MODULE A: Experience through language ELECTIVE 2: DISTINCTIVELY VISUAL W.Taoube and I.Spencer Elective Rubric ELECTIVE 2: DISTINCTIVELY VISUAL In their responding and composing students explore the ways the images we see and/or visualise in texts are created. Students consider how the forms and language of different texts create these images‚ affect interpretation and shape meaning. Students examine one prescribed text‚ in addition to other texts providing examples of the distinctively
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English Assignment The Pianist is about world war 2. The pianist is about how the Jewish were fighting with the Narzi because the Narzi wanted to take over the nation. Szpilman is the main character in the movie‚ he is known as a polish jew. He and his family are have limited resources and in order for them to gain money they had to sell their piano has sentimental value because it was treasured to him and his family. Szpilman and his family and the jewish were forced to move to another district
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A Brief Analysis of Mozart Sonata K.331 Jinsen Wang Prof. HontzTheory of Music 125 Due date: 12/6/2010 Wolfgang Amadeus Mozart (W. A. Mozart‚ 1756 - 1791) is probably the most important composer in the history of music. Composing over 600 works during a period of evolution of consolidation‚ extension and deepening CITATION Sta65 \l 2052 (Sadie‚ 1965)‚ Mozart is not merely a prolific composer‚ but an influential and even epoch-making artist as well. “Mozart learned voraciously from others‚ and
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Baroque Period – Bach Toccata and Fugue in D minor The Toccata and Fugue in D minor‚ BWV 538‚ is an organ piece by Johann Sebastian Bach. Like the better-known BWV 565‚ BWV 538 also bears the titleToccata and Fugue in D Minor‚ although it is often referred to by the nickname Dorian — a reference to the fact that the piece is written without a key signature — a notation that is uncommon today and leads one to assume the Dorian mode. However‚ the two pieces are quite different musically‚ it is nearly
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The Piano Sonata in B minor (German: Klaviersonate h-Moll)‚ S.178‚ is a musical composition for solo piano by Franz Liszt‚ published in 1854 with a dedication to Robert Schumann. It is often considered Liszt’s greatest composition for solo piano. The piece has been oft analyzed‚ particularly regarding issues of form. The sonata is notable for being constructed from five motivic elements that are woven into an enormous musical architecture. The motivic units undergo thematic transformation throughout
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An application of Analysis of Beethoven’s ‘Pathetique’ piano sonata No. 8 inC minor‚ Op.13 with particular focus on musical features such as melody‚ thematic content‚ rhythm‚ form and structure‚ and harmony. Bent states that analysis is the means of answering the question‚ how does it work? According to Bent‚ analysis is a relatively young discipline “analysis as a pursuit in its own right became established during the 19th century” (Bent‚ 2006‚ p.13)‚ although basic methods of analysis of music
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In B flat major and the third of the set Mozart composed‚ the Piano Sonata (K. 281) opens with an Allegro in sonata form. Almost immediately after the restatement of the four-measure theme begins‚ Mozart moves away from the tonic toward the dominant‚ F major. An insistent repeated-note figure is the main feature of the secondary theme‚ which quickly gives way to a trilled closing motive. After a harmonically daring development section we hear one of Mozart’s most predictable recapitulations‚ tracing
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he Ghost Sonata does not take place in the real world; or at least not in a world most people would recognize as reality. Strindberg originally subtitled his play "Kama-Loka‚" the name of a mystical dream world through which some mortals have to wander before reaching the kingdom of death in the afterlife. Accordingly‚ the characters in The Ghost Sonata speak‚ move and act as if they are part of a dream—or a nightmare. One sees glimpses of the future‚ another embodies tragedies from the past. There
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many common features at the same time. Haydn’s solo keyboard sonatas show striking diversity in type and style. They often could be categorized by their style periods and each of them reflects a corresponding social background. Sonatas composed from 1773 to 1784 were intended as "public" works from the very beginning‚ with a clear conception of the taste‚ preferences‚ and instruments available to the musical public of Vienna. The Sonata in F Major‚ Hob. XVI: 23; L38 written in 1773 for solo harpsichord
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women who lived through the war as Japanese prisoners of war. The play is a testimony‚ a memorial to their bravery and struggles for survival against all odds‚ including even the lack of recognition by the British of their existence. The Shoe Horn Sonata will only be produced by non government theatres. These theatres are usually low budget. Misto has tried to recreate the reality of the 1940’s. To do this the story is told through the dialogue and interaction of Bridie and Sheila. The use of music
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