Outline –Dance Criticism (Step Up Revolution) Introduction: -Describe more about dancing. -Briefly talk about the movie “Step Up Revolution” Hook: Dancing is one of the art form that is the mixture of human passion and body movement to create every single move Thesis: This protesting dance mob dance to be turbulent for the business man‚ criticize the project in the middle of the conference‚ and to show the culture of Miami. Topic: Dance Criticism (Step Up Revolution) Scope: protesting
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NEW CRITICISM Introduction New Criticism The name New criticism came into popular use to describe this approach to understanding literature with the 1941 publication of John Crow Ransom’s The New Criticism. This contains Ransom’s personal analysis of several of his contemporaries among theories and critics. Here he calls for an ontological critic (one who will recognize that poem is a concrete entity) like Leonardo Da Vinci’s “”Mona Lisa”. In New Criticism‚ a poem can be analyzed to discover
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When you are criticized‚ how do you respond? Criticism can be hard to accept‚ because no one wants to constantly be told they are wrong. Accepting and learning from criticism is a necessary part of the growth mindset. The Bible tells us that we need to accept this type of correction and be thankful for it‚ because God may be speaking to us and providing an opportunity for personal growth. God tells us in Proverbs 27:17‚ “As iron sharpens iron‚ so one person sharpens another.” In this passage of
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DEFINITION OF POSTCOLONIAL CRITICISM A type of cultural criticism‚ postcolonial criticism usually involves the analysis of literary texts produced in countries and cultures that have come under the control of European colonial powers at some point in their history. Alternatively‚ it can refer to the analysis of texts written about colonized places by writers hailing from the colonizing culture. In Orientalism (1978)‚ Edward Said‚ a pioneer of postcolonial criticism and studies‚ focused on the way
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of Literary Criticisms? * New Criticism / Formalism - This type of criticism concerns itself with the parts of a text and how the parts fit together to make a whole. Because of this‚ it does not bring in any information outside of the text: biography of the author‚ historical or literary allusions‚ mythological patterns‚ or the psychoanalytical traits of the characters (except those traits specifically described in the text.) * Archetypical or Mythic – This type of criticism looks at traditional
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Douglass’s fifth of July. In J. A. Kuypers (Ed.)‚ Rhetorical criticism‚ perspectives in action (pp. 39-59). Lanham‚ MD: Lexington. F. I. Hill wrote the article The “Traditional” Perspective in 1972; later edited in 2009. This article was meant to inform readers about how to apply traditional criticism through the use of the theory of rhetoric. It was divided into two sections; the first being an overview of traditional criticism‚ and the second being the application of this in his critical essay
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The Purpose of Criticism: Literary criticism has at least three primary purposes. (1) To help us resolve a difficulty in the reading. The historical approach‚ for instance‚ might be helpful in addressing a problem in Thomas Otway’s play Venice Preserv’d. Why are the conspirators‚ despite the horrible‚ bloody details of their obviously brutish plan‚ portrayed in a sympathetic light? If we look at the author and his time‚ we see that he was a Tory whose play was performed in the wake of the Popish
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BIOGRAPHICAL CRITICISM Biographical criticism begins with the simple but central insight that literature is written by actual people and that understanding an author’s life can help readers more thoroughly comprehend the work. Anyone who reads the biography of a writer quickly sees how much an author’s experience shapes—both directly and indirectly—what he or she creates. Reading that biography will also change (and usually deepen) our response to the work. Sometimes even knowing a single important
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Marxist criticism is a type of criticism in which literary works are viewed as the product of work and whose practitioners emphasize the role of class and ideology as they reflect‚ propagate‚ and even challenge the prevailing social order. Rather than viewing texts as repositories for hidden meanings‚ Marxist critics view texts as material products to be understood in broadly historical terms. In short‚ literary works are viewed as a product of work (and hence of the realm of production and consumption
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Mongol Invasions” as well as the pertinent humanitarian concerns best illustrated by renowned historian Ibn al-Athir‚ criticisms regarding the religious legitimacy and negative humanitarian impacts of the Mongol Invasions are valid assessments. The first controversy surrounding the impact of the Mongol invasions is whether or not their motives were legitimate. Much of historian criticism suggests that the religious and ideological beliefs of the Mongols that compelled them to action were both extremist
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