surveillant theme evident in the film Rear Window. “We’ve become a race of Peeping Toms – what people ought to do is get outside their house and look in for a change.” – Stella‚ Rear Window‚ 1954. The theme of surveillance is all too clear in Alfred Hitchcock’s 1954 film‚ ‘Rear Window’. From the opening credits‚ we immediately get a sense of what this film is about. The slow uprising of the James Jeff’s (L.B. Jeffries a.k.a. Jeff) window blinds to reveal the setting‚ the courtyard and the apartment
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Name: Kristoffer Asetre Subject: Theries of Personality PSYCHOANALYTIC THEORY: Id‚ Ego‚ Superego Sigmund Freud Freud formulated a unique way of thinking about the mind‚ made up of three parts: Id‚ Ego‚ and Superego. These three structures describe the way we think and make decisions on a day-to-day basis. The id is the part of the mind that wants what it wants‚ and wants it now. It is demanding and childish‚ and operates via the pleasure principle. This simply means that it motivates
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The first internationally acclaimed American woman artist‚ Georgia O’keeffe‚ rose to eminence for her stylized interpretation of New York cityscapes‚ New Mexico landscapes‚ and imposing paintings of flowers in bloom. Born on November 15‚ 1887‚ Georgia Totto O’Keeffe was the first daughter and second child of seven children of dairy farm parents in Sun Prairie‚ Wisconsin. She and her sister‚ Ida O’keeffe‚ were instructed how to draw from a grammar school teacher. In addition to her drawing lessons
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Alfred Noyes (1880-1958) The Highwayman THE wind was a torrent of darkness among the gusty trees‚ The moon was a ghostly galleon tossed upon cloudy seas‚ The road was a ribbon of moonlight over the purple moor‚ And the highwayman came riding— Riding—riding— The highwayman came riding‚ up to the old inn-door. He’d a French cocked-hat on his forehead‚ a bunch of lace at his chin‚ A coat of the claret velvet‚ and breeches of brown doe-skin; They fitted with never a wrinkle: his boots were
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Alfred Hitchcock’s Shadow of a Doubt is no less than a perfect example of film noir. Low-key lighting‚ dramatic shadow patterning‚ and camera angles are all expertly used to foreshadow and portray the emotions and psyche of the characters. Hitchcock uses sets and props to mirror scenes‚ creates characters that are remarkably similar but simultaneously conflicting‚ and emphasizes emotions that offer contradictions. The sense of duality and contradiction in the film demonstrates how darkness can take
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therapy (REBT). REBT suggests that our emotions branch from our beliefs‚ evaluations‚ interpretations‚ and reactions to life situations. Through REBT‚ a client can become aware of the irrational beliefs and replace them with rational cognitions. Alfred Adler believed that social relations motivate all clients. Adlerian therapy consists of four phases‚ all of which utilize Adler’s overall theme of client encouragement. The first phase goal is to create a strong therapeutic alliance between the client
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In Shadow of a Doubt (1943)‚ Alfred Hitchcock creates many moments of suspense and mystery. Throughout the entire film the audience is taken through a ride of high moments of suspense and filled with a large impact of mystery. Personally this is one of my favorite films and I really liked the film imagery that Hitchcock used throughout the film. There were many moments where Hitchcock used a variety of his infamous techniques of cutting between scenes. In fact‚ Shadow of a Doubt was one of his favorite
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and obstacles a new situation arises to end the narrative. A narrative film’s plot is everything audibly and visibly presented onscreen‚ and what the viewer interprets‚ used to tell and to present information about a story. The main plot for Alfred Hitchcock’s ‘Shadow of a Doubt’ can be described a young lady discovering the secret about her serial killer Uncle she was once so fond of‚ whereas the films story can be described as a serial killer on the run‚ and after visiting his sisters family
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For ease of review in discussing the developmental theorists and their theories of human development I have subdivided each theorist into their respective schools of psychology. These schools include the psychoanalytic school‚ behavioral school‚ humanistic school‚ cognitive school‚ and the individual schools of psychology. Each developmental theorist holds their own unique ideas and theories about various components of human development. I will be discussing the contributions of each of these theorists
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Auteurism: A Disease of Greatness. The term Auteur seems to bless a privileged group of filmmakers with an almost messiah-like legacy. Men such as Alfred Hitchcock‚ John Ford and Fritz Lange are believed to inhabit the ranks of the cinematic elite‚ and not surprisingly most critics are more than willing to bestow upon them the title of Auteur. By regarding filmmaking as yet another form of art‚ Auteur theory stipulates that a film is the direct result of its director’s genius. With the emerging
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