only lay its eyes upon art that would exemplify a perfect people. The art that Hitler relentlessly persecuted was distinctively different. The styles of art he did not appreciate are known collectively as modern art. These styles (impressionism‚ fauvism‚
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Western Civilizations HMS-301 Section A Project Topic: Futurism Prepared By: Bassel Paoli (12110518) Instructor: Dr. Karim Tannous Introduction Futurism Futurism is an artistic and social movement that began in Italy Milan in 1909 by the Italian poet Filippo Tommaso Marinetti. The movement launched under the name Futurist Manifesto‚ written by Filippo‚ was published in the Italian newspaper Gazzetta dell ’Emilia in Bologna on 5 February 1909‚ and later on in French on 20
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Crystal Palace Describe the exhibition come about‚ what was the reason for it‚ the understanding that the industrial revolution is permanent‚ not some strange thing thats happening to society . The description has to give us insight to why the exhibition was important and to modernism. Two Parts: Building itself- dimensions‚ what does it mean when you build with iron and glass (to form an interpretation)‚ no internal supports which creates space to exhibit. Linear thinking‚ transparency‚ pre-fabrication
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Periods and their Artists * Chapter 3 Egypt * Old Kingdom (2700-2190 BCE) * Imhotep – Stepped Pyramid of Djoser * Chapter 5 Ancient Greece * Archaic (600-480 BCE) * Andokides Painter –Achilles and Ajax * Ergotimos –[and Kleitius] Fracois Vase * Euphronios –Death of Sarpedon * Exekias –Achilles and Ajax; Suicide of Ajax; Dionysis in a Boat * Polykleitos –Doryphoros * Classical (480-320 BCE) * Kalikrates
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STYLE OF ARTS a. Expressionism - In Expressionist Art‚ the artist tries to express certain feelings about something. The artists that painted in this style were more concerned with having their paintings express a feeling than in making the painting look exactly like what they were painting. b. Impressionism - Impressionism was developed in France during the late 19th and early 20th centuries. These pieces of art were painted as if someone just took a quick look at the subject of the painting
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architect and city planner‚ whose designs combine the functionalism of the modern movement with a bold‚ sculptural expressionism. He belonged to the first generation of the so-called International school of architecture and was their most able propagandist in his numerous writings. In his architecture he joined the functionalist aspirations of his generation with a strong sense of expressionism. He was the first architect to make a studied use of rough-cast concrete‚ a technique that satisfied his taste
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Abstract art Abstract art uses a visual language of form‚ color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been‚ from the Renaissance up to the middle of the 19th century‚ underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist
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Art History Henri Matisse: Goldfish Henri Emoile Matisse‚ born in 1869‚ is regarded as one of the "great formative figures in 20th-century art"‚ as well as the leader of the Fauve group. Fauvism is defined as "an early-20th-century movement in painting begun by a group of French artists and marked by the use of bold‚ often distorted forms and vivid colors." Matisse was associated with this group due to his use of vivid colors‚ as well as his unusual style of presenting objects. Many critics
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impressionist to challenge the traditional way of painting and introducing the unique style of impressionism compare to traditional painting; while lecture 9 ‘Modernism: changing the ways we see the world’ discussed post-impressionism‚ cubism‚ symbolism‚ art nouveau‚ fauvism‚ showing how they contribute to modernism. The meanings of ‘The rise of modernism: challenging tradition’ and ‘Modernism: changing the ways we see the world’ to the social‚ artistic and cultural development are correlated‚ just
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To the general public‚ both Michelangelo’s David and Duchamp’s Nude Descending a Staircase‚ shock was the initial response. The statue of David depicts a nude man which was much less acceptable at that time than in recent days. Other negative reactions were brought on by its political significance. Duchamp’s painting also raised shock in its viewers. The painting was meant to portray a nude woman as she ascended a staircase although it looked like anything but. This caused the public to
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