English 441 New Criticism Explained Beginning in the 1920’s and coalescing in the 1940’s‚ an interpretative approach emerged that did not define literature as essentially the self-expressive product of the artist nor as an evaluative reflection or illumination of cultural history. These "New Critics" opposed the traditional critical practice of using historical or biographical data to interpret literature. Rather‚ they focused on the literary work as an autotelic (self-contained) object. The New
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Sociological criticism examines literature in the political‚ economic and cultural context in which it can be either written or received. It looks at the sociological status of the author to evaluate how the profession of the writer in a milieu affected what was written. It analyzes the social content of literary works culturally‚ economically and politically. Sociological criticism also examines the role the audience has in shaping literature. A view of Shakespeare might look at the economic position
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figure‚ such as a co-worker or a therapist yonic symbol—an image that represents a vagina I. Psychological Criticism History and Development Psychological criticism examines the inner workings of the human mind and applies psychological theories to the interpretation of literature‚ specifically in the analysis of authors and their characters. This approach draws from the theories of several prominent experts‚ but most often those of Sigmund Freud (1846–1939). Freud is considered the founder
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) Psychoanalytic Criticism Psychoanalytic Criticism was first mooted by the Austrian neurologist Sigmund Freud. It deals with the mind of the author at the time of writing hence the “psycho” aspect of it. The text is seen as a dream and the readers unravel the mysteries of the dram as they read and endeavor to gain understanding of the text. In this theory‚ the author’s mind‚ the impact of the text on the reader and the third character are of paramount importance. This theory came from psychology
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was nearly too dark to see as Ivan made his way across the field. This far away‚ from the trenches and his fellows‚ no one would see him partake of his last roll of tobacco. It was a precious commodity‚ a treasure that the others would harass him for until he gave in and let everyone have a taste. Or rather‚ let everyone have a taste until Fat Vlad got ahold of it and bogarted it for himself. It was his last cigarette‚ the last one he might ever get‚ and so Ivan intended to savor every last
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evidence that certain events could happen in order for statements to be significant and often times in metaphysics they were not. While many could argue that the verification principle excelled at critiquing metaphysical claims there are several criticisms that could come with is handling of religious and ethical
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Cited: Ardolino‚ Frank. "Pinter ’s Betrayal and Shakespeare ’s Othello." The Explicator 65.1 (2006): 50+. Literature Resource Center. Web. 25 Nov. 2012 LaBlanc‚ L. Michael. "Jealousy." Shakespearean Criticism. Vol. 72. Detroit: Gale‚ 2003. Literature Resource Center. Web. 25 Nov. 2012. Shakespeare‚ William. “Othello” Literature: The Human Experience. Ed. Richard Abcarian
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KR Miller Mr. Harrison English 111 10 June 2008 Thesis: Just as Ivan Ilyich experienced in his lifetime‚ many people today also live hollow‚ materialistic lives and fail to realize the true meaning of life until it is too late. 1. Tolstoy describes Ivan Ilyich’s desire to conform to the standards of his society and his belief that he was leading right life. 2. Ivan adopts the values and beliefs of other members of high society believing those values are the mark of a successful life
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One of the dominant motifs of the "Situation" section‚ is the concept of the "new" (see also‚ the modern) and its relationship to the situation of art. This concept and its dialectical...complications/implications is absolutely fundamental to Adorno’s philosophy in general‚ especially in relation to a motif of failed (or aborted) revolutions and their relation to what Adorno occasionally refers to as the aging of modernity. Whither Adorno’s account of the "resistance to the new”? For him‚ any and
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The Death of Ivan Ilych by Leo Nikoleyevich Tolstoy Translated by Louise and Aylmer Maude During an interval in the Melvinski trial in the large building of the Law Courts the members and public prosecutor met in Ivan Egorovich Shebek’s private room‚ where the conversation turned on the celebrated Krasovski case. Fedor Vasilievich warmly maintained that it was not subject to their jurisdiction‚ Ivan Egorovich maintained the contrary‚ while Peter Ivanovich‚ not having entered into the discussion
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