valuable tools for underwater research. However‚ ROVs are valuable to underwater research because historical perspective ‚ underwater research data ‚ and underwater exploration. The first reason ROVs ARE VALUABLE for historical perspective. While critics argue that historical perspective is needed‚ that information is not accurate. According to LiveScience.com‚ for most of human history‚ this vast watery abode — which covers 70 percent of the Earth’s surface — remained unexplored. They also said
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Critics say the NSA has the ability to spy on anyone in America anytime and the say that is not ok. The NSA claims they do not do this but it has been proven that they have the ability to do so. Critics say normal citizens should not have to worry about someone spying on them in the privacy of their own homes. People against the mass surveillance also
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What constitutes the “tragic hero?” 7. What is the intentional fallacy? 8. On what basis do philosophical critics judge a work? 9. What is the inferiority complex? 10. What did Marx criticize? 11. Sociological critics show how literature can function as what two objects? Explain. 12. What is the reasonable assumption that archetypal critics make?
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movies comes up is the studio’s popular princesses. Ever since Snow White made her debut in 1937‚ Disney has cornered the market on princesses. One primary topic that critics have discussed in Disney’s films is the way princesses are portrayed. The roles of the female characters are especially drawing the interest of academic critics. Jack Zipes‚ author of Breaking the Disney Spell‚ believes that the Disney princesses have regressed. On the other hand‚ Libe Zarranz‚ author of Diswomen Strike Back
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although made a very good box office that is‚ it grossed over $300 million worldwide‚ received universally hostile reviews from film critics especially fans of the cartoon series.. Even viewers of the film who were unfamiliar with the series found the movie amusing.. Based on 176 reviews collected by Rotten Tomatoes‚ the film received a 6% "Rotten" approval rating from critics.. Based on the above‚ it will be very difficult for the studios to continue with the movie as planned. That is‚ there been a
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perceiver as a maker of reality) - reader criticism became recognized as a distinct critical movement only in the 1970s - less a unified critical school than a vague collection of disparate critics with a common point of departure - “Reader Theory” “audience theory” neutral terms - reader-critics take the existence of the reader as a decisive component of any meaningful literary analysis – as Michael Riffaterre puts it‚ “readers make the literary event” - “narratee” = the person to
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Hamlet waits five acts to kill his father’s murderer‚ Claudius. Critics have come up with two types of reasons for the long delay‚ one reason being internal and the other external. The internal reasons being‚ Hamlet was too weak‚ he thought too much‚ and he was too religious. The external reasons being Claudius was heavily guarded and he was not sure if the ghost that gave him the orders to kill Claudius was actually his father. Every critic explains his view thoroughly. Herman Ulrici believes that
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Literary criticism is when an author critiques the qualities and attributes of literacy. Oftentimes authors use this mechanism as a form of tone‚ symbolism‚ imagery‚ and even to allude to the bigger picture. In the Honest Trailers the critics use gender‚ reader response‚ and empowerment criticism to explicate a particular point. In many films and other popular culture‚ blondes are usually stereotypically portrayed. They are exhibited as pretty girls who are not the sharpest tool in the toolbox.
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literature as essentially the self-expressive product of the artist nor as an evaluative reflection or illumination of cultural history. These "New Critics" opposed the traditional critical practice of using historical or biographical data to interpret literature. Rather‚ they focused on the literary work as an autotelic (self-contained) object. The New Critic explores and assesses the meaning of literature through an analysis of its internal form. From the 1940’s through the 1960’s formalist principles
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commodified objects. Smedley Smedley‚ the Virtual Critic(TM)‚ responds: Pootwattle’s tortured obsession with the relationship between the representational validity of romantic inwardness and the de-eroticization of commodified objects is disturbing. Pootwattle Pootwattle‚ the Virtual Academic(TM)‚ says: The phenomenalism of civil society replays (in parodic form) the legitimation of the literary canon. Smedley Smedley‚ the Virtual Critic(TM)‚ responds: Pootwattle’s thought-provoking inquiry
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