performance. This was an unprecedented dance for me. It was the first time I would be highlighted amidst 14 other talented individuals. Dancers that could manifest our choreographer’s vision in a more proficient manner were sidelined. I felt petrified. It was indisputable that there was no room for mistake. Our choreographer would be watching and she had high expectations from me. Family‚ friends‚ and teachers were exhilarated to see the Herricks Dance Crew. They deserved a performance and we had
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The Falling Into Pieces Dance Concert performed March 25‚ 2007 was a blend of five distinct dances‚ each communicating a different message through the use of varying choreography and stage production arrangements. The concert’s opener Gasp depicts a resistance to bounds that hold one down. It’s All About Falling‚ the second piece‚ dealt with the concept of a transition from struggle and anguish to hope. The third dance piece‚ titled Holding Still‚ Tracing Past Moments‚ attempted to explore an
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Ugurlu‚ the director of “Marathon Dancing: Letters To Wall Street In The Era of Wonderful Nonsense” shows the history of the marathon dancing in the 1920s and 1930s. The performance is around two hours long‚ and without a rest time. The dance is held in Loree Dance Theater on Douglass Campus. The theater is very small‚ which not able to fit lots of people at the same time. There are
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was very nice in the fact this seemed like a true orchestra. Everyone on stage was quite formal. The ambiance reminded me of a classic venue‚ besides the fact that people were not dressed up. Other than that‚ it reminded me of a normal orchestra concert. The conductor was quite intriguing and it was very interesting because there was a combination of college students and young children. The first song that they played was Entrance of the Queen of Sheba by George F. Handel. This song had a very cheery
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Brass Ensemble at White Concert Hall at Washburn University. The concert consisted of trombones‚ bass trombones‚ euphoniums‚ and tubas. The program included two sections by different conductors. The first section‚ conducted by Jason Tacker‚ played “Fanfare‚” “Adagio for Tubas‚” and “Prelude in C-sharp Minor.” The second section‚ conducted by Karen Ballard‚ played “Sonata a Quattro‚” “Down in the River to Pray‚” and “Habanera (from Carmen).” I chose to attend this particular concert because I wondered
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Critique Analysis at the Dance Theatre On Sunday November 22‚ 2015‚ I went to the performance hall at Brookhaven Community College. Because I have to watch all six performances but only chose four of them to critique. I went by myself coming in from the left side and decided to sit in the eleventh row from the stage. On the left side of the stage there are three speakers and a long stand with three medium size lights. On the right side of the stage are four speakers and a long stand with three medium
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Dance Critique: The Rite of Spring The Rite of Spring was choreographed by Vaslav Nijinsky‚ a Russian dancer and choreographer. He joined The Imperial School of Ballet in 1900 and was later the lead dancer of the Ballet Russes. He eventually choreographed many works‚ one of them being Le Sacre du Printemps (The Rite of Spring) in 1913. He “exceeded the limits of traditional ballet” and the Rite was an example of this. In 1919 he was diagnosed with schizophrenia and spent the rest of his
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On Sunday‚ December 07‚ 2003‚ I attended the Mozart and The Height of Classicism concert that was held in the Lincoln Theater of the New World Symphony orchestral academy. Conducted by Nicholas McGegan featuring pianist Robert Levin. There were two pieces of music during this concert‚ one of the movements was performed by the pianist alone as a solo‚ Mr. Robert Levin. The program’s title was Wolfgang Amadeus Mozart‚ Chaconne from Idomeneo. The first piece was Concerto No. 24 in C minor for Piano
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I attended a performance called Organists of Iowa at the Martha-Ellen Tye Recital Hall in Ames on Sunday‚ March 26th at 3:00pm. This was their 29th annual recital. The performers were Miriam Zach‚ James Bovinette‚ and Amy Christensen. Not only do these performers play instruments‚ but they also teach music. What really pleased me about this performance was the large organ. I have never seen such a musical instrument like that one before in person. The performance was very loud‚ but the music they
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On Monday‚ September 27‚ I had the pleasure of attending a performance by the Amherst Jazz Orchestra. Founded and headed by Bandleader Dave Sporny this professional big band played rare and historically big band works to some of the newest original contemporary jazz music. The Amherst Brewing Company looked small from the outside‚ even when I got inside there were many dining tables and a small place by the window for a fifteen piece band to fit in. Surprisingly they all fit perfectly. They took
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