English a lang & lit writtent task 2 Awethu Kakaza DP2 If Antigone had been written in a different time or place or language or for a different audience‚ how and why might it differ? The adaption of the play Antigone by Jean Anouilh is proof that works of literature can successfully be altered for a new purpose. By taking a solid story that possesses merits that the author requires and melding them with new attributes‚ an author can craft a new tale that can display their message by using
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Antigone: Views and Values Essay In Sophocles’ ‘Antigone’‚ set in the city of Argos in Ancient Greece‚ Antigone lives through the momentous providence from defying law for the sake of her family. Through Creon‚ who rules as a tyrannical misogynist‚ Sophocles symbolizes the concepts of autocracy and the solidity of fate which is inevitable and the prime religion of the Ancient Greeks and gods would have no plod in it. This expounds that Sophocles‚ is a man of authority‚ power and conviction. Sophocles
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the chorus helps to strengthen Creons position and helps give further emphasis to one of the key themes in the play of Power. At this point in the play‚ the Chorus are very much seen as Creons people. The Chorus are then called upon to act as counsel for Creon‚ where he declares that the body of Polynices‚ the so-called traitor‚ should remain unburied without adhering to any of the customs of that time. The chorus seem to have power within the story here as Creon is seeking their support in his
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citizens. Oedipus sends Creon‚ the brother of Jocasta‚ to the oracle to learn of a way
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written by a man named Sophocles‚ a scholarly author of philosophy and logic. The play Antigone is probably one of the most prominent interpretations of a tragic drama. The two main characters of the play are Antigone and Creon. There is much conflict between Antigone and Creon throughout the play‚ both of them having their own ideas and opinions regarding divine law versus human law. The theme that I am going to analyze is the conflict of divine law vs. human law. The reason for this is because
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hero(ine) must not be a perfectly good man or woman brought from a high status to low. This would merely be a shock; there must be justification for the fall. a. Oedipus‚ killed the King of Thebes. b. Antigone‚ buried her dishonored brother‚ disobeying Creon c. Prometheus‚ stole Zeus’s fire 3. Tragic hero(ine) cannot go from adversity to prosperity; this is the opposite or a perversion of tragedy a. Oedipus‚ was blinded and exiled b. Antigone‚ was killed c. Prometheus‚ was tortured 4. Tragedy must
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acted by her presumptions and beginnings instead of essentially after the many requests. Ismene and Haemon can transparent her lead and stay trustworthy to her shows. Meanwhile on the off chance that she were permitted by the mother "child to destroy‚ an unburied body - that would have been sadness! (Sophocles‚ 1960 pg 499-524) Antigone" defiant play is handicapping in light of being a woman. By then Haemon is advised that is it is alright to fall if one tumbles on account of power by virtue of masculinity
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effects of the position on the king’s character. Creon reveals such ambivalent thoughts towards the kingship in his speech defending himself from Oedipus’s conspiracy accusation in Oedipus the King; these ambivalent thoughts reveal much about the nature of the kingship‚ especially in conjunction with Creon’s later actions in Antigone. In attempting to refute Oedipus’s assertion that Creon has taken part in a conspiracy to obtain the kingship‚ Creon evaluates the nature of the kingship and of his
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In the Action One of the most important characters in Sophocles’ Antigone is actually a group of individuals. The chorus consists of a group of Theban elders‚ and they serve as the voice of the people. These men are considered the wisest in all of Thebes. “Their attitude to what is going on is always shaped by their responsibilities and special interest of their position” (Kirkwood 3). The chorus is not attached to any one character specifically; it reacts to its own thoughts and emotions (3).
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"Antigone"‚ written in 1942 by the French playwright Anouilh‚ is based upon the original "Antigone" the third play in the trilogy of "The Theban Plays" written by Sophocles‚ of Ancient Greece‚ in around 450 BC. "Antigone" is based upon the age-old conflict between the requirements of human and divine law. Although Anouilh’s version of "Antigone" is significantly similar to its original by Sophocles‚ there are substantial differences between the two plays. There is the chorus depicted as one person
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