(Morgan Library‚ Metz). They are both centered on Christ crucified on a jeweled cross surrounded by mourning figures in gold repoussé reliefs. Although both the cover of The Lindau Gospels and the upper cover of the Codex Aureus Epternach feature a crucifixion scene‚ large embedded gems‚ and gold repoussé reliefs‚ they differ greatly when it comes to the language of the book‚ who it was dedicated to and written for‚ and who is on the cover. The Lindau Gospels were a product of the
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Dream of the Rood – A Passion Story How does the structure of Dream of the Rood contribute to the meaning of the poem? Dream of the Rood can be divided into three sections: part one (lines: one through twenty-seven)‚ part two part (lines: twenty-eight through one-hundred and twenty-one)‚ and part three (lines: one-hundred and twenty-two through one-hundred and fifty-six). These three sections mirror The Passion story. The first portion of the poem includes the description of the tree: “It seemed
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the Gospel of John focuses on the spirituality aspect of Jesus‚ and the revelation of Jesus and the Father being one. Despite the differences in portrayal of Jesus leading up to the Last Supper. Throughout this event both Gospels portrays Jesus’ crucifixion‚ however‚ Mark present Jesus similarly to the Passover Lamb. John on the other hand reveals Jesus’ parting in preparation of what to come so that they may believe. Jesus Christ is both divine and mortal. John describes
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Period Comparison The two paintings I chose to compare are The Virgin and Child by Rogier van der Weyden (1406‚ Netherlandish; gallery room 207) and The Crucifixion by Francisco de Zurbaran (1627‚ Spanish; gallery room 215). These two paintings focus on Jesus Christ‚ his humanity and his divinity. I chose them because they represent Jesus’ fragile humanity through his infancy and death. These paintings struck me as different from the other religious art I had seen because it stresses humanity without
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the first at the tomb. They are the first to find it empty. They are the first to hear: “He is not here. He has risen‚ as he said”… They are also the first to be called to announce this truth to the Apostles. Mark reports that at the time of the crucifixion of Jesus all his male disciples had fled. But there were some women watching from a distance. Among them were Mary Magdala‚ Mary who was the mother of James the younger and Joses‚ and Salome. These used to follow him and look after him when he was
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I. Introduction A. Westcott and others believe chapters 15–17 took place in the Temple courts B. “He went forth” it is not clear from where He went forth. C. Kidron is identified with cheimarrou – flowing in winter – it was an intermittent “wadi”. Kidron means black. Perhaps Jesus identified as crossing this dark dry brook as passing from the Holy of Holies to the place where sin in all its darkness appeared to enjoy a monetary triumph. II. The Betrayal
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The Descent from the Cross (Deposition of Christ) by Roger Van der Weyden it measures roughly 7 feet x 8.5 feet‚ and is located in Great Crossbowmen’s Guild of Louvain the medium used is Oil on oak panel. The second piece is Merode Altarpiece created by Robert Campin the piece as a whole measures 25 3/8 x 46 3/8 in‚ it is located Tournai‚ South Netherlands and the medium used is also oil on oak panel. 2. In the first panel of the Merode altarpiece a messenger is depicted on his knees seeming
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Pontius Pilate In this paper I will be making the case that Pontius Pilates crucifying of Jesus was not only a political move but also an act to dominate the generally not so compliant Jewish populace of Judea. This act of domination was a Roman tactic used throughout their stay in the region and to Pontius Pilate‚ Jesus was a mere stepping stone on his way to complete subjugation of the indigenous peoples and to stronger alliances with the Jewish aristocracy and Herod Antipas. Pontius Pilate
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“Fountain of Life”. The fountain served as a cemetery cross and water source for the monastery. This fountain was also crowned with a crucifix at the foot of which were the figures of the Virgin Mary‚ St. John‚ and Mary Magalene. The crucifixion figures were carved first‚ then the angels‚ and finally the prophets. Everything was achieved with great precision and the up most attention to detailed. The Well of Moses was made from polychrome and gilded stone. The artwork was later
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Jesus of the Gospels The beginning of Jesus’ final week on earth began with Palm Sunday. This is where Jesus rode into Jerusalem on a donkey to celebrate passover. People welcomed Jesus by throwing palms under his donkey. This was so that the donkey would not touch the ground. This was kind of the ’red carpet’ treatment even though a donkey was equivalent to a poor man’s car nowadays. Even though Jesus is all powerful‚ he chose to ride on a donkey. This juxtaposition shows Jesus’ humility
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