DEFINITION OF POSTCOLONIAL CRITICISM A type of cultural criticism‚ postcolonial criticism usually involves the analysis of literary texts produced in countries and cultures that have come under the control of European colonial powers at some point in their history. Alternatively‚ it can refer to the analysis of texts written about colonized places by writers hailing from the colonizing culture. In Orientalism (1978)‚ Edward Said‚ a pioneer of postcolonial criticism and studies‚ focused on the way
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of Literary Criticisms? * New Criticism / Formalism - This type of criticism concerns itself with the parts of a text and how the parts fit together to make a whole. Because of this‚ it does not bring in any information outside of the text: biography of the author‚ historical or literary allusions‚ mythological patterns‚ or the psychoanalytical traits of the characters (except those traits specifically described in the text.) * Archetypical or Mythic – This type of criticism looks at traditional
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Douglass’s fifth of July. In J. A. Kuypers (Ed.)‚ Rhetorical criticism‚ perspectives in action (pp. 39-59). Lanham‚ MD: Lexington. F. I. Hill wrote the article The “Traditional” Perspective in 1972; later edited in 2009. This article was meant to inform readers about how to apply traditional criticism through the use of the theory of rhetoric. It was divided into two sections; the first being an overview of traditional criticism‚ and the second being the application of this in his critical essay
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Albert Bandura was born in a small Canadian town called Mundare on December 4‚ 1925. His parents came from Eastern Europe‚ his father from Poland and mother from Ukraine. He is the youngest of six children and the only son. Before Bandura was born‚ a sister died of the flu and a brother died in a hunting accident. The school that Bandura was the only school in the whole town‚ it was both the elementary and high school. The school was very short on teachers‚ and all of the high school curriculum was
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1.The most beautiful experience we can have is the mysterious. It is the source of all true art and science. 我們所能擁有的最美的經驗，是神秘的事物。它是所有真正的藝術與科學的泉源。 2.Everything that is really great and inspiring is created by the individual who can labor in freedom. 真正偉大與激勵人的每一件事，都是由那些能為自由努力的個人所創造的。 1.At any rate‚ I am convinced that He [God] does not play dice. 無論如何，我確信神不會玩擲骰子。 2. If A is success in life‚ then A equals x plus y plus z. Work is x; y is play; and z is keeping your mouth shut. 如果A代表人生中的成功，那麼A等於X加Y加Z。工作是X，Y是玩樂，而Z是保持緘默。
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The Purpose of Criticism: Literary criticism has at least three primary purposes. (1) To help us resolve a difficulty in the reading. The historical approach‚ for instance‚ might be helpful in addressing a problem in Thomas Otway’s play Venice Preserv’d. Why are the conspirators‚ despite the horrible‚ bloody details of their obviously brutish plan‚ portrayed in a sympathetic light? If we look at the author and his time‚ we see that he was a Tory whose play was performed in the wake of the Popish
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BIOGRAPHICAL CRITICISM Biographical criticism begins with the simple but central insight that literature is written by actual people and that understanding an author’s life can help readers more thoroughly comprehend the work. Anyone who reads the biography of a writer quickly sees how much an author’s experience shapes—both directly and indirectly—what he or she creates. Reading that biography will also change (and usually deepen) our response to the work. Sometimes even knowing a single important
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the great mind‚ then‚ we may use biographical criticism as to how we may criticize such literary piece. Biographical Criticism not only determines the effect of the writer’s life on his work but also offers to help us understand both writer and his own work. Through understanding the life and influences of the author in writing‚ readers would thoroughly understand the author’s intended meaning to his work. The assumption of the biographical criticism is that the interpretation of the literary piece
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New criticism approaches - FOUZIA LAKHMOR - G3 - S4 - ON : 530 New Criticism A literary movement that started in the late 1920s and 1930s and originated in reaction to traditional criticism that new critics saw as largely concerned with matters extraneous to the text‚ e.g.‚
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Marxist criticism is a type of criticism in which literary works are viewed as the product of work and whose practitioners emphasize the role of class and ideology as they reflect‚ propagate‚ and even challenge the prevailing social order. Rather than viewing texts as repositories for hidden meanings‚ Marxist critics view texts as material products to be understood in broadly historical terms. In short‚ literary works are viewed as a product of work (and hence of the realm of production and consumption
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