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    The surrealism movement began in the early 1920s during World War I and II. Surrealism was a movement of art and literature aiming to express the subconscious mind by using dream like images (Dewitte). One of the early artists during this movement was Pablo Picasso. His painting‚ “Two Women in Front of a Window”‚ is an excellent example of surrealism and it also contains elements of cubism. In contrast‚ Philippe de Champaigne’s piece “The Repentant Magdalen”‚ was painted during the Middle ages and

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    Cafe Muller If there is one choreographer who was most frequently mentioned on in the past 30 years‚ it has been certainly Pina Bausch. As we know‚ she was the most influential German artist‚ who was a leading role in the development of a new form of the art﹣Dance Theater. In her excellent dance‚ Cafe Muller‚ Bausch displayed social and emotional damages that caused by the holocaust in Germany. The story was based on her actual childhood through experiencing her father’s life working with his cafe

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    Kathe Kollwitz was a German expressionist‚ she was born in Germany‚ during the 1920’s Europe was hit really hard by the World War. The horrors of the World war impacted European artists a lot. Their artworks were now much darker than they were before. The painting BROT! by Käthe-Kollwitz shows two young children pulling on their mother and asking for food. The mother looks very distraught and saddened. This artwork was created during the world war by Kathe as an anti-hunger statement. Kathe used

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    Robert Hobbs tells us in his article Early Abstract Expressionism and Surrealism‚ that over the years the Abstract Expressionists were stumbling through a number of half understood truths about modern art and attempting to find a way to communicate their feelings about the apocalyptic state of the world. The Abstract Expressionism movement is similar in many ways to the 1920’s Surrealism movement. There are similarities and differences between the two styles. Hobbs tells us that although both Surrealism

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    Modernism was a time when the definition of what was considered art drastically changed. A piece of art used to relate to how realistic that piece looked. Now art can be anything and could be distorted from reality to express a message. One artist at that time was Lyonel Feininger. Feininger was inspired by the Gothic style and his first trip to Germany in 1906 led to paintings of two medieval churches(“Regler Church‚ Erfurt.”). Lyonel first made a charcoal drawing of Regler Church in Erfurt Germany

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    By the time Surrealism emerged as a recognized artistic movement‚ several influential film genres had begun their push into a global cinematic conscience. Such genre-defining films as The Cabinet of Dr. Caligari (1920) and Nosferatu (1922) for German Expressionism‚ and Battleship Potemkin (1925) for Soviet Montage‚ were all released within a few years of Andre Breton’s First Manifesto of Surrealism in 1924. But Surrealism itself would not see its first film with popular recognition until later in

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    Artists have free will to decide whether or not their work will ‘go against the grain’ and stand out significantly from others of the time period. One particular painter stood out among the fellow artists of his family with one transitional painting. “Nude Descending a Staircase No.2” was an interesting painting where Marcel reflected the techniques and characteristics of his time‚ while also being unique from others by creating a controversial piece that served to stir up the society. The painting

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    THE 1920’s: MODERNISM Main writers from this period Oscar Wilde Joseph Conrad W.B. Yeats Henry James Arnold Bennett John Galsworthy H.G. Wells Modernism first came to England at the end of 19th century in the work of Oscar Wilde‚ the early W.B. Yeats and Joseph Conrad and later‚ Henry James. But in the first decade and a half of the century there is a reaction against the avant-garde movement and there is a return to a more realistic and traditional kind of writing (Arnold Bennett

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    The work of the Spanish painter Paco Pomet (Granada‚ 1970) inserts itself against the flow in the contemporary visual culture of intensive production of images vindicating the use of the imagination to challenge the common‚ and obsolete‚ perception of reality. For the execution of his paintings‚ the artist selects anonymous images‚ usually from photographic archives‚ and reproduces them with astonishing accuracy and exceptional technical mastery. Along with this operation‚ Pomet distorts the meaning

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    Born in Hanover‚ Germany in 1887 was the artist Kurt Schwitters. Swhwitters’ is known for his unique contribution to twentieth-century art and literature. In 1908 he began his study of art and of writing poetry. Between 1908 and 1914 he attended various art schools including Kunstschule in Hannover‚ Germany‚ and the Berliner Akademie de Kunste.1 He was labeled untalented in traditional academic art because of his influence from Dadaism‚ Cubism‚ German Expressionism‚ and similar avant-garde movements

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