poetry. Between 1908 and 1914 he attended various art schools including Kunstschule in Hannover‚ Germany‚ and the Berliner Akademie de Kunste.1 He was labeled untalented in traditional academic art because of his influence from Dadaism‚ Cubism‚ German Expressionism‚ and similar avant-garde movements of the early twentieth century that was reflected onto his work. Starting post World War I‚ Schwitters’ offered his personal vision of middle-class culture of the time in the form of collage‚ sculpture
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subject (Bayer‚ 15)‚ which helped students gain the most experience. Most people mistaken that Bauhaus is part of the “ism”‚ but the truth is that different “ism” are part of the Bauhaus school. Many of the teachers at Bauhaus grew up with expressionism‚ cubism‚ surrealism‚ and Dadaism; therefore‚ the designs were influenced by these isms (Bayer‚ 16). Due to its highly sophisticated teachers and curriculum‚ the school soon raised modern artists that were familiar with science and economics‚
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Madame Matisse; The Green Line Use one of the Matisse’s paintings and discuss what it does for color structure. Why is it so arresting and how is how is modern? Within the Fauvism movement‚ we find its most central artist‚ Henri Matisse. He was an artist among other artists collectively responsible for creating the Fauvism movement by using broad strong areas of color that seemed crude‚ savage‚ shocking and puzzling to critics as well as brilliant to others in 1905. Despite an undesirable response
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Modernistic literature is the expression of the modern era (1901-45). It tends to revolve around themes of individuality‚ the randomness of life‚ mistrust of government and religion and the disbelief in absolute truth. Literature scholars classify the years from 1900 to about 1965 as the Modernist period. During this period‚ society at every level underwent profound changes. War and industrialization seemed to devalue the individual. Global communication made the world a smaller place. The pace
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Fashion and Surrealism: Why Not? Lisa Junor Fashion Design Stage 3 Robert Gordon University Word Count: 2754 Fashion and Surrealism: Why Not? Imagining a world where your dreams and subconscious co-exist with the general happenings of life is surreal however extremely alluring. Surrealist artists and fashion designers have a steady belief in this fantasy and have attempted to achieve this through the work of art and fashion. Throughout
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Day S. Cody‚ MIT* PSU Lingayen Campus Lingayen www.psu.ph ETYMOLOGY It came from the Latin word “humanus” which means refined‚ culture and human Refined - Norms‚ being civilize‚ and socialize Cultured - Adaptation to environment (social interaction‚ norms) Human - Having the nature of people‚ being a person Definition - - The expression of ourselves without using of words (painting‚ sculptures‚ dancing‚ mosaic‚ cross stitch‚ collage‚ paper and folding) The study of man’s
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Late 1800s to 1907 The were many art movements within this time period. I am going to show you some of well known one and unknown artist. Impressionism In 1874‚ a group of artists called the Anonymous Society of Painters‚ Sculptors‚ Printmakers‚ etc. organized an exhibition in Paris that launched the movement called Impressionism. Its founding members included Claude Monet‚ Edgar Degas‚ and Camille Pissarro‚ among others. Impressionism was a movement that occurred in both art and poetry. It
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emerging fully industrialized world. The first half of the 20th century is then normally referred to in literary histories as ‘Modernism’‚ a very general term used to talk about a series of different movements and tendencies (impressionism‚ expressionism‚ imagism‚ futurism‚ dadaism‚ surrealism...) that tried to break with old tradition and the realistic concept of art. Modernism challenged the assumption of reality‚ which is at the roots of realism: that there is a common phenomenal world that can be
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For today’s class‚ we visited the Thyssen-Bornemisza Museum. In the beginning‚ we learned the history of this museum. This museum is made up of a private collection from the Thyssen-Bornemisza family‚ and both the privatization and time period make this collection unique. The collection includes many landscapes‚ still lives and genre paintings‚ but not many portraits. The family was extremely wealthy from their success in the industrial world‚ so they were able to purchase a vast amount of artwork
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1910 and study at colarossi in Paris and this exposed her to post impressionism and fauvism‚ and this encouraged her to use a more vibrant palette and to forget the pastel colours in her earlier British training‚ to forge a new artist style . She returned home in 1912 and opened a exhibition on in March 1912 and it was a studio of seventy watercolours and oils. She then became the first artist to introduce fauvism to Vancouver. Her
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