A Christian Perspective on Nudity in Art By: Matthew Clark - Article Source from: The Association of Classical & Christian Schools John is a Christian who enjoys the arts and finds them edifying. He is particularly fond of the art of painting. Desiring to expand his art history knowledge‚ he visits the best‚ closest art museum he can find. Going from gallery to gallery‚ John begins to become discouraged and more than a little embarrassed because of all the nudity shown in the paintings. He finds
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BMS122: APPRECIATING LEISURE LIFESTYLES Types of Art: Main Periods 1. 2. 3. Visual Arts Appreciation Part 2 4. 5. 6. 7. Pre-historic Ancient Medieval (Middle Ages) Renaissance Baroque / Rococo 19th Century 20th Century 6. 19th Century Art 19th Century Art: Neo-classicism Includes: 1. 2. 3. 4. Neo-classicism Romanticism Realism Impressionism Rebirth to the art of ancient Rome and Greece‚ and the Renaissance Costumes‚ settings‚ and details depicted with much
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QUESTIONS FROM INSTRUCTOR:. Many historians cite the 1920s as the decade in which America entered the "modern era." Given the myriad labels attached to this decade‚ this essay focuses on the broader context of all those movements under the umbrella term "modernism." First‚ what is modernism and why did it apply to the 1920s (as opposed to earlier decades)? What ideologies or beliefs had changed by the 1920s that qualified this decade as "modern" for America? Second‚ to expand on those changes‚
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formed in reaction against the severely academic production of the French school. Realist painters sought to portray what they saw without idealizing it‚ choosing their subjects from the commonplaces of everyday life. Major realists included Gustave Courbet‚ J. F. Millet‚ and Honoré Daumier. In a broader sense the term is applied to an unembellished rendering of natural forms. In recent years realism has come to mean the presentation of forms and materials that are simply themselves‚ not primarily representations
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Les Demoiselles d’Avignon Les Demoiselles d’Avignon (The Young Ladies of Avignon‚ and originally titled The Brothel of Avignon) is a large oil painting of 1907 by the Spanish artist Pablo Ruiz Picasso (1881–1973). The work portrays five nude female prostitutes from a brothel on Avinyó Street in Barcelona. Each figure is depicted in a disconcerting confrontational manner and none are conventionally feminine. The women appear as slightly menacing and rendered with angular and disjointed body shapes
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Simon Hantai In U.S. People thought minimalism was the end to painting. That painting is an exhausted medium. In France however‚ minimalism was viewed as something to be dealt with within painting. Is does not represent the end of painting. At the forefront of this movement was Simon Hantai‚ a Hungarian. He is known for inventing Pliage (to fold) in France. From 1960 to 1982‚ he works exclusively on canvas that is off the wooden frame and wadded up‚ crumbled up. He then paints the canvas like
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some expressed positive critiques and were enlightened by his work. In 1905‚ most critics rejected his innovative style of using color to the extreme and paralleled him with artistS who’s works were as innovative but initially disfavored; such as Manet‚ Gauguin‚ and Van Gogh. Although Matisse studied the likes of Gauguin‚ Rodin‚ Van Gogh‚ and‚ most importantly‚ Cezanne‚ he deviated in structure and admiration. In this painting‚ as seen in other works by him‚ color became the sole factor for achieving
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Case Study 1: Florida Department of Management Services‚ Part I Gwendolyn Harris Strayer University CIS 505/ Week 4 Case Study Introduction In the early 1990s‚ the Florida Department of Management Services (DMS) had built up a large information systems network that served state government agencies in 10 regional sites and connected these to the data center in Tallahassee. The network was based on the use of the proprietary Systems Network Architecture (SNA) from IBM and a mainframe
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Abolitionist favors the abolition of a practice or institution‚ esp. capital punishment or (formerly) slavery Abstract art Generally representational‚ but greatly simplified and or geometrified. In common usage as it is applied to modern twentieth-century art‚ an abstract work implies considerable simplification‚ distortion‚ and often a geometrification of forms. Nevertheless‚ most twentieth-century art is still representational‚ in that one can recognize figures derived from the natural world
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Objectivity does not exist‚ because people are complex in their own views. For this reason all people interpret events through their own life experiences and historical contexts. Artists express their own unique perspectives in their artworks which are influenced by their worlds and experiences. Both John William Waterhouse and Paul Gauguin interpret these world though the different uses of art making approach‚ intentions and influences. John William Waterhouse created paintings in the Romantic
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