Theorems 1 All right angles are congruent. 2 Perpendicular lines form right angles. 3 If two angles are complements or supplements to the same or congruent angles‚ they are congruent. 4 Two adjacent angles that fall on the same line form a linear pair and are supplementary. 5 Corresponding parts of congruent triangles are congruent. 6 If two sides of a triangle are congruent the angles opposite are congruent. 7 If two angles in a triangle are congruent the sides opposite are congruent. 8 The base
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3D-PLANES 1-MARK 1.Find the angle between the line x + 1 = y – 1 = z – 2 and the plane 2x + y – 3z = 4. 2 -1 3 2 Find the distance of the point (1‚ 2‚ 0) from the plane 4x + 3y + 12z = 16. 3.Find the equation of the line passing through the point with position vector 4i – j + 3k and perpendicular to the plane r.(6i – 3j + 7k) + 2 = 0. 4. If the points (1‚ 2‚ p) and (-3‚ 0‚ -1) be equidistant from the plane
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Single Cruises: The Best Place for Singles to find a Companion Since there is a great demand for cruise lines‚ there is also a rapid increase for single travelers who would want to spend some of their precious time in the cruise. Usually‚ single travelers are on its peak during Valentine seasons. During this time‚ single cruises will give their customers a special singles prices‚ exclusive singles activities and other valentine related events. Single Cruises are the best way to complete your single
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Geometry. The first issue that I will focus on is the definition of a straight line on all of these surfaces. For a Euclidean plane the definition of a "straight line" is a line that can be traced by a point that travels at a constant direction. When I say constant direction I mean that any portion of this line can move along the rest of this line without leaving it. In other words‚ a "straight line" is a line with zero curvature or zero deviation. Zero curvature can be determined by using
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nature and the human misery. The poem consists of four stanzas which have a different amount of lines. The first stanza consists of 14 lines‚ the second of six‚ the third of eight and the last line of nine lines. The rhyme scheme is very irregular. For example‚ in the first eight lines of the poem it is abacdbdc. The first stanza can be divided into two parts. In the first part (line one to line six) the lyrical I describes the motions of the sea in a very positive way. The words “to-night” (l
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the subject. Her posing of the question to the reader in the third line "You may have met him‚ -did you not?" is playful and‚ like a riddle‚ draws the audience into her poem as a participant in the experience. She does this very subtly by inserting a pause near the end of the line after the word "him"‚ however‚ she forgoes the question mark‚ which has a subliminal effect on the reader compelling him or her to read on. The final line states that the sighting of the subject comes unexpectedly‚ planting
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3. A Line is then drawn to make a pathway for the dominos and a simpler way of copying all the dominos at once. Select the previously drawn domino piece‚ and then open the Spacing Tool in Tools (Tools > Align > Spacing Tool). Click the “Pick Path” button‚ and select the line. Settings for Spacing Tool must be as follow: a. Spacing = 2.54cm b. Type of Object = Instance c. Under Context‚ depending on the scene/line‚ click on “Follow” to see if the dominos align with the line properly.
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ELEMENTARY SURVEYING FIELD MANUAL FIELD WORK NO. 7 PROFILE LEVELING CE120-0F / A1 SUBMITTED BY: NAME: STUDENT NO.: GROUP NO. 4 DATE OF FIELD WORK: AUGUST 12‚ 2014 DATE OF SUBMITTION: AUGUST 19‚ 2014 SUBMITTED TO: PROFESSOR: ENGR. CERVANTES GRADE FIELD WORK NO. 7 PROFILE LEVELING FINAL DATE SHEET FIELD WORK 7 PROFILE LEVELING DATE: AUGUST 12‚ 2014 TIME: 8:30AM – 10:30AM WEATHER: SUNNY A. GROUP NO.: 4 LOCATION: INTRAMUROS GROUND PROFESSOR: ENGR. CERVANTES PROFILE LEVELING STATION BM-1
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says that the answerphone ’screaming’ that he will be fired if he continues to behave unprofessionally. He himself hitches a lift to the place where he has a hired car parked‚ which could be seen as foreshadowing the following events. The first line of stanza two abruptly introduces the hitcher: ’I picked him up in Leeds’; the hitcher is only ever referred to as ’him’ or ’he’‚ showing the narrator’s lack of acknowledgement of the hitcher as an individual. He is said to be‚ ’following the sun’
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very first line of the poem brings into realisation the abysmal conditions of the trenches the soldiers encountered. It starts off as almost conversationally with a slight understated menace in ‘’and he knew’’. The poem starts off with the use of iambic pentameter but when the regular rhythm descends into chaos other examples of pentameters such as trochaic are used like in line 4. The use of more than one form of pentameter reflects the turmoil and action on the battlefield. In line 2 the pentameter
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