A Summer Project On “REALISM IN MODERN DRAMA” In Partial Fulfillment of the Requirements for the Award of Bachelor of Arts (Hons.) in English Submitted by: BISMA IRFAN BA (Honors) English ll A0706110036 ENROLL. NO. Submitted to: DR DEEPANKAR SUKUL Asst. Professor AMITY INSTITUTE OF ENGLISH AND BUSINESS COMMUNICATION AMITY
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On Kabuki The Kabuki theatre is one of the three major classical theatres of Japan‚ together with Noh and Bunraku theatre. It was founded in 1603 by a Shinto priestess named Okuni of Kyoto during the Edo or Tokugawa period—the period of Japan’s isolation from the rest of the world. It started when Okuni started to perform short plays in the dry river-bed of the Kamogawa River in Kyoto. The word “Kabuki” is usually written with three Chinese characters: Ka (song)‚ Bu (dance)‚ and Ki (acting and skills)—thus
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Modernism Course: ISLAMIC WORLDVIEW Code: UNGS 2030 ACKNOWLEDGEMENTS First and for all‚ we would like to express our deepest gratitude to Allah S.W.T. for giving us the strength and health to complete this assignment in time. Not to forget our beloved lecturer Bro Razak‚ who has the attitude and the substance of a genius: he continually and convincingly conveyed a spirit of adventure in regard to teaching us this subject. Without his guidance‚ this assignment would not have been possible
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titles of the works. Dadaists have more in common with their contemporary‚ poet Guillaume Apollinaire‚ than with any painter‚ and they are more concerned with Symbolist poets Arthur Rimbaud and Comte de Lautréamont than with modern painters Édouard Manet and Paul Gauguin (Drucker 197). Hugo Ball’s contribution‚ the formation of the Cabaret Voltaire‚ cannot be overestimated to the formulation of Dada. The Cabaret Voltaire event was essentially a stage play‚ with the Dadaists on stage reciting poetry
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Degas’ stylistic development in representation of female subjects More than three quarters of Degas’ works‚ including his paintings‚ drawings‚ pastels‚ prints and sculptures‚ comprise of images of women. Degas‚ similarly to a scientific researcher‚ investigated the female form through a plethora of representations‚ ranging from his early and rather reserved portraits of relatives to the laundresses and cabaret singers of his Impressionist years. Moreover‚ he was even dubbed to have been obsessed
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Artist Reflection #2 Sheri K. Huhn Piedmont College – 630 Ellett Summer 2013 [pic] |Banksy’s controversial works are not titled‚ not dated‚ and could be quickly missed if the authorities get them painted over too | | |soon. In one of many politically charged artworks of Banksy’s‚ I chose to discuss the one below. In this image‚ there are two | | |well-armed soldiers‚ one is crouching with his tactical weapon at the ready‚ and the other soldier
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Bibliography: • CONTES Á NINON‚ 1864 - Stories for Ninon • LA CONFESSION DE CLAUDE‚ 1865 - Claude ’s Fonfession • MES HAINES‚ 1866 • MON SALON‚ 1866 • THÉRÈRE RAQUIN‚ 1867 - trans. • EDOUART MANET‚ 1867 • LES MYSTÈRES DE MARSEILLE‚ 1867 - The Mysteries of Marseilles • NOUVEAUX CONTES À NINON‚ 1874 • L ’ASSOMMOIR‚ 1877 - The "Assommoir" / The Dram-Shop- Ansa‚ suom • THÉÂTRE‚ 1878 • LA RÉPUBLIQUE FRANÇAISE AT LA LITTÉRATURE‚ 1879 • NANA
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Reviewing current art‚ both locally and globally‚ it appears that much of it has or purports to have a political content. One reason for this focus is that technological advances encourage snatching digitized fragments from reality that document the persistent global nightmare of human inhumanity. This process thus duplicates in art the same nightmare we see every day on TV or the Internet. Very little of this work‚ whose apology is that it is “consciousness raising‚” amounts to more than superficial
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was exposed to some of the finest art of the time. When attending the Paris World Fair of 1855‚ she had the privilege to view many French artists’ work; such as Jean-Auguste Dominique Ingres‚ Eugene Delacroix‚ Jean-Baptiste Camille Corot‚ Gustave Courbet‚ Edgar Degas‚ and Camille Pissarro. Two of these artists‚ Degas and Pissarro‚ would later become her colleagues‚ friends‚ and mentors.7 During her childhood travels‚ she would receive her first lessons in art‚ and sparked her life long passion.8
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Mannerism (1527-1600) * Confusing * Counterpart to High Renaissance Southern Italy * “…stylish style…” – John Sherman * Started in central Rome * Catholic church started to take problem with it Jacopo da Pontormo – Deposition * 1527 * Original Context: Commissioned for Capponi private chapel in Florence (Santa Felcita) * Materials: Oil on panel (unusual for Southern Italian art) * Other unusual things: * Jesus isn’t the center of the painting (VOID –
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