heroine of the drama. In actuality‚ Creon fills the description of a tragic hero better than Antigone in many ways. A tragic hero is defined as one who is of royal lineage‚ a flaw in character‚ and not exceedingly just. Creon is clearly the unremitting yet capricious tragic hero that Sophocle’s creates to model the classic tragic hero. Creon‚ King of Thebes‚ was not born of royal blood. Regardless‚ his sovreign rule places him in critical situations. Being king puts Creon in the perfect position as tragic
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one another‚ leaving Antigone and her sister Ismene the only surviving offspring. The remainder of the play tells us of the chain reaction of Antigone’s death and Creon’s actions. Creon and Antigone both reveal strong stubborn personalities ‚ but is Antigone who emerges as the true tragic hero of the play. Rather than Creon‚ it would
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3rd‚ 2016 Oedipus from “Oedipus Rex” and Creon from “Antigone” both share a common feature. They’re both tragic heroes and share the same story. Although their title throughout the play was the same‚ some of their intentions‚ moral and ways of thinking weren’t as much but also were at the same time. In spite of their failure to lead Thebes when they most needed a leader to protect the city their effort was valued but it wasn’t enough. Oedipus and Creon played the same role and ended with the same
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Sophocles’ message to his audience is arrogance can lead to one’s demise. This theme becomes apparent when one examines Creon’s development over the course of the text‚ as well as his interactions with other characters. In the play‚ Antigone‚ Creon‚ the New King of Thebes‚ has made a decree about two recently deceased princes-while Eteocles can be buried with full military honors Polyneices cannot be buried‚ for he attacked the city.Oedipus daughter and one of the main character of the story
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Though they seem like complete opposites‚ Creon and Antigone are actually alike. Sometimes when people are too much alike they seem to clash‚ just like Antigone and Creon do. They are both characters that think greatly of obedience‚ yet neither subordinate themselves concocting contradiction. Sophocles contradicted himself to develop stubbornness and manipulation in his characters‚ creating suspenseful plays. Sophocles wrote many plays‚ and each one has it’s own set of irony creating themes of contradiction
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analytically speaking‚ Creon seems to fit the category of a tragic hero more accurately. There is no doubt that the nature of the work is tragedy. Along with this genre come ascertained requirements and Creon is the character that fits them all. A character must possess certain qualities in order to be
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Creon the Tragic Figure Throughout the play Antigone‚ Creon is portrayed as the king of discipline and pride. Creon’s pride is what makes him the tragic figure of Antigone. Though Antigone takes her life as the result of her sentence from Creon‚ it is not her pride that defines her fate but her unwillingness to accept her fate. Creon‚ King of Thebes‚ suffers his fate of pride. Not by his own demise‚ but his denial of Antigones brother Polynices burial; this caused catastrophic events in Creon’s
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unreasonableness‚ anger‚ and disrespect to be highlighted within Creon’s character. In the end‚ these conflicting motivations develop Creon as a tragic hero by ensuing his stubbornness‚ and damaging his pride. Antigone and Creon’s actions and feelings contrast because she insists that she will only follow the rights of the gods‚ not the king. This is evident
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kingship‚ who eventually end up killing each other. And the new hereditary ruler becomes their uncle‚ Creon. He declares that Eteocles should be buried honorably‚ while Polynices’ body should lay unburied on the battlefield. One of the main characters‚ Antigone strongly opposes the declaration of her brother’s unjustful burial and believes it’s the law of the Greek gods to bury people. While‚ Creon‚ the new ruler‚ upholds his law
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belittling the people thought to be below them. In Sophocles’ play‚ Creon sentences Antigone to her death after performing an unlawful burial. His son‚ Haemon‚ reasons with his father to change his mind and free Antigone in order to avoid offending those citizens who side with her: Creon: Play not the spaniel‚ thou a woman’s slave. Haemon: When thou dost speak‚ must no man make reply? (Sophocles 146) Just as a dog is compliant to its owner‚ Creon suggests Haemon is subservient to Antigone as he continuously
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