the society it is produced in‚ and‚ in turn‚ how the artwork influences the values of the society. This includes examining the historical and cultural context in which the work was made‚ and religious and/or philosophical beliefs‚ which may have influenced the work.
 Subjective
 This view is concerned with examining an artwork from a personal perspective. This might

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    ROTHKO AND HIS PAINTING “WHITE CENTER” Mark Rothko’s painting “White Center” is a breathtaking abstract painting I saw at the Los Angeles Museum of Contemporary Art (LACMA). Rothko painted this 84 x 72-inch oil on canvas work in 1957. The painting is done in his signature style of using color and form-floating rectangular shapes. Rothko was part of the American movement that became known as Abstract Expressionism‚ which was more than just a painting style. It refers to the process the artists

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    William de Kooning

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    Coomaraswamy‚ Maritain‚ Gilson‚ and Eliot in many ways especially when discussing their views on nature and how to derive an excellent piece of art. Willem DeKooning became one of the leading artists of the abstract expressionism style. He used traditional portrait and infused it with an abstract style. He began his career practicing on elements like figural composition and still life. This was traditional‚ actually drawing and painting what he saw. After this type of art DeKooning moved onto abstraction

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    No.5/No.22 No.5/No.22‚ a painting created by Mark Rothko in 1950‚ is an abstract work. It is comprised of yellow‚ red‚ and orange rectangles that seemingly hover on the surface of the canvas‚ as they do not extend to its margins. In the center of the work is a bold‚ red rectangle‚ and within it are strong‚ gently undulating‚ horizontal lines. These strokes‚ executed through scraping the canvas repeatedly‚ contrast with the vagueness of most other elements in No.5/No.22. On the right side of the painting

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