Comparing Brutus and Antony’s funeral speeches from Act 3‚ Scene 2 of Shakespeare’s "Julius Caesar" offers a profound insight into the art of persuasive oratory. Both orators possess distinct styles and objectives‚ making it a compelling exercise to evaluate which speech is superior in terms of effectiveness. Brutus‚ driven by his noble intentions and adherence to republican principles‚ delivers a rational and logical speech. He employs rhetorical devices such as ethos‚ pathos‚ and logos to sway
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the murder of Julius Caesar and the power struggle between Caesar’s friends and enemies. In this essay I will compare and contrast Brutus and Antony’s speeches after Caesar’s death. Both Brutus and Antony’s speeches are used to try and convert the Roman public to their side. After Brutus and his fellow conspirators kill Caesar outside the senate‚ Antony meets with Brutus and manages to persuade him that he agrees with the reasons why they killed the dictator‚ so that he is allowed to talk at Caesar’s
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In examining the speeches that Brutus and Antony gave in Act 3‚ Scene 2 of Shakespeare’s play we are able to locate many different literary devices. We find that Brutus uses rhetorical questions on page 129 lines 30 to 34. He asks “Who is here so base that would be a bondman?”‚ “Who is here so rude that would not be a Roman?” and “Who is here so vile that will not love his country?”. Rhetorical questions are often used to put a thought into a listeners mind without that listener recognizing such
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Marc Antony‚ Brutus‚ and Cassius are all critical characters in William Shakespeare’s famous play‚ The Tragedy of Julius Caesar. Due to their distinctive personalities and values‚ there is no trait that all of these characters share‚ although they do share some traits with one another. Firstly‚ Marc Antony and Cassius are manipulative in nature‚ while Brutus is not. Secondly‚ the root of Brutus and Cassius’ failure is their personality flaw‚ while Marc Antony proves strong in all the ways they prove
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How far do Creon and Antigone fit Aristotle’s definition of a tragic hero? Aristotle defined a tragic hero as: - "The intermediate sort of person‚ one whop is not pre-eminently virtuous and just‚ one who incurs misfortune not as a result of vice and depravity‚ but by some error of judgement while enjoying great reputation and prosperity" and Creon and Antigone are the characters that could fit this definition best. Aristotle first of all suggests that a tragic hero must be someone of
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king of Thebes Creon‚ can be interpreted as two very similar characters with very diverse values. Their role in the play is also quite divergent and through use of dramatic devices‚ diction‚ contrast‚ and imagery Sophocles accentuates the similarities in character yet a clash in values Antigone and Creon‚ thus potentially creating two tragic heroes. In order to assess whether or not both are tragic characters‚ initially it’s imperative to analyze their conflictive values. Creons character attaches
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Roman life. Some relationships show the concealed discord between characters‚ some show the conniving spirit of those who desire power‚ while others show how some hearts are devoted entirely to the greater good of the republic. The dialogue between Brutus and Portia‚ along with that of Calphurnia and Caesar‚ plays a significant role in the development of the plot. Portia is a symbol of Brutus’s private life‚ a representative of correct intuition and morality‚ just as Calphurnia is for Caesar‚ but they
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To what extent were the motives of Marcus Brutus and Cassius Longius conspiring against Julius Caesar political rather than personal? | | | 2011-2013 Candidate number: 001386- 041 Gabvin Raphaël Branglidor Word count: 1997 Part A: The aim of this essay is to discuss whether the death of Julius Caesar by acquaintances Marcus Brutus and Cassius Longius was due to political or personal motives. The focus will
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contrast the funeral speeches of Brutus and Mark Antony. Which is more effective and why? When Brutus goes up to speak to the crowd he appeals to them as “Romans” before all else. As this keeps with his reason for joining the conspiracy the audience can see that he is honourable and trustworthy. The roman public may also know this because they hail him as “noble” Brutus and Brutus also asks them at the start of his speech to “Believe me for mine honour”. Brutus repeatedly uses “honour” throughout
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Antigone and Creon‚ from "Antigone" by Sophocles‚ encounter a philosophical war based on their moral views. A conflict arose when the principles that backed up their actions disagreed with each other. Antigone’s side of the conflict held a gods’ law is the way approach‚ as opposed to the "I am king" approach Creon chose to follow. The variation in the beliefs‚ opinions‚ and moral views of Antigone and Creon were constantly disputed through out the play. Antigone felt that Creon was disregarding
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