Outline –Dance Criticism (Step Up Revolution) Introduction: -Describe more about dancing. -Briefly talk about the movie “Step Up Revolution” Hook: Dancing is one of the art form that is the mixture of human passion and body movement to create every single move Thesis: This protesting dance mob dance to be turbulent for the business man‚ criticize the project in the middle of the conference‚ and to show the culture of Miami. Topic: Dance Criticism (Step Up Revolution) Scope: protesting
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NEW CRITICISM Introduction New Criticism The name New criticism came into popular use to describe this approach to understanding literature with the 1941 publication of John Crow Ransom’s The New Criticism. This contains Ransom’s personal analysis of several of his contemporaries among theories and critics. Here he calls for an ontological critic (one who will recognize that poem is a concrete entity) like Leonardo Da Vinci’s “”Mona Lisa”. In New Criticism‚ a poem can be analyzed to discover
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When you are criticized‚ how do you respond? Criticism can be hard to accept‚ because no one wants to constantly be told they are wrong. Accepting and learning from criticism is a necessary part of the growth mindset. The Bible tells us that we need to accept this type of correction and be thankful for it‚ because God may be speaking to us and providing an opportunity for personal growth. God tells us in Proverbs 27:17‚ “As iron sharpens iron‚ so one person sharpens another.” In this passage of
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of Literary Criticisms? * New Criticism / Formalism - This type of criticism concerns itself with the parts of a text and how the parts fit together to make a whole. Because of this‚ it does not bring in any information outside of the text: biography of the author‚ historical or literary allusions‚ mythological patterns‚ or the psychoanalytical traits of the characters (except those traits specifically described in the text.) * Archetypical or Mythic – This type of criticism looks at traditional
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Douglass’s fifth of July. In J. A. Kuypers (Ed.)‚ Rhetorical criticism‚ perspectives in action (pp. 39-59). Lanham‚ MD: Lexington. F. I. Hill wrote the article The “Traditional” Perspective in 1972; later edited in 2009. This article was meant to inform readers about how to apply traditional criticism through the use of the theory of rhetoric. It was divided into two sections; the first being an overview of traditional criticism‚ and the second being the application of this in his critical essay
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The Purpose of Criticism: Literary criticism has at least three primary purposes. (1) To help us resolve a difficulty in the reading. The historical approach‚ for instance‚ might be helpful in addressing a problem in Thomas Otway’s play Venice Preserv’d. Why are the conspirators‚ despite the horrible‚ bloody details of their obviously brutish plan‚ portrayed in a sympathetic light? If we look at the author and his time‚ we see that he was a Tory whose play was performed in the wake of the Popish
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provided the basis for the development of two different models of care: the biomedical model‚ and the recovery-based psychosocial model. The model of care adopted by care providers heavily influences the nature of the treatment given‚ and the trajectory of a patient’s journey through illness‚ to wellness. Historically‚ the biomedical model of care has been the foundation of Western medicine‚ and has remained largely unchallenged as the dominant model of care used in the delivery of psychiatric treatment
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BIOGRAPHICAL CRITICISM Biographical criticism begins with the simple but central insight that literature is written by actual people and that understanding an author’s life can help readers more thoroughly comprehend the work. Anyone who reads the biography of a writer quickly sees how much an author’s experience shapes—both directly and indirectly—what he or she creates. Reading that biography will also change (and usually deepen) our response to the work. Sometimes even knowing a single important
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the great mind‚ then‚ we may use biographical criticism as to how we may criticize such literary piece. Biographical Criticism not only determines the effect of the writer’s life on his work but also offers to help us understand both writer and his own work. Through understanding the life and influences of the author in writing‚ readers would thoroughly understand the author’s intended meaning to his work. The assumption of the biographical criticism is that the interpretation of the literary piece
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Marxist criticism is a type of criticism in which literary works are viewed as the product of work and whose practitioners emphasize the role of class and ideology as they reflect‚ propagate‚ and even challenge the prevailing social order. Rather than viewing texts as repositories for hidden meanings‚ Marxist critics view texts as material products to be understood in broadly historical terms. In short‚ literary works are viewed as a product of work (and hence of the realm of production and consumption
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